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|
- 2
- 00:00:31,790 --> 00:00:34,120
- Moving onto the Hollywood Freeway,
- we have a multiple vehicle...
- 3
- 00:00:34,370 --> 00:00:35,750
- multiple injury accident.
- 4
- 00:00:36,000 --> 00:00:38,710
- An absolute mess
- from VineStreet to the valley.
- 5
- 00:00:38,960 --> 00:00:41,050
- If you're in it,
- expect a long commute.
- 6
- 00:00:41,300 --> 00:00:43,470
- If you're not,
- seek alternate routes.
- 7
- 00:00:43,720 --> 00:00:45,760
- If Dan doesn't want to do a daily rate,
- we can talk about a weekly rate.
- 8
- 00:00:46,010 --> 00:00:48,970
- But I'm tellin' you right now,
- I'm not goin' below a million.
- 9
- 00:00:49,220 --> 00:00:51,100
- I mean, think about it.
- I'm risking my reputation...
- 10
- 00:00:51,350 --> 00:00:53,230
- as the host
- of this country's number-one...
- 11
- 00:00:53,480 --> 00:00:57,230
- nationally syndicated talk show to do
- a cameo in some cheap slasher flick.
- 12
- 00:00:57,480 --> 00:00:59,520
- I mean, why can't these guys write me
- a fuckin' decent part?
- 13
- 00:00:59,770 --> 00:01:02,110
- You know?
- I lived through the fuckin' thing.
- 14
- 00:01:02,360 --> 00:01:05,280
- By the way, did you talk to Cathy
- about that Navy SEAL script?
- 15
- 00:01:05,530 --> 00:01:09,030
- Hang on a sec.
- 16
- 00:01:09,370 --> 00:01:10,830
- - Hello?
- - Hello?
- 17
- 00:01:11,080 --> 00:01:13,250
- - Who's this?
- - Who's this?
- 18
- 00:01:13,500 --> 00:01:15,500
- - Who are you calling?
- - Oh. You know what?
- 19
- 00:01:15,750 --> 00:01:17,880
- - I'm sorry. I have the wrong number.
- - That's okay.
- 20
- 00:01:18,130 --> 00:01:20,710
- Wait a minute. I know your voice.
- 21
- 00:01:20,960 --> 00:01:25,680
- You sound a lot like that guy on TV.
- Um, Cotton Weary.
- 22
- 00:01:25,930 --> 00:01:27,640
- - I do, huh?
- - Yeah.
- 23
- 00:01:27,890 --> 00:01:31,060
- I think he's got
- a really sexy voice.
- 24
- 00:01:31,310 --> 00:01:33,220
- - Well, thank you.
- - Wait a minute.
- 25
- 00:01:33,470 --> 00:01:36,020
- You are Cotton, aren't you?
- Oh, my God.
- 26
- 00:01:36,270 --> 00:01:40,770
- I am talking to Cotton Weary.
- I can't believe this.
- 27
- 00:01:41,020 --> 00:01:43,190
- You got me. Look, I've—
- I've got someone on the other line.
- 28
- 00:01:43,440 --> 00:01:45,440
- Can you hold on one second?
- I'll be right back, I promise.
- 29
- 00:01:45,700 --> 00:01:48,700
- - Yeah.
- - Okay.
- - Yeah.
- 30
- 00:01:49,200 --> 00:01:53,910
- Andrea, uh, I gotta call you back.
- Someone's on the other line.
- 31
- 00:01:55,330 --> 00:01:59,460
- So, uh, you a big 100% Cotton fan?
- 32
- 00:01:59,710 --> 00:02:04,170
- - Yeah! One hundred and ten percent.
- - That's very good.
- 33
- 00:02:04,420 --> 00:02:08,090
- So, um, why don't you tell me
- who you are?
- 34
- 00:02:08,340 --> 00:02:12,220
- Ooh! You're a naughty boy, Cotton.
- Now, what would your girlfriend say?
- 35
- 00:02:12,470 --> 00:02:14,680
- What makes you think
- I have a girlfriend?
- 36
- 00:02:14,930 --> 00:02:16,560
- I know you do.
- 37
- 00:02:16,810 --> 00:02:20,650
- - I'm right outside her bathroom door.
- - Who is this?
- 38
- 00:02:20,900 --> 00:02:25,780
- She's in the shower.
- She's got a nice little voice.
- 39
- 00:02:26,030 --> 00:02:28,910
- Let's come in for a closer look.
- 40
- 00:02:29,160 --> 00:02:31,370
- She's very pretty, Cotton.
- 41
- 00:02:31,620 --> 00:02:34,490
- A step up from
- Maureen Prescott.
- 42
- 00:02:34,740 --> 00:02:37,910
- Speaking of which,
- let's play a little game.
- 43
- 00:02:38,160 --> 00:02:40,370
- Answer right,
- your girlfriend lives.
- 44
- 00:02:40,630 --> 00:02:42,540
- Answer wrong, she dies.
- 45
- 00:02:42,790 --> 00:02:45,590
- - Where's Maureen's daughter, Sidney?
- - Who the fuck is this?
- 46
- 00:02:45,840 --> 00:02:48,340
- Somebody who'd kill to know
- where Sidney Prescott is!
- 47
- 00:02:48,590 --> 00:02:52,140
- One chance, Cotton!
- You've got connections. Where is she?
- 48
- 00:02:52,390 --> 00:02:54,430
- You listen to me, you fuckin' psycho.
- You lay a finger on Christine...
- 49
- 00:02:54,680 --> 00:02:58,100
- - and I swear to God I'll kill you.
- - Wrong answer!
- 50
- 00:02:58,350 --> 00:03:03,730
- No! Wait!
- Hello? Shit!
- 51
- 00:03:04,320 --> 00:03:05,860
- - Hey!
- - Get outta the way!
- 52
- 00:03:06,110 --> 00:03:09,950
- - You just hit me!
- - Move!
- 53
- 00:03:34,180 --> 00:03:36,390
- Christine, if you're there,
- pick up the phone!
- 54
- 00:03:36,640 --> 00:03:41,690
- Christine, pick up the phone!
- Oh, shit!
- 55
- 00:04:09,300 --> 00:04:11,420
- You have reached 911.
- Due to the volume of calls—
- 56
- 00:04:11,670 --> 00:04:15,890
- Someone pick up the goddam phone!
- Move outta the way!
- 57
- 00:04:17,810 --> 00:04:21,890
- Shit! Shit!
- 58
- 00:04:38,740 --> 00:04:42,250
- Cotton, is that you?
- 59
- 00:04:42,960 --> 00:04:46,460
- Cotton?
- 60
- 00:04:51,800 --> 00:04:55,300
- Honey?
- 61
- 00:05:08,150 --> 00:05:11,650
- Okay, Cotton.
- 62
- 00:05:12,650 --> 00:05:16,410
- You know I don't like
- your Stab games.
- 63
- 00:05:21,580 --> 00:05:24,410
- - Who is it? Who's there?
- - Christine?
- 64
- 00:05:24,660 --> 00:05:26,170
- Hon, you all right?
- 65
- 00:05:26,420 --> 00:05:30,590
- - I'm home.
- - Jesus! You scared the shit outta me.
- 66
- 00:05:30,840 --> 00:05:35,880
- - You're not gonna believe
- what just happened to me.
- - What are you talking about?
- 67
- 00:05:51,770 --> 00:05:54,530
- - Get the hell out of here!
- - Okay. Okay, I'm sorry, babe.
- 68
- 00:05:54,780 --> 00:05:58,450
- I didn't mean to scare you that bad.
- It's me. Come on, open the door.
- 69
- 00:05:58,700 --> 00:06:02,240
- - What are you doing?
- - What?
- - What the fuck are you doing?
- 70
- 00:06:02,490 --> 00:06:05,870
- I was— I was just, you know, trying
- to take the game to the next level.
- 71
- 00:06:06,120 --> 00:06:08,290
- - I'm sorry. Come on,
- open the door, Chris.
- - The game?
- 72
- 00:06:08,540 --> 00:06:10,960
- - Yeah, the game!
- - What are you talking about?
- 73
- 00:06:11,210 --> 00:06:14,090
- I'm talking about how much fun it's
- gonna be to rip your insides out!
- 74
- 00:06:14,340 --> 00:06:17,170
- Now, open the fuckin' door, Christine!
- 75
- 00:06:17,430 --> 00:06:22,470
- - Oh, my God!
- - Now you're fuckin' history, baby!
- 76
- 00:06:38,860 --> 00:06:42,370
- Christine?
- 77
- 00:06:43,830 --> 00:06:47,330
- Hon?
- 78
- 00:06:48,330 --> 00:06:51,330
- The recent epidemic of roadrage
- in Los Angeles.
- 79
- 00:06:51,580 --> 00:06:54,670
- - Innocent commuters mercilessly
- terrorized, even killed...
- - Chris?
- 80
- 00:06:54,920 --> 00:06:58,880
- - by these madmen of the freeway.
- - Don't mess around, okay?
- 81
- 00:06:59,130 --> 00:07:01,970
- We're gonna make them confront their
- victims face-to-face, mano a mano...
- 82
- 00:07:02,220 --> 00:07:05,810
- right here on 100% Cotton.
- 83
- 00:07:06,060 --> 00:07:10,100
- There is carnage on our streets.
- And remember, it could happen to you.
- 84
- 00:07:10,350 --> 00:07:13,610
- Tomorrow on 100% Cotton!
- Roadrage.
- 85
- 00:07:13,860 --> 00:07:15,690
- L.A. drivers fight back.
- 86
- 00:07:15,940 --> 00:07:19,900
- The news is next on channel six with our
- exclusive entertainment report live...
- 87
- 00:07:20,150 --> 00:07:22,240
- from tonight's celebrity
- premiere in Hollywood...
- 88
- 00:07:22,490 --> 00:07:25,990
- followed by—
- 89
- 00:07:50,100 --> 00:07:53,600
- Oh, shit.
- 90
- 00:08:06,580 --> 00:08:09,450
- Chris?
- 91
- 00:08:09,700 --> 00:08:12,500
- Is that you, babe?
- 92
- 00:08:12,750 --> 00:08:15,790
- Chris, if you're in there,
- open the door. Okay, honey?
- 93
- 00:08:16,040 --> 00:08:20,670
- Chris? Come on, baby.
- Open the door.
- 94
- 00:08:24,720 --> 00:08:29,020
- Chris! Whoa, whoa, whoa!
- Jesus!
- 95
- 00:08:29,270 --> 00:08:31,430
- - It's me, Chris. What are you doin'?
- - Stay back.
- 96
- 00:08:31,680 --> 00:08:34,230
- Stay back.
- 97
- 00:08:34,480 --> 00:08:38,610
- - Chris, what's goin' on, babe?
- - You've gone crazy. That's what!
- 98
- 00:08:38,860 --> 00:08:40,900
- - Chris, was somebody in the house?
- - No! Get back!
- 99
- 00:08:41,150 --> 00:08:42,900
- Okay, okay, okay.
- Just calm down, okay?
- 100
- 00:08:43,150 --> 00:08:45,620
- - Why do you want to kill me?
- - What are you talking about?
- 101
- 00:08:45,870 --> 00:08:49,040
- - Why do you wanna kill me?
- - Gimme the club. All right, honey?
- Gimme the club.
- 102
- 00:08:49,290 --> 00:08:52,410
- Gimme the club, please.
- 103
- 00:08:52,660 --> 00:08:56,130
- Christine, get outta the way!
- 104
- 00:08:56,380 --> 00:09:00,380
- Behind you!
- 105
- 00:09:09,890 --> 00:09:13,390
- Shit!
- 106
- 00:09:27,370 --> 00:09:31,370
- It was a simple game, Cotton.
- You should've told me where Sidney was.
- 107
- 00:09:31,620 --> 00:09:35,460
- Now, you lose.
- 108
- 00:09:53,640 --> 00:09:57,140
- Come on.
- 109
- 00:10:11,580 --> 00:10:15,870
- Come on, Cherokee.
- Come on.
- 110
- 00:10:24,510 --> 00:10:28,010
- Come on.
- 111
- 00:10:36,480 --> 00:10:39,980
- Come on, Cherokee.
- 112
- 00:10:57,710 --> 00:10:59,420
- California Women's Crisis Counseling.
- 113
- 00:10:59,670 --> 00:11:02,590
- Hey, it's Laura from Monterrey reporting
- to work. Can you patch me in?
- 114
- 00:11:02,840 --> 00:11:05,710
- - Sure. Thanks, Laura.
- - Thank you.
- 115
- 00:11:05,960 --> 00:11:09,090
- California Women's Crisis Counseling.
- How can I help you?
- 116
- 00:11:09,340 --> 00:11:13,100
- Hi. Um, do I have to say my name?
- 117
- 00:11:13,350 --> 00:11:15,640
- No, you don't have to say anything
- you don't want to say.
- 118
- 00:11:15,890 --> 00:11:17,890
- - How can I help?
- - Um—
- 119
- 00:11:18,140 --> 00:11:22,100
- I'm 18 years old,
- and I have a boyfriend.
- 120
- 00:11:22,360 --> 00:11:24,570
- - Sometimes he hits me.
- - It's okay.
- 121
- 00:11:24,820 --> 00:11:27,820
- - You can talk to me, all right?
- - Thanks.
- 122
- 00:11:28,070 --> 00:11:30,780
- So, in closing, as
- the future journalists of America...
- 123
- 00:11:31,030 --> 00:11:32,870
- there is one thing
- that you need to remember.
- 124
- 00:11:33,120 --> 00:11:36,450
- Being the best means being willing
- to do what the others would not.
- 125
- 00:11:36,700 --> 00:11:39,370
- Break the rules.
- Stop at nothing.
- 126
- 00:11:39,620 --> 00:11:42,380
- Be willing to have the world hate you,
- because that is the only way...
- 127
- 00:11:42,630 --> 00:11:46,170
- that you'll get the story,
- the facts and the fame.
- 128
- 00:11:46,420 --> 00:11:48,170
- Thank you.
- 129
- 00:11:48,420 --> 00:11:52,680
- - Excuse me. Excuse me.
- - Yes?
- 130
- 00:11:52,930 --> 00:11:54,970
- So you're saying that we should
- be ready to go out...
- 131
- 00:11:55,220 --> 00:11:59,230
- and cut each other's throats
- because that's what you did.
- 132
- 00:11:59,480 --> 00:12:02,190
- - Metaphorically, yes.
- - Well, tell me, Miss Weathers.
- 133
- 00:12:02,440 --> 00:12:06,650
- - Was it worth it?
- - I'm so sorry. We're out of time.
- 134
- 00:12:06,900 --> 00:12:08,940
- Gale Weathers, anchor woman for
- Total Entertainment.
- 135
- 00:12:09,190 --> 00:12:12,700
- Thank you very much!
- 136
- 00:12:17,910 --> 00:12:20,250
- There is a young man outside
- who wants to see you.
- 137
- 00:12:20,500 --> 00:12:25,960
- - He says he's with the police.
- - The police?
- 138
- 00:12:27,090 --> 00:12:28,800
- - Detective Mark Kincaid, L.A.P.D.
- - Hello.
- 139
- 00:12:29,050 --> 00:12:30,880
- - That's quite an impressive resume.
- - Thank you.
- 140
- 00:12:31,130 --> 00:12:32,970
- I assume you're not here
- for an autograph.
- 141
- 00:12:33,220 --> 00:12:36,720
- I'm here because
- Cotton Weary's been murdered.
- 142
- 00:12:38,010 --> 00:12:39,640
- - Someone killed Cotton?
- - And his girlfriend.
- 143
- 00:12:39,890 --> 00:12:42,180
- Someone who left something
- he wanted us to see.
- 144
- 00:12:42,440 --> 00:12:44,980
- I'll show you this because
- you're the Woodsboro authority
- and because you knew him.
- 145
- 00:12:45,230 --> 00:12:48,570
- But I promise you,
- if you share this with the world,
- it's you I'll be arresting.
- 146
- 00:12:48,820 --> 00:12:52,570
- I swear on my Pulitzer Prize, which
- I plan to win one day, Detective.
- 147
- 00:12:52,820 --> 00:12:56,120
- This was left on Cotton Weary's body.
- You have any idea who the girl might be?
- 148
- 00:12:56,370 --> 00:12:58,990
- Oh, my God.
- 149
- 00:12:59,240 --> 00:13:03,790
- This is Maureen Prescott.
- This is Sidney Prescott's mother.
- 150
- 00:13:04,040 --> 00:13:05,830
- Hollywood is reeling today
- from news...
- 151
- 00:13:06,080 --> 00:13:09,340
- of the murder of controversial
- talkshow host Cotton Weary.
- 152
- 00:13:09,590 --> 00:13:12,050
- Weary had only recently finished
- shooting a cameo as himself...
- 153
- 00:13:12,300 --> 00:13:14,340
- in the film
- Stab 3, Return to Woodsboro...
- 154
- 00:13:14,590 --> 00:13:16,430
- the third and final part
- of the famous horror series...
- 155
- 00:13:16,680 --> 00:13:19,680
- based on the Woodsboro
- and Windsor College murders.
- 156
- 00:13:19,930 --> 00:13:22,640
- Before his rise to television fame,
- Cotton had been imprisoned...
- 157
- 00:13:22,890 --> 00:13:29,150
- and was later exonerated for the murder
- of Maureen Prescott, his former lover—
- 158
- 00:13:38,240 --> 00:13:41,240
- Just yesterday, Cotton Weary was
- shooting here at Sunrise Studios...
- 159
- 00:13:41,490 --> 00:13:44,790
- his first cameo
- in a feature film, Stab 3.
- 160
- 00:13:45,040 --> 00:13:48,710
- Security here is tight, but we'll see
- if we can get a statement. Excuse me.
- 161
- 00:13:48,960 --> 00:13:50,800
- Always a controversial man—
- 162
- 00:13:51,050 --> 00:13:53,710
- Channel Eight news.
- We gotta get in. We gotta get in.
- 163
- 00:13:53,970 --> 00:13:55,420
- No press beyond this point.
- 164
- 00:13:55,680 --> 00:13:59,430
- Alone at night
- he crosses flames
- 165
- 00:13:59,680 --> 00:14:05,600
- Ashe makes a fist
- with his red right hand
- 166
- 00:14:07,520 --> 00:14:09,980
- Look, you're worried about the movie,
- then protect the movie, okay?
- 167
- 00:14:10,230 --> 00:14:13,070
- Hire more security. Hire the National
- Guard. Just don't kill the movie.
- 168
- 00:14:13,320 --> 00:14:16,240
- Violence in cinema
- is a big deal right now, Roman.
- 169
- 00:14:16,490 --> 00:14:19,620
- This is not the kind of news
- this studio is after.
- 170
- 00:14:19,870 --> 00:14:21,740
- So if we stop making
- scary movies, what?
- 171
- 00:14:21,990 --> 00:14:23,830
- All the psychos in the world
- will retire? Come on.
- 172
- 00:14:24,080 --> 00:14:26,460
- I've been makin' horror movies for
- 30 years, never had a psycho problem.
- 173
- 00:14:26,710 --> 00:14:28,540
- He was your goddamn idea, guys.
- All right?
- 174
- 00:14:28,790 --> 00:14:32,710
- An ex-con with a trashy talk show?
- He must've pissed people off every day.
- 175
- 00:14:32,960 --> 00:14:35,380
- Detectives, there's no reason
- to presume that Cotton's death...
- 176
- 00:14:35,630 --> 00:14:37,550
- had anything to do
- with this movie, is there?
- 177
- 00:14:37,800 --> 00:14:43,970
- He was making a movie called Stab.
- He was stabbed.
- 178
- 00:14:44,770 --> 00:14:48,440
- Probably some psycho fan pissed off
- they killed Randy in Stab 2.
- 179
- 00:14:48,690 --> 00:14:50,520
- Well, Tyson, that'd make you next,
- wouldn't it?
- 180
- 00:14:50,770 --> 00:14:53,570
- I am not a Randy substitute.
- I'm my own character.
- 181
- 00:14:53,820 --> 00:14:56,400
- Named Ricky,
- who works at the video store.
- 182
- 00:14:56,650 --> 00:14:58,360
- It's an homage.
- 183
- 00:14:58,610 --> 00:15:01,700
- Hey! What if the killer's
- Sidney Prescott?
- 184
- 00:15:01,950 --> 00:15:03,990
- I mean, what the hell ever happened to
- her? She's probably off in the woods...
- 185
- 00:15:04,240 --> 00:15:06,580
- livin' like
- the fuckin' Unabomber, man.
- 186
- 00:15:06,830 --> 00:15:09,790
- I'm starting to see why
- Tori Spelling and David Schwimmer
- didn't want to come back.
- 187
- 00:15:10,040 --> 00:15:14,550
- Guys, this was about Cotton.
- We are not in any danger.
- 188
- 00:15:14,800 --> 00:15:19,010
- "We are not in any danger,"
- says Candy, page 15.
- 189
- 00:15:19,260 --> 00:15:21,090
- I don't see you leavin'.
- 190
- 00:15:21,340 --> 00:15:24,390
- You think serious black actors
- my age can just throw away jobs?
- 191
- 00:15:24,640 --> 00:15:28,480
- It's all a business now. They got
- Usher doing Pinter off-Broadway.
- 192
- 00:15:28,730 --> 00:15:30,770
- L.L. Cool J's
- Shakespearin' in the park.
- 193
- 00:15:31,020 --> 00:15:33,400
- - Yeah!
- - Maybe it's not meant to be.
- 194
- 00:15:33,650 --> 00:15:37,070
- Not meant to be? You win that
- talent search for the new Sidney.
- 195
- 00:15:37,320 --> 00:15:41,660
- 50,000 girls and they pick you. You
- gotta be praying this movie keeps going.
- 196
- 00:15:41,910 --> 00:15:44,530
- Of course I am, but not
- at the expense of people's lives.
- 197
- 00:15:44,780 --> 00:15:49,750
- Oh. Cue the violins, right?
- 198
- 00:16:00,170 --> 00:16:03,140
- Jesus.
- 199
- 00:16:05,930 --> 00:16:09,180
- Deja voodoo.
- 200
- 00:16:10,430 --> 00:16:14,310
- We need this area cleared, please.
- Clear it.
- 201
- 00:16:14,560 --> 00:16:17,110
- - Gale Weathers! Oh, my God!
- - Shit.
- 202
- 00:16:17,360 --> 00:16:20,240
- I— Listen,
- I-I— I know we've never met...
- 203
- 00:16:20,490 --> 00:16:22,820
- and I don't mind you never returning
- my calls, but I have to tell you...
- 204
- 00:16:23,070 --> 00:16:26,580
- after two films,
- I feel like I am in your mind.
- 205
- 00:16:26,830 --> 00:16:30,910
- Well, that would explain
- my constant headaches.
- 206
- 00:16:31,620 --> 00:16:34,000
- You know, I'm sorry things didn't
- work out on 60 Minutes II.
- 207
- 00:16:34,250 --> 00:16:36,840
- - But Total Entertainment,
- that's a pretty good fallback.
- - Thank you.
- 208
- 00:16:37,090 --> 00:16:39,300
- I'm sorry that things didn't
- work out with Brad Pitt...
- 209
- 00:16:39,550 --> 00:16:41,510
- but being single,
- that's a pretty good fallback.
- 210
- 00:16:41,760 --> 00:16:43,590
- Gives me more time
- for my work.
- 211
- 00:16:43,840 --> 00:16:46,390
- After all, Gale Weathers,
- you're such a complex character.
- 212
- 00:16:46,640 --> 00:16:50,890
- Oh, and to be played by an actress
- with such depth and range.
- 213
- 00:16:51,140 --> 00:16:54,900
- Uh, Jennifer,
- Nick said you wanted to—
- 214
- 00:16:54,940 --> 00:16:56,520
- Gale.
- 215
- 00:16:56,770 --> 00:16:59,780
- Dewey.
- 216
- 00:17:00,030 --> 00:17:05,320
- Well, surprise, surprise.
- Someone dies and Gale comes running.
- 217
- 00:17:05,570 --> 00:17:09,790
- Gale, I think you'll really appreciate
- my character work in this one.
- 218
- 00:17:10,040 --> 00:17:13,660
- - Someone's helped me
- understand the real you.
- - Someone?
- 219
- 00:17:13,920 --> 00:17:18,090
- Your ruthless ambition,
- your private self-loathing...
- 220
- 00:17:18,340 --> 00:17:21,090
- and that lost and lonely
- little girl inside.
- 221
- 00:17:21,340 --> 00:17:23,170
- Lost and lonely what?
- 222
- 00:17:23,420 --> 00:17:26,550
- You heard me.
- Thanks, Dewey, I'll return it.
- 223
- 00:17:26,800 --> 00:17:29,140
- Lost and lonely what?
- 224
- 00:17:29,390 --> 00:17:32,890
- - Little girl inside.
- - I thought you were
- supposed to be in Woodsboro.
- 225
- 00:17:33,140 --> 00:17:35,390
- Well, I'm surprised
- you thought about me at all.
- 226
- 00:17:35,650 --> 00:17:39,650
- Listen, I gotta get back to work.
- I really don't have time for this.
- 227
- 00:17:39,900 --> 00:17:42,070
- - Wait a minute. You work here?
- - Yeah.
- 228
- 00:17:42,320 --> 00:17:43,990
- The movie needed
- a technical advisor.
- 229
- 00:17:44,240 --> 00:17:46,780
- Someone who went through the real
- experience, knew the real people.
- 230
- 00:17:47,030 --> 00:17:50,240
- - Hey, Dewey.
- - Hey, Tom.
- 231
- 00:17:50,490 --> 00:17:53,410
- Hey! It's the real Gale Weathers.
- 232
- 00:17:53,660 --> 00:17:55,750
- Real from top to bottom.
- 233
- 00:17:56,000 --> 00:17:58,080
- Tom Prinze.
- Watch your show all the time.
- 234
- 00:17:58,330 --> 00:18:02,670
- You're so right. Pop culture
- is the politics of the 21 st century.
- 235
- 00:18:02,920 --> 00:18:04,670
- - Thank you.
- - And that story that you did...
- 236
- 00:18:04,920 --> 00:18:07,090
- last month on me crashing my car?
- 237
- 00:18:07,340 --> 00:18:10,470
- - Wow, was that ever powerful journalism.
- - Right, uh—
- 238
- 00:18:10,720 --> 00:18:13,930
- I especially liked the way
- you implied that it was caused
- by drinking and drugs.
- 239
- 00:18:14,180 --> 00:18:17,060
- And that the tyre blowout was faked.
- That was great.
- 240
- 00:18:17,310 --> 00:18:19,270
- Tom, sometimes in journalism
- you have to—
- 241
- 00:18:19,520 --> 00:18:21,940
- Are you parked in the lot?
- 'Cause I should check to make sure...
- 242
- 00:18:22,190 --> 00:18:26,900
- that nobody's messed
- with your brake line.
- 243
- 00:18:27,200 --> 00:18:31,700
- Who's he supposed to be?
- 244
- 00:18:32,790 --> 00:18:36,750
- He's playing you? Him?
- 245
- 00:18:37,000 --> 00:18:39,040
- What?
- 246
- 00:18:39,290 --> 00:18:41,460
- I did not come here
- to fight with you, Dewey.
- 247
- 00:18:41,710 --> 00:18:44,670
- - Cotton's killer left a picture.
- - Of Sid's mom.
- 248
- 00:18:44,920 --> 00:18:47,630
- - The detectives told me.
- - Well, does Sidney know about it?
- 249
- 00:18:47,880 --> 00:18:50,510
- Listen, Sidney doesn't need
- you and your camera in her life.
- 250
- 00:18:50,760 --> 00:18:54,180
- Do you see a camera?
- 251
- 00:18:55,600 --> 00:18:57,690
- Right. You bought me
- this purse, didn't you?
- 252
- 00:18:57,940 --> 00:18:59,770
- - Yeah.
- - Look, it's-it's a habit.
- 253
- 00:19:00,020 --> 00:19:01,810
- - I-I walk outta the house, I turn it on.
- - What the hell is this?
- 254
- 00:19:02,060 --> 00:19:03,650
- - It's like perfume.
- - Gale Weathers?
- 255
- 00:19:03,900 --> 00:19:06,240
- - Could I be more popular?
- - No press.
- 256
- 00:19:06,490 --> 00:19:08,950
- Mo press on set.
- Get that woman outta here.
- 257
- 00:19:09,200 --> 00:19:12,370
- - Yes, Mr Milton. Let's go.
- - Wait a minute. Wait a minute.
- Where is Detective Kincaid?
- 258
- 00:19:12,620 --> 00:19:14,450
- - I am working with Kincaid, Dewey.
- - Come on. Move along, miss. Let's go.
- 259
- 00:19:14,700 --> 00:19:21,790
- Rules are rules, Gale.
- But, really, it was great seeing you.
- 260
- 00:19:22,420 --> 00:19:25,670
- Stab 3 is a closed set. But just up
- ahead is the old Seinfeld stage.
- 261
- 00:19:25,920 --> 00:19:28,010
- Now, does anybody
- need a potty break?
- 262
- 00:19:28,260 --> 00:19:30,510
- - Oh, I do.
- - Yeah, me too.
- 263
- 00:19:30,760 --> 00:19:34,390
- Okay, let go!
- Thanks for your help, boys.
- 264
- 00:19:34,640 --> 00:19:38,520
- Holy shit, Silent Bob. It's that
- TV news chick, Connie-fuckin'-Chung!
- 265
- 00:19:38,770 --> 00:19:41,980
- Hey, Connie, how's Maury?
- 266
- 00:19:42,230 --> 00:19:47,860
- Dude, I think she likes me.
- See how she's lookin' at me?
- 267
- 00:19:48,820 --> 00:19:51,280
- It's happening again.
- 268
- 00:19:51,530 --> 00:19:53,950
- Cotton had a lot
- of enemies, Sid.
- 269
- 00:19:54,200 --> 00:19:57,950
- The police aren't saying
- it's related to us.
- 270
- 00:19:58,700 --> 00:20:02,210
- Do you ever think about her?
- 271
- 00:20:03,130 --> 00:20:04,670
- Your mom?
- 272
- 00:20:04,920 --> 00:20:08,010
- None of this would've
- ever happened if she hadn't—
- 273
- 00:20:08,260 --> 00:20:11,760
- if she hadn't—
- 274
- 00:20:14,180 --> 00:20:16,390
- Why'd she have
- so many secrets, Dad?
- 275
- 00:20:16,640 --> 00:20:20,730
- Listen, maybe it's time
- you came home.
- 276
- 00:20:21,310 --> 00:20:24,520
- I'm worried about you, kid. Out here
- by yourself. You never see anyone.
- 277
- 00:20:24,770 --> 00:20:28,480
- The only people you talk to
- don't even know your real name.
- 278
- 00:20:28,730 --> 00:20:32,410
- It's as if you don't exist.
- 279
- 00:20:33,950 --> 00:20:40,040
- That's the idea. Psychos
- can't kill what they can't find.
- 280
- 00:21:57,200 --> 00:22:00,240
- Sid, come here.
- 281
- 00:22:00,490 --> 00:22:03,120
- Mother needs to talk to you.
- 282
- 00:22:03,370 --> 00:22:06,920
- Everything you touch, Sid, dies!
- 283
- 00:22:07,170 --> 00:22:10,880
- You're poison.
- You're just like me.
- 284
- 00:22:11,130 --> 00:22:15,010
- You're just like me.
- 285
- 00:22:15,260 --> 00:22:21,100
- Oh, my God!
- What have they done to me?
- 286
- 00:22:22,470 --> 00:22:23,980
- They'll do it to you.
- 287
- 00:22:24,230 --> 00:22:28,060
- - They'll do it to you, baby.
- - Mom?
- 288
- 00:23:17,240 --> 00:23:20,740
- Roman?
- 289
- 00:23:21,870 --> 00:23:26,910
- Stab 3.
- Jesus, I gotta get a new agent.
- 290
- 00:23:27,750 --> 00:23:31,250
- Roman?
- 291
- 00:23:38,550 --> 00:23:42,050
- Someone here?
- 292
- 00:23:49,100 --> 00:23:51,020
- Stan, my man.
- He does good work, huh?
- 293
- 00:23:51,270 --> 00:23:53,110
- - Thank you. Thank you very much.
- - Fuck you very much.
- 294
- 00:23:53,360 --> 00:23:57,240
- - Tyson, go to hell.
- - Well, excuse us, Sarah. Makeup tests.
- 295
- 00:23:57,490 --> 00:24:00,320
- Yeah, makeup. You can use it.
- Damn it, have you seen Roman?
- 296
- 00:24:00,570 --> 00:24:02,950
- Look, everyone in the office
- has gone home already.
- 297
- 00:24:03,200 --> 00:24:08,080
- - He said it was important.
- - Everything's important to Roman.
- 298
- 00:24:31,140 --> 00:24:34,650
- Oh, shit!
- 299
- 00:24:41,900 --> 00:24:44,200
- - Director's office.
- - Sarah, it's Roman.
- 300
- 00:24:44,450 --> 00:24:47,370
- I'm sorry I'm running late. I'm still
- on the 405. I'm about ten minutes away.
- 301
- 00:24:47,620 --> 00:24:52,080
- Oh, it's no problem. I'm just
- lookin' at your music video awards.
- 302
- 00:24:52,330 --> 00:24:55,710
- Since I got you on thephone, let's—
- let's talk about your character, okay?
- 303
- 00:24:55,960 --> 00:24:58,960
- What character? I'm Candy,
- the chick who gets killed second.
- 304
- 00:24:59,210 --> 00:25:02,380
- - I'm only in two scenes.
- - You're not happy with your part.
- 305
- 00:25:02,630 --> 00:25:06,470
- I'm not happy that I am
- 35 playing a 21-year-old.
- 306
- 00:25:06,720 --> 00:25:08,680
- I'm not happy
- that I have to die naked.
- 307
- 00:25:08,930 --> 00:25:11,770
- And I'm not happy that my character is
- too stupid to have a gun in the house...
- 308
- 00:25:12,020 --> 00:25:14,850
- after her boyfriend's
- been cut into fish sticks.
- 309
- 00:25:15,100 --> 00:25:18,360
- Great, okay.
- So let's—let's run the lines.
- 310
- 00:25:18,610 --> 00:25:20,230
- Fine.
- 311
- 00:25:20,480 --> 00:25:24,990
- Page28.
- Candy's big moment.
- 312
- 00:25:26,450 --> 00:25:29,330
- Page 28.
- 313
- 00:25:29,580 --> 00:25:31,910
- Ring-ring.
- Hello?
- 314
- 00:25:32,160 --> 00:25:34,620
- - Hello?
- - Who's this?
- 315
- 00:25:34,870 --> 00:25:36,920
- - Who's this?
- - This is Candy.
- 316
- 00:25:37,170 --> 00:25:39,050
- Hang on.
- Let me get some clothes.
- 317
- 00:25:39,300 --> 00:25:42,170
- See? I don't understand why I have
- to start the scene in the shower.
- 318
- 00:25:42,420 --> 00:25:45,890
- The whole shower thing's been done.
- Vertigo. Hello?
- 319
- 00:25:46,140 --> 00:25:50,430
- And I mean, my boyfriend just died.
- Why am I showering?
- 320
- 00:25:50,680 --> 00:25:52,730
- Why don't we just read the scene?
- 321
- 00:25:52,980 --> 00:25:57,940
- Candy. Nice name. Is that like
- Candy Cane or Candy Apple?
- 322
- 00:25:58,190 --> 00:26:00,480
- Whatever.
- 323
- 00:26:00,730 --> 00:26:02,860
- Come on.
- Who is this?
- 324
- 00:26:03,110 --> 00:26:05,280
- I think you have
- the wrong number.
- 325
- 00:26:05,530 --> 00:26:09,030
- - But you know my favourite name?
- - I'm hanging up right now.
- 326
- 00:26:09,280 --> 00:26:11,120
- It's Sarah.
- 327
- 00:26:11,370 --> 00:26:14,620
- Roman, that's not the line.
- 328
- 00:26:14,870 --> 00:26:17,290
- It is in my script.
- 329
- 00:26:17,540 --> 00:26:20,340
- Has there been another goddam rewrite?
- How the fuck...
- 330
- 00:26:20,590 --> 00:26:23,460
- are we supposed to learn our lines when
- there's a new script every 15 minutes?
- 331
- 00:26:23,710 --> 00:26:27,550
- It's not just a new script.
- It's a new movie.
- 332
- 00:26:27,800 --> 00:26:31,100
- - What? What movie?
- - My movie.
- 333
- 00:26:31,350 --> 00:26:36,440
- And it's called Sarah Gets
- Skewered Like a Fuckin' Pig!
- 334
- 00:26:36,690 --> 00:26:41,820
- Still in character, Sarah?
- 335
- 00:26:56,830 --> 00:27:00,330
- Shit.
- 336
- 00:27:22,400 --> 00:27:24,610
- Thank you for calling
- Sunrise Picture Studios.
- 337
- 00:27:24,860 --> 00:27:28,530
- If you'd like today's
- commissary menu, press one.
- 338
- 00:27:30,490 --> 00:27:33,990
- Mr Bridger?
- 339
- 00:27:47,380 --> 00:27:50,050
- If you'd like to hear previews of
- upcoming Sunrise Pictures'releases...
- 340
- 00:27:50,300 --> 00:27:51,430
- press four.
- 341
- 00:27:51,680 --> 00:27:53,640
- If you'd like information about
- Sunrise Pictures' merchandise...
- 342
- 00:27:53,890 --> 00:27:56,850
- - Come on. Come on.
- - press five.
- 343
- 00:27:57,100 --> 00:28:02,860
- If you're trying to reach Lot Security
- or you have an emergency, press six.
- 344
- 00:28:11,070 --> 00:28:13,780
- Shit!
- 345
- 00:28:19,290 --> 00:28:23,380
- Oh! Fuck!
- 346
- 00:28:38,720 --> 00:28:41,100
- Look, I wanna get something straight.
- 347
- 00:28:41,350 --> 00:28:45,980
- I only got into this because
- the police asked for my help.
- 348
- 00:28:46,150 --> 00:28:48,190
- - Why would the police come to you?
- - Well, I did write..
- 349
- 00:28:48,440 --> 00:28:50,440
- the definitive book
- on the Woodsboro murders.
- 350
- 00:28:50,700 --> 00:28:53,490
- I'm sure you just can't wait
- to write another one.
- 351
- 00:28:53,740 --> 00:28:56,280
- - What about you?
- - What about me?
- 352
- 00:28:56,530 --> 00:29:01,080
- You said you'd never leave Woodsboro.
- "It's the only place that's real."
- 353
- 00:29:01,330 --> 00:29:05,420
- But now you're here.
- Not with me.
- 354
- 00:29:06,170 --> 00:29:08,000
- Dewey, I took care of you.
- 355
- 00:29:08,250 --> 00:29:10,840
- I waited until you were well,
- but I couldn't stay there.
- 356
- 00:29:11,090 --> 00:29:14,180
- It was like dog years. One year in
- Woodsboro is like seven anywhere else.
- 357
- 00:29:14,430 --> 00:29:19,220
- So it's off to Paris for a week?
- New York for a month? L.A. forever?
- 358
- 00:29:19,470 --> 00:29:22,100
- It was fucking 60 Minutes II.
- 359
- 00:29:22,350 --> 00:29:24,190
- - I couldn't say no. I could've
- been the next Diane Sawyer.
- - Wait a minute.
- 360
- 00:29:24,440 --> 00:29:29,650
- What's wrong with just being
- Gale Weathers? I liked her.
- 361
- 00:29:31,900 --> 00:29:34,360
- It didn't work, Dewey.
- We tried. We're different.
- 362
- 00:29:34,610 --> 00:29:38,280
- You used to say
- that was our strength.
- 363
- 00:29:40,200 --> 00:29:43,790
- - Well—
- - Here you go.
- - Thank you.
- 364
- 00:29:44,170 --> 00:29:47,960
- Dewey, you're not just here because
- of that second-rate K-Mart...
- 365
- 00:29:48,210 --> 00:29:50,050
- straight-to-video
- version of me, are you?
- 366
- 00:29:50,300 --> 00:29:56,720
- Brace yourself, Gale.
- All of this is actually not about you.
- 367
- 00:29:57,390 --> 00:30:02,020
- All of what, Dewey?
- You do know something, don't you?
- 368
- 00:30:02,600 --> 00:30:05,140
- - Off the record?
- - Always.
- 369
- 00:30:05,390 --> 00:30:08,110
- Two months ago, the Woodsboro police
- got a call from a woman...
- 370
- 00:30:08,360 --> 00:30:10,190
- who said she was with Stab 3.
- 371
- 00:30:10,440 --> 00:30:13,030
- She wanted to see the file
- on Sid, "for research."
- 372
- 00:30:13,280 --> 00:30:15,110
- - And?
- - The boys said no.
- 373
- 00:30:15,360 --> 00:30:17,200
- And she wouldn't give her name.
- 374
- 00:30:17,450 --> 00:30:19,950
- A month later,
- the station gets broken into.
- 375
- 00:30:20,200 --> 00:30:23,080
- - The file room gets ransacked.
- - And someone stole Sid's file?
- 376
- 00:30:23,330 --> 00:30:26,830
- I already removed it.
- 377
- 00:30:27,080 --> 00:30:30,290
- I think someone on the film
- is tryin' to find Sid.
- 378
- 00:30:30,540 --> 00:30:35,340
- - I'm sorry, this is incredible.
- - I said, "off the record."
- 379
- 00:30:35,930 --> 00:30:38,970
- Right.
- 380
- 00:30:41,010 --> 00:30:42,720
- It's Jennifer.
- She needs me.
- 381
- 00:30:42,970 --> 00:30:45,350
- - Jennifer?
- - Gotta run.
- 382
- 00:30:45,600 --> 00:30:49,440
- - Wait! Dewey, where are you going?
- - I'm on duty.
- 383
- 00:31:02,740 --> 00:31:04,790
- Stop following me.
- 384
- 00:31:05,040 --> 00:31:08,120
- I happen to be working
- for the police, damn it!
- 385
- 00:31:08,370 --> 00:31:11,840
- - You're not a detective, Gale.
- - Neither are you, Mr Incognito.
- 386
- 00:31:12,090 --> 00:31:15,920
- - Uh, you left your motor running.
- - Damn it.
- 387
- 00:31:16,170 --> 00:31:20,510
- Fans, I can handle. Fans, they want
- a picture, they want a conversation.
- 388
- 00:31:20,760 --> 00:31:23,010
- I can handle fans!
- You see this, Dewey?
- 389
- 00:31:23,260 --> 00:31:26,930
- I haven't had one of these in a year and
- a half. Someone's gonna pay for this.
- 390
- 00:31:27,180 --> 00:31:30,860
- - Jennifer, settle down. What happened?
- - I'm with him.
- - You.
- 391
- 00:31:31,110 --> 00:31:33,480
- Like I'm ever going
- to win an award playing you.
- 392
- 00:31:33,730 --> 00:31:36,740
- - There's been a second murder.
- - Who?
- 393
- 00:31:36,990 --> 00:31:38,820
- - Sarah Darling.
- - Where?
- 394
- 00:31:39,070 --> 00:31:41,410
- - At the studio.
- - Where? Nancy Drew
- wants to know where.
- 395
- 00:31:41,660 --> 00:31:44,700
- Cotton Weary. Sarah Darling.
- Don't you get it?
- 396
- 00:31:44,950 --> 00:31:49,580
- Someone's killing them in the order
- they die in the movie.
- 397
- 00:31:50,460 --> 00:31:55,340
- - Dewey, who gets killed third?
- - Who gets killed third?
- 398
- 00:31:59,430 --> 00:32:03,010
- You do.
- 399
- 00:32:11,650 --> 00:32:14,520
- I get killed in Stab 3?
- I get killed?
- 400
- 00:32:14,770 --> 00:32:17,360
- - Yeah.
- - Dewey, where are you going?
- 401
- 00:32:17,610 --> 00:32:19,990
- I have to get something
- from my trailer.
- 402
- 00:32:20,240 --> 00:32:23,200
- Your—
- You live here with her?
- 403
- 00:32:23,450 --> 00:32:26,160
- - Yeah.
- - Oh, my God!
- 404
- 00:32:26,410 --> 00:32:28,830
- I needed a place to stay,
- and she said she liked having me around.
- 405
- 00:32:29,080 --> 00:32:33,000
- - Why?
- - She says I make her feel safe.
- 406
- 00:32:33,250 --> 00:32:36,130
- - She says I'm her rock.
- - Her rock?
- 407
- 00:32:36,380 --> 00:32:39,050
- Yeah. If you weren't so concerned
- with pretensions and appearances...
- 408
- 00:32:39,300 --> 00:32:42,090
- you'd be able to appreciate the
- positivity and emotional centeredness...
- 409
- 00:32:42,340 --> 00:32:46,180
- I provide a woman.
- 410
- 00:32:47,520 --> 00:32:50,390
- Stone, I'm headed
- to the crime scene.
- 411
- 00:32:50,640 --> 00:32:56,190
- You stay by Jennifer's side.
- I suggest a search of the grounds.
- 412
- 00:32:56,440 --> 00:32:59,690
- Hey, Dewdrop.
- Can I have a word?
- 413
- 00:32:59,940 --> 00:33:03,910
- Just so it can be straight. I'm
- the professional celebrity guard here.
- 414
- 00:33:04,160 --> 00:33:06,740
- My resume lists Julia Roberts,
- Salmon Rushdie, Posh Spice.
- 415
- 00:33:06,990 --> 00:33:09,790
- You are the Hollywood hanger-oner.
- 416
- 00:33:10,040 --> 00:33:12,160
- 'Cause you're just no good
- as a cop any more.
- 417
- 00:33:12,420 --> 00:33:14,170
- Your resume reads
- like the obituaries.
- 418
- 00:33:14,420 --> 00:33:17,090
- So how about you take suggestions
- from me? All right?
- 419
- 00:33:17,340 --> 00:33:20,840
- Whatever you say.
- 420
- 00:33:21,220 --> 00:33:23,680
- Hmm. Same deal?
- Found with the body?
- 421
- 00:33:23,930 --> 00:33:27,140
- - Yeah, Maureen Prescott again.
- - This is great.
- 422
- 00:33:27,390 --> 00:33:29,890
- Ten more murders
- and we can publish a calendar.
- 423
- 00:33:30,140 --> 00:33:31,980
- The old "killer playing
- with the cops" routine.
- 424
- 00:33:32,230 --> 00:33:35,900
- Very Hannibal Lecter.
- Very Seven.
- 425
- 00:33:36,150 --> 00:33:38,610
- Doesn't the killer come after
- the cops in those movies?
- 426
- 00:33:38,860 --> 00:33:40,690
- Usually one cop makes it.
- 427
- 00:33:40,940 --> 00:33:45,070
- - And?
- - One cop doesn't.
- 428
- 00:33:45,320 --> 00:33:47,160
- - Usually.
- - Detective Kincaid.
- 429
- 00:33:47,410 --> 00:33:49,790
- - What do we know? Same killer?
- - Hey, hey.
- 430
- 00:33:50,040 --> 00:33:53,160
- Terminal Entertainment,
- this is a crime scene, okay?
- 431
- 00:33:53,410 --> 00:33:55,460
- Wallace, Miss Weathers
- is working with me now.
- 432
- 00:33:55,710 --> 00:33:57,420
- - Thank you, Detective.
- - You're welcome.
- 433
- 00:33:57,670 --> 00:34:01,260
- Well, in that case, I'm gonna go dust
- for fingerprints with Jane Pauley.
- 434
- 00:34:01,510 --> 00:34:05,340
- Uh, photos, Wallace, please?
- Thank you.
- 435
- 00:34:05,590 --> 00:34:08,430
- New pictures, same person.
- Anything turn up on your research yet?
- 436
- 00:34:08,680 --> 00:34:12,060
- - Nothing that will help with these.
- - What about an increased
- police presence around Jennifer?
- 437
- 00:34:12,310 --> 00:34:15,810
- - She's the next one
- to get killed in the script.
- - She has a bodyguard.
- 438
- 00:34:16,060 --> 00:34:18,900
- And besides, the producers told us
- that there were three different
- versions of the script.
- 439
- 00:34:19,150 --> 00:34:21,650
- Something about trying to keep
- the ending off the Internet.
- You should know that.
- 440
- 00:34:21,900 --> 00:34:24,700
- You're the technical advisor, right?
- 441
- 00:34:24,950 --> 00:34:27,700
- Three versions.
- Three different characters die next.
- 442
- 00:34:27,950 --> 00:34:30,160
- And we don't know which one
- the killer read.
- 443
- 00:34:30,410 --> 00:34:33,830
- Hey, hold up.
- 444
- 00:34:34,460 --> 00:34:37,830
- All I ever wanted to do
- was make a real classic lovestory.
- 445
- 00:34:38,080 --> 00:34:40,800
- And the studio said they'd let me.
- I just had to do
- a scary movie for them first.
- 446
- 00:34:41,050 --> 00:34:43,170
- And now we're shut down,
- and I am fucked!
- 447
- 00:34:43,420 --> 00:34:45,510
- God, it's not the end
- of the world, Roman.
- 448
- 00:34:45,760 --> 00:34:49,720
- That is so easy for you to say. You can
- always go back to, to MustSee TV.
- 449
- 00:34:49,970 --> 00:34:54,390
- You know, I have no movie,
- I'm about to turn 30, and it
- looks like I'm now the next target.
- 450
- 00:34:54,640 --> 00:34:58,150
- - What?
- - You? Why you?
- 451
- 00:34:58,270 --> 00:35:00,400
- Do you think this wasn't a message?
- 452
- 00:35:00,650 --> 00:35:03,110
- - Roman Bridger?
- - What?
- 453
- 00:35:03,360 --> 00:35:05,240
- Mr Bridger,
- you didn't tell us...
- 454
- 00:35:05,490 --> 00:35:07,700
- you spoke with Sarah Darling
- before she was murdered.
- 455
- 00:35:07,950 --> 00:35:09,570
- Uh, spoke with her, uh, when?
- 456
- 00:35:09,820 --> 00:35:12,910
- The guard said she was here
- for a meeting with you.
- 457
- 00:35:13,160 --> 00:35:15,500
- - What meeting? I don't—
- - We talked with her roommate too.
- 458
- 00:35:15,750 --> 00:35:18,580
- Says you called Sarah,
- told her to come down to the studio.
- 459
- 00:35:18,830 --> 00:35:20,670
- - Roommate answered the phone.
- Says it was you.
- - Wait a minute. No, no.
- 460
- 00:35:20,920 --> 00:35:22,750
- I-I never called her.
- I never told her to go anywhere.
- 461
- 00:35:23,000 --> 00:35:24,880
- Roommate says she knows
- your voice, Mr Bridger.
- 462
- 00:35:25,130 --> 00:35:29,390
- Well, she wasn't speaking with me! God!
- Look, I did not call Sarah Darling.
- 463
- 00:35:29,640 --> 00:35:32,720
- - Sarah Darling said you did.
- - Someone's trying to ruin my movie.
- 464
- 00:35:32,970 --> 00:35:34,640
- Someone wants to kill
- my movie!
- 465
- 00:35:34,890 --> 00:35:37,270
- All right, we'll talk about
- your movie down at the station.
- 466
- 00:35:37,520 --> 00:35:40,440
- - All right.
- - This is the scene
- where you come with us.
- 467
- 00:35:40,690 --> 00:35:43,820
- Dewey, Jennifer—
- Wait a minute.
- 468
- 00:35:44,070 --> 00:35:46,900
- She wasn't talking with me
- on the phone. I'm coming!
- 469
- 00:35:47,150 --> 00:35:51,950
- I'll call him in. Battery. Mr Riley,
- do you have a cell phone I can borrow?
- 470
- 00:35:52,200 --> 00:35:55,540
- Yeah.
- 471
- 00:35:55,790 --> 00:35:58,500
- - Thank you.
- - God. Roman.
- 472
- 00:35:58,750 --> 00:36:01,330
- Remind me not
- to sleep with him again.
- 473
- 00:36:01,580 --> 00:36:05,090
- Come here, Cherokee.
- 474
- 00:36:06,340 --> 00:36:08,760
- California Women's Crisis Counseling.
- My name is Laura. How can I help you?
- 475
- 00:36:09,010 --> 00:36:12,930
- Oh, Laura.
- I do have a crisis.
- 476
- 00:36:13,180 --> 00:36:15,770
- Okay, well, whatever it is,
- you can tell me.
- 477
- 00:36:16,020 --> 00:36:20,560
- Oh, my God.
- I've killed someone, Laura.
- 478
- 00:36:20,690 --> 00:36:22,650
- - Are you sure?
- - Uh-huh, I'm sure.
- 479
- 00:36:22,900 --> 00:36:25,940
- I killed someone, I know it!
- Oh, my God.
- 480
- 00:36:26,190 --> 00:36:28,570
- - Well, then, um—
- - I did.
- 481
- 00:36:28,820 --> 00:36:30,610
- Then the people you need to call
- are the police.
- 482
- 00:36:30,860 --> 00:36:35,160
- No, I need to call you!
- Just you.
- 483
- 00:36:35,410 --> 00:36:37,250
- I'm sorry, your-your voice—
- 484
- 00:36:37,500 --> 00:36:42,880
- Don't you wanna know
- how you can help, Laura?
- 485
- 00:36:46,000 --> 00:36:48,510
- Are you listening to me?
- Huh?
- 486
- 00:36:48,760 --> 00:36:51,970
- - Who is this?
- - It's Mother, Laura.
- 487
- 00:36:52,220 --> 00:36:55,810
- Now, be a good girl
- and turn on the news.
- 488
- 00:36:56,060 --> 00:36:59,640
- Do as Mother tells you!
- 489
- 00:36:59,890 --> 00:37:02,650
- You're not my mother. How did you
- get this number? Who is this?
- 490
- 00:37:02,900 --> 00:37:05,650
- You know your mother's voice
- when you hear it!
- 491
- 00:37:05,900 --> 00:37:10,190
- Now, turn on the news!
- 492
- 00:37:11,860 --> 00:37:13,910
- And with a second cast member
- murdered, Stab 3...
- 493
- 00:37:14,160 --> 00:37:16,740
- has been officially shut down,
- prompting those involved...
- 494
- 00:37:16,990 --> 00:37:19,120
- to hope and pray that
- these killings maybe over.
- 495
- 00:37:19,370 --> 00:37:21,080
- Just one question.
- 496
- 00:37:21,330 --> 00:37:26,460
- Do you think it's over, Sidney?
- Do you?
- 497
- 00:37:49,980 --> 00:37:53,990
- The sky was dark this morning
- 498
- 00:37:55,030 --> 00:37:58,700
- Not a bird in a tree
- 499
- 00:38:05,750 --> 00:38:07,630
- Is this a wrap party
- or is this a wrap party?
- 500
- 00:38:07,880 --> 00:38:11,670
- Scene 34.
- "Maureen's Murder Flashback."
- 501
- 00:38:11,920 --> 00:38:15,720
- - I never liked that scene.
- - That's 'cause you weren't in it.
- 502
- 00:38:15,970 --> 00:38:17,850
- Scenes 40 through 47.
- 503
- 00:38:18,100 --> 00:38:22,810
- - "The Prescott House Flashbacks."
- - Tom, stop it.
- 504
- 00:38:23,060 --> 00:38:24,850
- You're scaring me.
- Two people are dead.
- 505
- 00:38:25,100 --> 00:38:27,230
- Scaring you?
- 506
- 00:38:27,480 --> 00:38:30,820
- Give the sweet,
- young ingenue act a rest.
- 507
- 00:38:31,070 --> 00:38:35,610
- - You're drunk.
- - I'm coping.
- 508
- 00:38:36,780 --> 00:38:40,160
- I bet she fought and clawed
- for that Sidney part.
- 509
- 00:38:40,410 --> 00:38:43,000
- I bet she stepped on any poor girl
- that got in her way.
- 510
- 00:38:43,250 --> 00:38:47,460
- - So you asked her out and she said no?
- - That has nothing to do with it.
- 511
- 00:38:47,710 --> 00:38:50,000
- Right.
- Come on, Dewey.
- 512
- 00:38:50,250 --> 00:38:52,460
- Scene 50.
- 513
- 00:38:52,710 --> 00:38:56,800
- "Dewey Saves the Day."
- 514
- 00:39:25,620 --> 00:39:27,460
- She's so focused on success
- that she never thinks...
- 515
- 00:39:27,710 --> 00:39:29,540
- about who she's hurting
- to get it.
- 516
- 00:39:29,790 --> 00:39:31,750
- And you saved her life, like,
- how many times?
- 517
- 00:39:32,000 --> 00:39:33,840
- Gale wants the whole world
- to love her.
- 518
- 00:39:34,090 --> 00:39:36,760
- One person's never enough.
- She's a dreamer.
- 519
- 00:39:37,010 --> 00:39:40,220
- - No, she's a narcissistic, psycho bitch.
- - No, she's not.
- 520
- 00:39:40,470 --> 00:39:42,510
- She's got a good heart.
- She does.
- 521
- 00:39:42,760 --> 00:39:49,100
- She just hides it away because
- she thinks people see that as weak.
- 522
- 00:39:49,770 --> 00:39:52,820
- This is a good picture of you.
- You look just like her.
- 523
- 00:39:53,070 --> 00:39:55,230
- God, Dewey.
- 524
- 00:39:55,480 --> 00:39:58,530
- You make it sound like
- you're still in love with her.
- 525
- 00:39:58,780 --> 00:40:00,620
- And I left out the part
- that she's cruel...
- 526
- 00:40:00,870 --> 00:40:06,870
- and selfish,
- obsessive and annoying.
- 527
- 00:40:07,290 --> 00:40:10,120
- We have one Gale Weathers here.
- We don't need two.
- 528
- 00:40:10,370 --> 00:40:15,340
- Hey, Dewdrop,
- got your girlfriend out here.
- 529
- 00:40:17,300 --> 00:40:20,640
- Look who I found slinkin'
- around the yard. The nightly news.
- 530
- 00:40:20,890 --> 00:40:22,800
- I wasn't slinking.
- I was walking.
- 531
- 00:40:23,050 --> 00:40:25,430
- You were eaves dropping
- at the bedroom window.
- 532
- 00:40:25,680 --> 00:40:28,270
- Yeah, a bedroom that
- you seemed awfully at home in.
- 533
- 00:40:28,520 --> 00:40:31,150
- All right, let's talk.
- 534
- 00:40:31,400 --> 00:40:34,400
- Come on.
- 535
- 00:40:34,650 --> 00:40:37,400
- - What's this about, Gale?
- - Did you know they released Roman?
- 536
- 00:40:37,650 --> 00:40:39,400
- Sarah's call didn't come
- from his cell phone.
- 537
- 00:40:39,650 --> 00:40:43,320
- - Where did it come from then?
- - A cloned cell phone. It's untraceable.
- 538
- 00:40:43,570 --> 00:40:46,080
- Well, thanks for the update, Gale.
- Why don't you just go back home?
- 539
- 00:40:46,330 --> 00:40:50,540
- Dewey, wait a minute.
- Just wait one second.
- 540
- 00:40:51,040 --> 00:40:53,380
- How old do you think
- Maureen Prescott is in this picture?
- 541
- 00:40:53,630 --> 00:40:56,130
- - Nineteen, twenty.
- - That's what I thought,
- so I checked it out.
- 542
- 00:40:56,380 --> 00:40:59,840
- I cannot find any information about
- her at this age. I mean, nothing.
- 543
- 00:41:00,090 --> 00:41:03,680
- She lived in Woodsboro her whole life.
- Someone there must know something.
- 544
- 00:41:03,930 --> 00:41:06,260
- Almost her whole life.
- Two years before...
- 545
- 00:41:06,510 --> 00:41:08,980
- she met Sidney's father,
- she left Woodsboro.
- 546
- 00:41:09,230 --> 00:41:11,640
- No one has any idea
- where she went or what she did.
- 547
- 00:41:11,890 --> 00:41:16,110
- I mean, it's-it's like she fell into
- a black hole, Dewey! She vanished!
- 548
- 00:41:16,360 --> 00:41:18,190
- - So?
- - So?
- 549
- 00:41:18,440 --> 00:41:21,030
- Why is the killer
- leaving pictures of-of Maureen?
- 550
- 00:41:21,280 --> 00:41:25,990
- And why these pictures at-at—
- at that point in her life?
- 551
- 00:41:26,160 --> 00:41:29,290
- I don't know! If I thought
- like a homicidal maniac...
- 552
- 00:41:29,540 --> 00:41:33,290
- then I'd know how
- a homicidal maniac thinks.
- 553
- 00:41:37,550 --> 00:41:39,300
- What?
- 554
- 00:41:39,550 --> 00:41:43,970
- - Jennifer.
- - Jennifer?
- 555
- 00:41:47,510 --> 00:41:50,470
- Look at the buildings.
- The second story. There and there.
- 556
- 00:41:50,730 --> 00:41:53,640
- It's the same!
- It's the same street 28 years ago.
- 557
- 00:41:53,890 --> 00:41:58,320
- Oh, my God. Maureen Prescott was
- at the back lot at Sunrise Studios!
- 558
- 00:41:58,570 --> 00:42:02,240
- - Oh, my God.
- - I gotta make some calls.
- 559
- 00:42:15,080 --> 00:42:16,920
- Steven Stone
- Protection Services.
- 560
- 00:42:17,170 --> 00:42:19,000
- Stone, where are you?
- 561
- 00:42:19,250 --> 00:42:21,800
- I'm just checking
- your tin can, Dewdrop.
- 562
- 00:42:22,050 --> 00:42:23,800
- Well, come back inside
- and stay with Jennifer.
- 563
- 00:42:24,050 --> 00:42:26,140
- Something's happened.
- I have to go to the police.
- 564
- 00:42:26,390 --> 00:42:30,560
- Is that an order, Dewdrop? 'Cause
- Steven Stone doesn't work for you.
- 565
- 00:42:30,810 --> 00:42:35,440
- Get back in the house, Stone.
- Would I call you if it wasn't important?
- 566
- 00:42:35,690 --> 00:42:37,650
- - What are you doing in there anyway?
- - Me?
- 567
- 00:42:37,900 --> 00:42:40,150
- I'm just checking to make sure
- there's no killer in here...
- 568
- 00:42:40,400 --> 00:42:43,070
- waitin' to off you
- like he did your little sister.
- 569
- 00:42:43,320 --> 00:42:46,240
- What did you say?
- I can't believe you said that.
- 570
- 00:42:46,490 --> 00:42:48,700
- That makes me...
- 571
- 00:42:48,950 --> 00:42:52,620
- angry!
- 572
- 00:42:52,870 --> 00:42:55,870
- Fucker!
- 573
- 00:43:07,550 --> 00:43:11,060
- Gotta call Kincaid.
- 574
- 00:43:15,600 --> 00:43:20,310
- Dewey, where is everybody?
- 575
- 00:43:25,110 --> 00:43:27,860
- - Oh, God.
- - Jennifer?
- 576
- 00:43:28,110 --> 00:43:31,580
- Angelina?
- Tom?
- 577
- 00:43:31,830 --> 00:43:36,290
- Oh, my God!
- What happened?
- 578
- 00:43:37,830 --> 00:43:42,040
- Don't do that.
- I'm overreacting.
- 579
- 00:43:42,500 --> 00:43:46,090
- Dewdrop?
- 580
- 00:43:50,260 --> 00:43:54,810
- - Stone?
- - Oh, my God!
- 581
- 00:43:55,560 --> 00:43:57,390
- Oh, God, Stone!
- 582
- 00:43:57,640 --> 00:44:00,900
- Oh, God!
- 583
- 00:44:04,070 --> 00:44:09,450
- - Dewey, is he dead?
- - Yeah.
- 584
- 00:44:10,030 --> 00:44:13,780
- Everyone back inside!
- 585
- 00:44:16,040 --> 00:44:19,620
- It's all right.
- Don't panic.
- 586
- 00:44:20,120 --> 00:44:24,050
- Okay, outside. Everyone,
- stay together and try to remain calm.
- 587
- 00:44:24,300 --> 00:44:26,130
- A phone!
- 588
- 00:44:26,380 --> 00:44:28,760
- - It's not mine.
- - It's not mine.
- 589
- 00:44:29,010 --> 00:44:32,680
- Shit!
- It's the fax.
- 590
- 00:44:39,940 --> 00:44:42,270
- "Interior, Jennifer's house. Living
- room, night." It's a script page.
- 591
- 00:44:42,520 --> 00:44:46,400
- - W-W-What's it say?
- - "With the bodyguard stabbed to death,
- the five stand trapped.
- 592
- 00:44:46,650 --> 00:44:48,860
- - He's rewriting the movie.
- - As the killer waits outside...
- 593
- 00:44:49,110 --> 00:44:51,070
- suddenly the fax machine
- sends news of their fates."
- 594
- 00:44:51,320 --> 00:44:53,200
- It's a trick!
- Everybody, outside!
- 595
- 00:44:53,450 --> 00:44:55,530
- - Outside where he can
- pick us off one by one?
- - Shut up!
- 596
- 00:44:55,790 --> 00:44:57,790
- "The killer prepares to grant
- mercy to only one of them."
- 597
- 00:44:58,040 --> 00:45:01,210
- Don't you get it? The killer says he's
- outside because he wants us here inside.
- 598
- 00:45:01,460 --> 00:45:03,580
- - Which one is it?
- - Come on!
- 599
- 00:45:03,830 --> 00:45:05,840
- "Who will survive? Is it Jennifer?
- Tom? Angelina? Dewey? Gale?
- 600
- 00:45:06,090 --> 00:45:09,630
- - The killer will give mercy to—"
- - Everyone outside!
- 601
- 00:45:09,880 --> 00:45:13,050
- He grants mercy to who?
- I wanna know what happens!
- 602
- 00:45:13,300 --> 00:45:15,850
- - I wanna know what happens!
- - Wait for the fucking movie!
- 603
- 00:45:16,100 --> 00:45:17,930
- - I've gotta know! I'm goin' back in!
- - No.
- 604
- 00:45:18,180 --> 00:45:20,640
- All right, everyone, back.
- Stay together.
- 605
- 00:45:20,890 --> 00:45:22,940
- - What's it say?
- - "And the...
- 606
- 00:45:23,190 --> 00:45:25,190
- killer will give mercy to...
- 607
- 00:45:25,440 --> 00:45:27,940
- - whoever—"
- - Whoever?
- 608
- 00:45:28,190 --> 00:45:30,570
- Whoever?
- 609
- 00:45:30,820 --> 00:45:32,450
- Piece of shit.
- 610
- 00:45:32,700 --> 00:45:38,160
- "Whoever—
- Whoever smells the—"
- 611
- 00:45:52,260 --> 00:45:56,510
- I can't stop
- rolling down the hill!
- 612
- 00:46:07,110 --> 00:46:09,820
- Gale! Jennifer!
- 613
- 00:46:10,070 --> 00:46:11,860
- - Dewey!
- - Dewey!
- 614
- 00:46:12,110 --> 00:46:13,990
- Dewey, where are you?
- 615
- 00:46:14,240 --> 00:46:17,990
- Over here, Dewey!
- 616
- 00:46:19,790 --> 00:46:24,500
- - Dewey!
- - Gale!
- 617
- 00:46:24,620 --> 00:46:28,460
- Gale, behind you!
- 618
- 00:46:37,640 --> 00:46:40,930
- Dewey!
- Are you all right?
- 619
- 00:46:41,180 --> 00:46:44,230
- Yeah, never been better.
- 620
- 00:46:44,480 --> 00:46:46,900
- Yeah, I'm all right.
- Where'd he go?
- 621
- 00:46:47,150 --> 00:46:51,530
- - He must've rolled under the car.
- - All right, stay close.
- 622
- 00:46:59,160 --> 00:47:01,990
- Is he back there?
- 623
- 00:47:02,250 --> 00:47:04,870
- - No.
- - No?
- 624
- 00:47:05,120 --> 00:47:09,670
- He's fast.
- Could've sworn I hit him.
- 625
- 00:47:12,800 --> 00:47:16,300
- - Are you all right?
- - Yeah.
- 626
- 00:47:16,930 --> 00:47:18,590
- Thanks for saving me.
- 627
- 00:47:18,840 --> 00:47:22,350
- Ah, it's habit.
- 628
- 00:47:24,060 --> 00:47:27,560
- Oh, God.
- 629
- 00:47:28,270 --> 00:47:32,280
- What the fuck happened to you?
- 630
- 00:47:32,530 --> 00:47:34,860
- - Jennifer, wait a minute.
- - Who gave you a place to stay?
- 631
- 00:47:35,110 --> 00:47:38,360
- - Who are you supposed to be protecting?
- - Jennifer!
- 632
- 00:47:38,610 --> 00:47:42,620
- Hey!
- 633
- 00:47:46,540 --> 00:47:50,250
- My lawyer liked that.
- 634
- 00:47:50,500 --> 00:47:54,340
- Not as much as I did.
- 635
- 00:47:58,880 --> 00:48:02,140
- - Angelina?
- - Tom was in the house.
- 636
- 00:48:02,390 --> 00:48:08,100
- - How'd you end up way over there?
- - Oh, my God! Tom was in the house!
- 637
- 00:48:10,020 --> 00:48:14,730
- - Are we safe?
- - Safe from who?
- 638
- 00:48:18,150 --> 00:48:21,740
- Wait a second!
- 639
- 00:48:24,830 --> 00:48:28,500
- Another picture.
- 640
- 00:48:32,340 --> 00:48:36,050
- Whoever it is is now taking credit
- for Maureen Prescott's murder.
- 641
- 00:48:36,300 --> 00:48:39,220
- But we know who killed Maureen
- Prescott. Billy Loomis and Stu Macher.
- 642
- 00:48:39,470 --> 00:48:41,680
- - I mean, they even told Sidney
- how they did it.
- - Yeah, but if I'm not mistaken...
- 643
- 00:48:41,930 --> 00:48:44,010
- you said in your book that
- Sidney got it wrong once before.
- 644
- 00:48:44,260 --> 00:48:46,850
- She accused Cotton Weary
- of murdering her mother.
- 645
- 00:48:47,100 --> 00:48:49,940
- And he was sent away for it.
- Maybe there is a third killer.
- 646
- 00:48:50,190 --> 00:48:52,100
- Sidney might know something.
- 647
- 00:48:52,360 --> 00:48:54,730
- I told you.
- I don't know where Sidney is.
- 648
- 00:48:54,980 --> 00:48:57,400
- And even if there was a third killer,
- Sidney doesn't know about it.
- 649
- 00:48:57,650 --> 00:49:00,780
- That is for me to decide.
- I need to talk to her, Mr. Riley.
- She is a key element in this case.
- 650
- 00:49:01,030 --> 00:49:03,120
- I have a press conference in an hour.
- I need to explain...
- 651
- 00:49:03,370 --> 00:49:05,660
- why there are three dead celebrities
- and a bodyguard.
- 652
- 00:49:05,910 --> 00:49:08,500
- And a very angry mayor.
- 653
- 00:49:08,750 --> 00:49:10,580
- Okay, look, we all know this has
- something to do with Stab 3.
- 654
- 00:49:10,830 --> 00:49:13,670
- But what we do not know is why
- the killer keeps leaving pictures...
- 655
- 00:49:13,920 --> 00:49:16,130
- of Maureen Prescott
- taken over 25 years ago.
- 656
- 00:49:16,380 --> 00:49:18,970
- And the photographs taken at the same
- studio Stab 3 is shooting out of.
- 657
- 00:49:19,220 --> 00:49:20,680
- What does this
- have to do with Sid?
- 658
- 00:49:20,930 --> 00:49:23,470
- Who knows more about Maureen
- Prescott than her own daughter?
- 659
- 00:49:23,720 --> 00:49:27,270
- Well, Sid's dad couldn't help you,
- and he was married to Maureen.
- 660
- 00:49:27,520 --> 00:49:29,270
- What's your problem?
- 661
- 00:49:29,520 --> 00:49:33,900
- Last night you were almost charcoal.
- You gonna help us or what?
- 662
- 00:49:34,150 --> 00:49:36,110
- Do you wanna have this
- conversation with a polygraph?
- 663
- 00:49:36,360 --> 00:49:41,740
- - Is that a threat, Detective?
- - When it's a threat, you'll know it.
- 664
- 00:49:41,990 --> 00:49:44,120
- - Was that a threat?
- - Boys, boys.
- 665
- 00:49:44,370 --> 00:49:46,660
- Why don't we compare
- our gun calibres later?
- 666
- 00:49:46,910 --> 00:49:50,080
- - The issue is Maureen Prescott.
- - Wrong. The issue is Sidney Prescott.
- 667
- 00:49:50,330 --> 00:49:54,040
- And either Mr Riley is going
- to obstructjustice or he's going
- to put me in touch with her.
- 668
- 00:49:54,290 --> 00:49:59,510
- So, where is she?
- 669
- 00:50:01,970 --> 00:50:05,220
- Hi, you've reached the machine.
- You can leave a message.
- Talk as long as you want.
- 670
- 00:50:05,470 --> 00:50:08,100
- Sid, it's me.
- This is the fifth time I've called.
- 671
- 00:50:08,350 --> 00:50:12,270
- Please pick up.
- I wanna make sure you're...
- 672
- 00:50:12,520 --> 00:50:14,900
- okay.
- 673
- 00:50:15,150 --> 00:50:19,070
- - Sid!
- - Dewey!
- 674
- 00:50:19,730 --> 00:50:21,820
- What are you doing down here?
- 675
- 00:50:22,070 --> 00:50:25,110
- Actually, what was I doing up there?
- 676
- 00:50:25,360 --> 00:50:28,450
- - Jesus, Dewey. Are you okay?
- - Oh, yeah, I'm all right.
- 677
- 00:50:28,700 --> 00:50:31,500
- - Is she all right?
- - Hey, you know Gale.
- 678
- 00:50:31,750 --> 00:50:34,330
- It'd take a direct hit.
- 679
- 00:50:34,580 --> 00:50:38,880
- So the news said this was the precinct.
- Who's this guy Kincaid?
- 680
- 00:50:39,000 --> 00:50:41,960
- Come here.
- I told you to stay hidden.
- 681
- 00:50:42,210 --> 00:50:45,640
- - It's not safe for you to be here.
- - The killer called me.
- 682
- 00:50:45,890 --> 00:50:48,010
- - What?
- - Yeah, he found me.
- 683
- 00:50:48,260 --> 00:50:53,640
- I'm no more safe there than I am here,
- and at least here I'm not alone.
- 684
- 00:50:54,020 --> 00:50:57,770
- Okay, come on.
- 685
- 00:50:58,190 --> 00:51:00,320
- - Detective Kincaid?
- - Yeah.
- 686
- 00:51:00,570 --> 00:51:02,990
- There's someone here
- who wants to help.
- 687
- 00:51:03,240 --> 00:51:05,740
- Oh, my God.
- Sidney.
- 688
- 00:51:05,990 --> 00:51:07,910
- Is the man fast or what?
- 689
- 00:51:08,160 --> 00:51:12,500
- - Hi.
- - Hi, Gale.
- 690
- 00:51:12,750 --> 00:51:15,790
- - I'm glad you're all right.
- - Thank you.
- 691
- 00:51:16,040 --> 00:51:20,590
- - Sid, this is Detective Kincaid.
- - Nice to finally meet you, Sidney.
- 692
- 00:51:22,170 --> 00:51:24,010
- - The killer called her.
- - What? When?
- 693
- 00:51:24,260 --> 00:51:26,510
- - What did he say?
- - Oh, you know, the usual small talk.
- 694
- 00:51:26,760 --> 00:51:29,010
- What's new? How you been?
- How do you wanna die?
- 695
- 00:51:29,260 --> 00:51:32,140
- Sidney, do you have any idea
- how he could've gotten your number?
- 696
- 00:51:32,390 --> 00:51:35,350
- He could have monitored her calls on a
- scanner. Did you call her from the set?
- 697
- 00:51:35,600 --> 00:51:38,560
- - No.
- - Do you have her number
- stored in your memory?
- 698
- 00:51:38,810 --> 00:51:42,820
- - Phone memory!
- - Oh. Yeah, guess I do.
- 699
- 00:51:43,070 --> 00:51:46,950
- - Has anyone else ever used your phone?
- - Just Jennifer.
- 700
- 00:51:47,200 --> 00:51:49,070
- And you.
- 701
- 00:51:49,320 --> 00:51:54,040
- Hey, I'm the cop here.
- You're in my office, Riley.
- 702
- 00:51:58,960 --> 00:52:01,380
- The killer leaves a photograph
- after each murder, Sidney.
- 703
- 00:52:01,630 --> 00:52:04,590
- They were taken in Hollywood at the same
- studio that they're shooting Stab 3.
- 704
- 00:52:04,840 --> 00:52:07,680
- Why didn't you tell me?
- This is my mother, Dewey.
- 705
- 00:52:07,930 --> 00:52:10,470
- - Why didn't you say something?
- - I was afraid they were bait.
- 706
- 00:52:10,720 --> 00:52:12,680
- Something to, you know,
- trick you out of hiding.
- 707
- 00:52:12,930 --> 00:52:16,480
- Sidney, was she an actress or a model?
- Because they look a lot
- like publicity stills.
- 708
- 00:52:16,730 --> 00:52:19,770
- I, uh, don't know.
- 709
- 00:52:20,020 --> 00:52:22,900
- Detective, I wanna see
- this place in the pictures.
- 710
- 00:52:23,150 --> 00:52:28,610
- - Are you sure?
- - Absolutely.
- 711
- 00:52:30,160 --> 00:52:33,120
- - Slow it down.
- - Sorry.
- 712
- 00:52:33,370 --> 00:52:36,870
- Watch the fuckin' aliens.
- 713
- 00:52:38,370 --> 00:52:40,670
- I'm gonna go talk to
- the studio brass about those photos.
- 714
- 00:52:40,920 --> 00:52:42,750
- Yeah, right.
- I know where you're goin'.
- 715
- 00:52:43,000 --> 00:52:45,130
- - Yeah, keep an eye on Sidney.
- - I know where you're goin'.
- 716
- 00:52:45,380 --> 00:52:47,920
- You're gonna get her some flowers
- and candy, huh? Huh?
- 717
- 00:52:48,170 --> 00:52:50,010
- - Gimme a break.
- - Yeah, gimme a call.
- 718
- 00:52:50,260 --> 00:52:53,760
- Just keep your eye on her.
- 719
- 00:52:59,770 --> 00:53:03,900
- That stairwell over there, that's
- where one of the pictures was taken.
- 720
- 00:53:04,150 --> 00:53:06,730
- God. I can't believe
- she never mentioned any of this.
- 721
- 00:53:06,980 --> 00:53:08,280
- - She probably just—
- - Dewey!
- 722
- 00:53:08,530 --> 00:53:10,070
- - Sorry.
- - Martha!
- 723
- 00:53:10,320 --> 00:53:12,200
- - Oh, my God, Sid.
- - Hey, hold it right there! Hey!
- - Don't shoot!
- 724
- 00:53:12,450 --> 00:53:14,580
- - I'm only 17.
- - It's okay. We know her.
- 725
- 00:53:14,830 --> 00:53:16,620
- We do?
- 726
- 00:53:16,870 --> 00:53:18,870
- Tell me that's his ex-girlfriend,
- I'll shoot myself.
- 727
- 00:53:19,120 --> 00:53:21,620
- - It's Martha Meeks, Randy's sister.
- - Randy's sister?
- 728
- 00:53:21,870 --> 00:53:24,340
- - Yeah, can't you tell?
- - We miss you in Woodsboro, guys.
- 729
- 00:53:24,590 --> 00:53:30,260
- - Martha, what are you doing here?
- - There's something you guys should see.
- 730
- 00:53:34,100 --> 00:53:36,510
- Told ya I'd make
- a movie someday. Huh?
- 731
- 00:53:36,760 --> 00:53:39,980
- - Oh, my God.
- - Well, if you're watching this tape...
- 732
- 00:53:40,230 --> 00:53:42,060
- it means, as I feared, I did not
- survive these killings...
- 733
- 00:53:42,310 --> 00:53:44,900
- here at Windsor College,
- and that giving up my virginity...
- 734
- 00:53:45,150 --> 00:53:47,780
- to Karen Kolchakat the video store
- was probably not a good idea.
- 735
- 00:53:48,030 --> 00:53:50,240
- - Karen Kolchak?
- - Yes, Karen Kolchak.
- 736
- 00:53:50,490 --> 00:53:52,990
- - "Creepy Karen"?
- - Shut up! She's a sweet person, okay?
- 737
- 00:53:53,240 --> 00:53:55,740
- We were workin'late. We were puttin'
- away some videos in the porno section...
- 738
- 00:53:55,990 --> 00:53:58,540
- and, you know, shit happens.
- 739
- 00:53:58,790 --> 00:54:02,000
- - Open the door, Randy!
- - Fifteen minutes.
- 740
- 00:54:02,250 --> 00:54:04,790
- - It's my room too!
- - Paul,15 minutes.
- 741
- 00:54:05,040 --> 00:54:07,800
- I'm leaving my legacy.
- 742
- 00:54:08,050 --> 00:54:11,840
- Fifteen minutes, Paul!
- Damn! Anyway...
- 743
- 00:54:12,090 --> 00:54:16,350
- the reason I'm here is to help you so
- that my death will not be in vain.
- 744
- 00:54:16,600 --> 00:54:21,680
- That my life's work will help save some
- other poor soul from getting mutilated.
- 745
- 00:54:21,930 --> 00:54:24,310
- If this killer does come back
- and he's for real...
- 746
- 00:54:24,560 --> 00:54:26,480
- there are a few things
- that you gotta remember.
- 747
- 00:54:26,730 --> 00:54:29,730
- Is this simply another sequel?
- Well, if it is, same rules apply.
- 748
- 00:54:29,980 --> 00:54:32,320
- But here's the critical thing.
- If you find yourself dealing...
- 749
- 00:54:32,570 --> 00:54:34,860
- with an unexpected back-story
- and ap reponderance...
- 750
- 00:54:35,110 --> 00:54:37,700
- of exposition,
- then the sequel rules do not apply.
- 751
- 00:54:37,950 --> 00:54:41,450
- Because you're not dealing with
- the sequel. You are dealing with...
- 752
- 00:54:41,700 --> 00:54:44,750
- the concluding chapter
- of a trilogy.
- 753
- 00:54:45,000 --> 00:54:47,500
- - Trilogy.
- - That's right. It's
- a rarity in the horror field...
- 754
- 00:54:47,750 --> 00:54:50,380
- but it does exist, and it is
- a force to be reckoned with.
- 755
- 00:54:50,630 --> 00:54:54,090
- Because true trilogies are all about
- going back to the beginning...
- 756
- 00:54:54,340 --> 00:54:56,470
- and discovering something
- that wasn't true from the get-go.
- 757
- 00:54:56,720 --> 00:54:59,220
- Godfather, Jedi,
- all revealed something...
- 758
- 00:54:59,470 --> 00:55:01,680
- that we thought was true
- that wasn't true.
- 759
- 00:55:01,930 --> 00:55:04,140
- So if it is a trilogy
- you are dealing with...
- 760
- 00:55:04,390 --> 00:55:07,560
- here are some super
- trilogy rules.
- 761
- 00:55:07,810 --> 00:55:09,440
- One: You've got a killer
- who's gonna be superhuman.
- 762
- 00:55:09,690 --> 00:55:11,530
- Stabbing him won't work.
- Shooting him won't work.
- 763
- 00:55:11,780 --> 00:55:14,070
- Basically, in the third one, you've
- gotta cryogenically freeze his head...
- 764
- 00:55:14,320 --> 00:55:15,990
- decapitate him or blowhim up.
- 765
- 00:55:16,240 --> 00:55:19,160
- Number two: Anyone, including
- the main character, can die.
- 766
- 00:55:19,410 --> 00:55:22,580
- This means you, Sid.
- I'm sorry. It's the final chapter.
- 767
- 00:55:22,830 --> 00:55:25,290
- It could be fuckin' Reservoir Dogs
- by the time this thing is through.
- 768
- 00:55:25,540 --> 00:55:28,290
- Number three: The past will
- come back to bite you in the ass.
- 769
- 00:55:28,540 --> 00:55:30,380
- Whatever you think you know
- about the past, forget it.
- 770
- 00:55:30,630 --> 00:55:32,800
- The past is not at rest!
- Any sins you think...
- 771
- 00:55:33,050 --> 00:55:38,340
- were committed in the past are about
- to break out and destroy you.
- 772
- 00:55:40,550 --> 00:55:42,560
- So in closing,
- let me say...
- 773
- 00:55:42,810 --> 00:55:45,310
- goodluck, Godspeed...
- 774
- 00:55:45,560 --> 00:55:49,560
- and for some of you,
- I'll see you soon.
- 775
- 00:55:49,810 --> 00:55:53,110
- 'Cause the rules say some of you
- ain't gonna make it. I didn't.
- 776
- 00:55:53,360 --> 00:55:57,910
- Not if you're watching this tape.
- 777
- 00:56:02,870 --> 00:56:07,250
- Thank you. And you be careful.
- Say hi to your folks for me.
- 778
- 00:56:07,500 --> 00:56:09,750
- You be careful too, Sid.
- 779
- 00:56:10,000 --> 00:56:12,550
- - Bye, Dewey. Come visit us soon.
- - I will, Martha.
- 780
- 00:56:12,800 --> 00:56:16,800
- - Thank you.
- - Bye.
- 781
- 00:56:18,930 --> 00:56:21,390
- I've got an idea.
- I'll hook up with you guys later.
- 782
- 00:56:21,640 --> 00:56:23,930
- - Do you want us to come with you?
- - I work better alone.
- 783
- 00:56:24,180 --> 00:56:27,980
- Why don't you try to figure out where
- those other pictures were taken.
- 784
- 00:56:28,230 --> 00:56:32,520
- - I can see nothing's changed.
- - No.
- 785
- 00:56:37,450 --> 00:56:40,950
- Oh, shit.
- 786
- 00:56:41,120 --> 00:56:44,620
- Hello!
- 787
- 00:56:53,540 --> 00:56:55,550
- - Jeez.
- - What the hell are you doing?
- 788
- 00:56:55,800 --> 00:56:57,760
- Being Gale Weathers.
- What the hell are you doing?
- 789
- 00:56:58,010 --> 00:56:59,970
- - I am Gale Weathers.
- - Here's how I see it.
- 790
- 00:57:00,220 --> 00:57:03,010
- I've got no house, no bodyguard,
- no movie, and I'm being stalked.
- 791
- 00:57:03,260 --> 00:57:05,430
- Because someone wants to kill me?
- No, because someone wants to kill you.
- 792
- 00:57:05,680 --> 00:57:07,810
- So now, starting now,
- I go where you go.
- 793
- 00:57:08,060 --> 00:57:10,480
- That way, if someone wants
- to kill me, I'll be with you.
- 794
- 00:57:10,730 --> 00:57:12,860
- And since they really want to kill you,
- they won't kill me, they'll kill you.
- 795
- 00:57:13,110 --> 00:57:14,770
- - Make sense?
- - None.
- 796
- 00:57:15,020 --> 00:57:16,900
- You know, in the movies,
- I play you as being much smarter.
- 797
- 00:57:17,150 --> 00:57:20,490
- And as a sane person.
- Foryou, that must be quite a stretch.
- 798
- 00:57:20,740 --> 00:57:22,740
- - That's funny.
- - Ha!
- 799
- 00:57:22,990 --> 00:57:24,830
- - Need to get in that building?
- - Yeah.
- 800
- 00:57:25,080 --> 00:57:26,910
- - Is there a story in that building?
- - Maybe.
- 801
- 00:57:27,160 --> 00:57:30,920
- Gale Weathers would find a way.
- 802
- 00:57:32,420 --> 00:57:35,210
- Bitch. All right, wait. Just—
- 803
- 00:57:35,460 --> 00:57:38,710
- Don't tell me what to do.
- 804
- 00:57:44,760 --> 00:57:46,600
- Basements, wow.
- 805
- 00:57:46,850 --> 00:57:48,770
- Basements creep me out.
- 806
- 00:57:49,020 --> 00:57:52,520
- You'd make
- a fascinating interview.
- 807
- 00:57:55,440 --> 00:57:58,940
- Hello?
- 808
- 00:58:06,370 --> 00:58:09,080
- Hi. Excuse me.
- I am Gale Weathers...
- 809
- 00:58:09,330 --> 00:58:13,500
- and I'm here researching
- with the police this photo.
- 810
- 00:58:13,750 --> 00:58:16,130
- It was taken at the studio.
- Her name is Maureen Prescott.
- 811
- 00:58:16,380 --> 00:58:19,210
- Back then it was probably Roberts.
- 812
- 00:58:19,460 --> 00:58:21,800
- - Hey, are you—
- - No.
- 813
- 00:58:22,050 --> 00:58:24,180
- - But you look just—
- - Like her?
- 814
- 00:58:24,430 --> 00:58:26,760
- - I've been hearing it all my life.
- - It's uncanny.
- 815
- 00:58:27,010 --> 00:58:30,100
- I was up for Princess Leia.
- I was this close.
- 816
- 00:58:30,350 --> 00:58:33,020
- So, who gets it?
- The one who sleeps with George Lucas.
- 817
- 00:58:33,270 --> 00:58:35,900
- I'm sorry. I didn't mean to bring up
- a-a sore subject for you.
- 818
- 00:58:36,150 --> 00:58:38,230
- Sure, you didn't.
- None of them did.
- 819
- 00:58:38,480 --> 00:58:42,860
- So, how can I help you? Or do you want
- me to tell you who you look like?
- 820
- 00:58:43,110 --> 00:58:45,570
- How about some information
- on Maureen Roberts?
- 821
- 00:58:45,820 --> 00:58:48,410
- I don't work for the cops, sweetie.
- I work for the studio.
- 822
- 00:58:48,660 --> 00:58:53,620
- Really? Well,
- would you work for...
- 823
- 00:58:54,500 --> 00:58:56,630
- the president?
- 824
- 00:58:56,880 --> 00:59:00,630
- The president of the studio.
- 825
- 00:59:00,880 --> 00:59:06,260
- Fifty dollars? Who are you?
- A reporter for Woodsboro High?
- 826
- 00:59:12,480 --> 00:59:14,560
- It's worth two grand.
- 827
- 00:59:14,810 --> 00:59:18,650
- Are you gonna help
- Gale Weathers or not?
- 828
- 00:59:19,610 --> 00:59:21,780
- I know every face in here.
- 829
- 00:59:22,030 --> 00:59:24,320
- I got a respect
- for the unknown actor.
- 830
- 00:59:24,570 --> 00:59:29,950
- If they're looking for Maureen Roberts,
- they're never gonna find her.
- 831
- 00:59:29,990 --> 00:59:33,410
- Rina Reynolds they will.
- 832
- 00:59:33,660 --> 00:59:37,420
- Rina Reynolds.
- Stage name.
- 833
- 00:59:37,670 --> 00:59:41,340
- You should talk, Judy Jurgenstern.
- 834
- 00:59:44,880 --> 00:59:47,050
- What are these movies?
- Amazombies, Space Psycho...
- 835
- 00:59:47,300 --> 00:59:49,140
- Creatures from the San Andreas Fault.
- 836
- 00:59:49,390 --> 00:59:52,520
- Horror pictures
- back in Milton's heyday.
- 837
- 00:59:52,770 --> 00:59:54,850
- - Back in what?
- - Back in what?
- - John Milton.
- 838
- 00:59:55,100 --> 00:59:59,400
- The horror producer?
- Those were his movies.
- 839
- 01:00:29,140 --> 01:00:32,640
- Come on, Sid.
- 840
- 01:00:56,500 --> 01:01:01,460
- Oh, my God!
- Sidney Prescott!
- 841
- 01:01:01,540 --> 01:01:05,250
- Oh, my God! I'm Angelina Tyler.
- I'm you! I mean, I'm not.
- 842
- 01:01:05,500 --> 01:01:09,590
- I mean, I was.
- 843
- 01:01:13,140 --> 01:01:14,970
- I-I thought— Well,
- if there's no movie...
- 844
- 01:01:15,220 --> 01:01:17,180
- then no one would care
- if I took some souvenirs.
- 845
- 01:01:17,430 --> 01:01:20,440
- Souvenirs?
- 846
- 01:01:20,690 --> 01:01:23,150
- I may never win another role,
- so these may be...
- 847
- 01:01:23,400 --> 01:01:26,190
- my only memories,
- you know, of Hollywood.
- 848
- 01:01:26,440 --> 01:01:29,860
- I-I know it's weird 'cause
- it's your life and all, but...
- 849
- 01:01:30,110 --> 01:01:33,200
- I wanted to make you proud, Sidney.
- 850
- 01:01:33,450 --> 01:01:37,540
- Oh. Well,
- I'm sure I would've been.
- 851
- 01:01:37,790 --> 01:01:40,160
- The real Sidney.
- The real person.
- 852
- 01:01:40,410 --> 01:01:43,210
- I wish—
- 853
- 01:01:43,460 --> 01:01:47,460
- I wish it would've worked out.
- 854
- 01:01:57,010 --> 01:02:00,520
- Hey—
- 855
- 01:02:05,020 --> 01:02:08,530
- Angelina?
- 856
- 01:02:21,290 --> 01:02:24,790
- Hello?
- 857
- 01:03:43,040 --> 01:03:44,790
- Close call.
- 858
- 01:03:45,040 --> 01:03:46,920
- What are you doing here?
- 859
- 01:03:47,170 --> 01:03:50,750
- It occurred to me that I've never
- snuck through your bedroom window.
- 860
- 01:03:51,000 --> 01:03:54,050
- See what you do to me?
- 861
- 01:03:54,300 --> 01:03:57,050
- What have I done to you?
- 862
- 01:03:57,300 --> 01:03:59,470
- About the, uh, sex stuff?
- 863
- 01:03:59,720 --> 01:04:02,220
- You know, I'm not trying
- to rush you at all.
- 864
- 01:04:02,470 --> 01:04:07,520
- Would you settle for
- a PG-13 relationship?
- 865
- 01:05:28,600 --> 01:05:32,100
- Dewey!
- 866
- 01:06:18,990 --> 01:06:22,740
- Dewey!
- 867
- 01:06:25,910 --> 01:06:30,000
- Sidney, I'm in here.
- 868
- 01:06:35,330 --> 01:06:37,840
- Over here.
- 869
- 01:06:38,090 --> 01:06:42,680
- Yes. Mother will protect you
- from the bogeyman.
- 870
- 01:06:42,930 --> 01:06:46,970
- Come into the bedroom.
- 871
- 01:06:47,220 --> 01:06:50,890
- Hide in Mommy's bed.
- 872
- 01:06:52,890 --> 01:06:54,850
- I lied, Sidney.
- 873
- 01:06:55,100 --> 01:06:56,650
- I can't protect you at all.
- 874
- 01:06:56,900 --> 01:07:00,820
- You don't deserve to be protected!
- You didn't protect me!
- 875
- 01:07:01,070 --> 01:07:03,530
- We did your mom a favour, Sid.
- That woman was a slutbag whore...
- 876
- 01:07:03,780 --> 01:07:05,990
- who flashed her shit all over town
- like she was Sharon Stone.
- 877
- 01:07:06,240 --> 01:07:09,620
- 'Cause let's face it, Sidney,
- your mother was no Sharon Stone.
- 878
- 01:07:09,870 --> 01:07:12,620
- - Sidney's mother was fucking my father.
- - Sid, where are you?
- 879
- 01:07:12,870 --> 01:07:16,080
- Dewey!
- Dewey, help me!
- 880
- 01:07:16,330 --> 01:07:20,170
- Sidney? Give Mommy a kiss
- and we'll make up.
- 881
- 01:07:20,420 --> 01:07:23,420
- - No!
- - Sidney!
- 882
- 01:07:29,890 --> 01:07:32,430
- Sid!
- 883
- 01:07:32,680 --> 01:07:34,690
- Sid, are you okay?
- What happened?
- 884
- 01:07:34,940 --> 01:07:38,610
- The killer's in the house, Dewey.
- He's upstairs.
- 885
- 01:07:39,070 --> 01:07:43,360
- - And my mother—
- - Let's go, let's go.
- 886
- 01:07:43,690 --> 01:07:46,280
- I heard her voice.
- I saw her, Dewey.
- 887
- 01:07:46,530 --> 01:07:49,450
- - Upstairs. Come on, let's go.
- - It's okay, Sid.
- 888
- 01:07:49,700 --> 01:07:51,830
- You weren't supposed
- to go in that house.
- 889
- 01:07:52,080 --> 01:07:54,000
- It's all set up for the murder scene.
- 890
- 01:07:54,250 --> 01:07:56,080
- - I'm sorry you had to see that.
- - He was in there, Dewey.
- 891
- 01:07:56,330 --> 01:08:00,880
- - He was in there, I swear, I swear.
- - You know I believe you.
- 892
- 01:08:02,300 --> 01:08:05,170
- - What happened?
- - Kincaid, hey.
- 893
- 01:08:05,420 --> 01:08:08,680
- There's nobody up here.
- 894
- 01:08:12,680 --> 01:08:16,440
- Come on.
- 895
- 01:08:17,270 --> 01:08:19,900
- - Come on.
- - Okay, so I stole the mask.
- 896
- 01:08:20,150 --> 01:08:23,360
- Whatever. I didn't know you got
- the gas chamber for that.
- 897
- 01:08:23,610 --> 01:08:26,200
- - You stole the mask?
- - I took it.
- 898
- 01:08:26,450 --> 01:08:29,570
- - You took the mask
- or you stole the mask?
- - I-I took it as like a souvenir.
- 899
- 01:08:29,820 --> 01:08:32,240
- - Don't look at me. I didn't take shit.
- - I know he was there.
- 900
- 01:08:32,490 --> 01:08:34,410
- I am not dreaming,
- I am not crazy.
- 901
- 01:08:34,660 --> 01:08:37,870
- - He was there in Woodsboro.
- - That's not Woodsboro, Sidney.
- 902
- 01:08:38,120 --> 01:08:42,710
- You know what I mean. But he was there.
- He or she, or whoever this is.
- 903
- 01:08:42,960 --> 01:08:45,510
- We're gonna take you back
- to the station, keep you under watch.
- 904
- 01:08:45,760 --> 01:08:48,090
- Put you in a safe house.
- Whatever it takes.
- 905
- 01:08:48,340 --> 01:08:51,850
- Come on.
- 906
- 01:08:51,850 --> 01:08:54,560
- It's all right, Sid.
- We all believe you.
- 907
- 01:08:54,810 --> 01:08:58,480
- - He's watching.
- - And he wants you.
- 908
- 01:09:01,400 --> 01:09:03,190
- - Hey, Dew.
- - Dew.
- - Come on.
- 909
- 01:09:03,440 --> 01:09:06,070
- - We have to go catch up with Sid.
- - Take a look at this first.
- 910
- 01:09:06,320 --> 01:09:08,240
- - Someone we know?
- - Where'd you get this?
- 911
- 01:09:08,490 --> 01:09:11,870
- - We got it. Archives.
- - Sidney's mother was an actress.
- Three movies.
- 912
- 01:09:12,120 --> 01:09:16,660
- - Horror movies.
- - Wanna know who produced all three?
- - Who?
- 913
- 01:09:16,910 --> 01:09:18,790
- - There'll be other movies, Roman.
- - Not only did they—
- 914
- 01:09:19,040 --> 01:09:22,000
- did they kill the film,
- but they killed my cast.
- 915
- 01:09:22,250 --> 01:09:25,340
- Now, nobody's gonna wanna work
- with me. Variety called me a pariah.
- 916
- 01:09:25,590 --> 01:09:29,090
- I don't even know what a pariah is.
- Why-Why couldn't someone
- have killed the cast from Stab 1?
- 917
- 01:09:29,340 --> 01:09:31,720
- Huh? Or Stab 2? Why me?
- What—John, what did we do wrong?
- 918
- 01:09:31,970 --> 01:09:34,260
- Hollywood is full of criminals
- whose careers are flourishing.
- 919
- 01:09:34,510 --> 01:09:36,720
- I'm not a criminal!
- I was questioned.
- 920
- 01:09:36,970 --> 01:09:38,810
- Yeah, but that's all.
- I was questioned. That's it.
- 921
- 01:09:39,060 --> 01:09:41,900
- - That's good for your mystique.
- - You think it will help me get work?
- 922
- 01:09:42,150 --> 01:09:44,110
- Roman. John.
- 923
- 01:09:44,360 --> 01:09:47,280
- Jennifer, and guests.
- To what do I owe the honour?
- 924
- 01:09:47,530 --> 01:09:51,320
- - Rina Reynolds.
- - Rina Reynolds? Who's Rina Reynolds?
- 925
- 01:09:51,570 --> 01:09:55,030
- Why don't you head to the house?
- Tell everybody not to cut
- the cake without me.
- 926
- 01:09:55,280 --> 01:09:57,580
- - Oh, God, I forgot. Your birthday.
- - Yeah.
- 927
- 01:09:57,830 --> 01:10:00,580
- - Happy birthday, Roman.
- - Yeah, as if life isn't tragic enough.
- 928
- 01:10:00,830 --> 01:10:05,540
- Shut the doors behind you, please.
- 929
- 01:10:06,460 --> 01:10:08,760
- So, you knew
- Sidney Prescott's mother.
- 930
- 01:10:09,010 --> 01:10:12,220
- - Who?
- - Rina Reynolds?
- 931
- 01:10:12,470 --> 01:10:15,640
- Do you know how many actors have
- worked for me? Hundreds. Thousands.
- 932
- 01:10:15,890 --> 01:10:19,180
- - He didn't say she was an actor.
- - Good catch.
- 933
- 01:10:19,430 --> 01:10:21,690
- - So what's the point?
- - Uh, no point.
- 934
- 01:10:21,940 --> 01:10:24,730
- I'm just gonna give, uh,
- Detective Kincaid a call.
- 935
- 01:10:24,980 --> 01:10:28,730
- I remember. She was a bit player
- in a couple of my movies.
- 936
- 01:10:28,990 --> 01:10:31,400
- - A nobody. So what does it matter?
- - Oh, come on.
- 937
- 01:10:31,650 --> 01:10:35,200
- You have made millions
- off the story of her murder.
- 938
- 01:10:35,450 --> 01:10:38,290
- You're obsessed with her,
- and you're obsessed with her daughter!
- 939
- 01:10:38,540 --> 01:10:41,660
- All right, easy, Geraldo.
- Why don't you tell us the truth?
- 940
- 01:10:41,910 --> 01:10:45,920
- What the hell are you guys getting at?
- I make horror films, that's what I do.
- 941
- 01:10:46,170 --> 01:10:48,170
- The studio came to me with Stab.
- 942
- 01:10:48,420 --> 01:10:51,130
- They came to me.
- Check it out.
- 943
- 01:10:51,380 --> 01:10:54,010
- - But you knew who she was.
- - When we did the first Stab...
- 944
- 01:10:54,260 --> 01:10:56,470
- I realized I had known
- Maureen Prescott before.
- 945
- 01:10:56,720 --> 01:10:59,020
- I mean, as Rina.
- 946
- 01:10:59,270 --> 01:11:03,020
- I couldn't tell anyone.
- Can you imagine the press?
- 947
- 01:11:03,270 --> 01:11:05,610
- And now?
- I mean, murders on your set.
- 948
- 01:11:05,860 --> 01:11:08,190
- - And-And still you say nothing?
- - Get real.
- 949
- 01:11:08,440 --> 01:11:10,820
- - That would make me a suspect.
- - Just because you knew her?
- 950
- 01:11:11,070 --> 01:11:13,360
- - Yeah.
- - I don't think so.
- 951
- 01:11:13,610 --> 01:11:17,370
- Just what did happen to Maureen
- when she was in Hollywood?
- 952
- 01:11:18,120 --> 01:11:20,700
- Now, you listen to me, Lois Lane.
- Let it go. It's dead and buried.
- 953
- 01:11:20,950 --> 01:11:24,170
- How would you like to see it
- dug up on national TV?
- 954
- 01:11:24,420 --> 01:11:27,920
- Why don't you tell me
- what happened?
- 955
- 01:11:29,130 --> 01:11:32,340
- It was in the '70s.
- Everything was different.
- 956
- 01:11:32,590 --> 01:11:36,300
- I was well-known for my parties.
- Rina knew what they were.
- 957
- 01:11:36,550 --> 01:11:40,890
- It was for girls like her to meet men.
- Men who could get them parts...
- 958
- 01:11:41,140 --> 01:11:42,980
- if they made
- the right impression.
- 959
- 01:11:43,230 --> 01:11:45,390
- Nothing happened to her
- that she didn't invite...
- 960
- 01:11:45,650 --> 01:11:48,860
- in one way or another
- no matter what she said afterwards.
- 961
- 01:11:49,110 --> 01:11:52,280
- - Are you saying she—
- - I'm saying things got out of hand.
- 962
- 01:11:52,530 --> 01:11:56,410
- Maybe they did take advantage of her.
- You know, Maybe the sad truth is...
- 963
- 01:11:56,660 --> 01:12:00,200
- this is not the city
- for innocents.
- 964
- 01:12:00,450 --> 01:12:03,370
- No charges were brought.
- And the bottom line is...
- 965
- 01:12:03,620 --> 01:12:06,170
- Rina Reynolds
- wouldn't play by the rules.
- 966
- 01:12:06,420 --> 01:12:08,580
- You wanna get ahead in Hollywood?
- 967
- 01:12:08,830 --> 01:12:13,710
- You gotta play the game, or go home.
- 968
- 01:12:18,300 --> 01:12:20,850
- What do you know
- about trilogies?
- 969
- 01:12:21,100 --> 01:12:24,480
- - You mean, like movie trilogies?
- - You seem to like movies, Detective.
- 970
- 01:12:24,730 --> 01:12:29,060
- Call me Mark, would you? 'Cause
- I'm gonna keep calling you Sidney.
- 971
- 01:12:29,310 --> 01:12:33,150
- I'll call you Mark when
- you catch the killer, Detective.
- 972
- 01:12:33,900 --> 01:12:37,950
- All I know about movie trilogies
- is that in the third one...
- 973
- 01:12:38,200 --> 01:12:42,030
- all bets are off.
- 974
- 01:12:42,080 --> 01:12:44,080
- - Did you request this case?
- - No. They tend to put me...
- 975
- 01:12:44,330 --> 01:12:46,160
- on the ones that deal
- with the business.
- 976
- 01:12:46,410 --> 01:12:49,500
- I grew up here,
- and I know my way around the studios.
- 977
- 01:12:49,750 --> 01:12:51,960
- Huh.
- 978
- 01:12:52,210 --> 01:12:55,590
- Must be exciting.
- Beautiful place, beautiful people.
- 979
- 01:12:55,840 --> 01:12:59,590
- To me, Hollywood is about death.
- 980
- 01:13:00,090 --> 01:13:02,640
- Excuse me?
- 981
- 01:13:02,890 --> 01:13:06,230
- I'm a homicide detective, remember?
- 982
- 01:13:06,480 --> 01:13:09,190
- And when you see what I see
- day in and day out...
- 983
- 01:13:09,440 --> 01:13:11,860
- the violence
- that people do to each other...
- 984
- 01:13:12,110 --> 01:13:13,940
- you get haunted.
- 985
- 01:13:14,190 --> 01:13:17,700
- I think you know about that.
- 986
- 01:13:18,450 --> 01:13:20,660
- What do you mean?
- 987
- 01:13:20,910 --> 01:13:23,910
- I know what it's like
- to see ghosts that don't go away.
- 988
- 01:13:24,160 --> 01:13:29,460
- To be watching a scary movie in
- your head, whether you want to or not.
- 989
- 01:13:29,750 --> 01:13:34,550
- Watching it alone.
- 990
- 01:13:35,420 --> 01:13:37,920
- Ghosts are tough.
- You can't shoot ghosts.
- 991
- 01:13:38,170 --> 01:13:40,970
- Can't arrest ghosts.
- 992
- 01:13:41,220 --> 01:13:44,640
- But the best way to stop being
- haunted is to be with people.
- 993
- 01:13:44,890 --> 01:13:46,810
- You're here, you're not hiding.
- 994
- 01:13:47,060 --> 01:13:52,020
- You've done the right thing,
- Miss Prescott.
- 995
- 01:13:55,020 --> 01:13:58,860
- What did you know about your mother?
- 996
- 01:14:01,990 --> 01:14:04,530
- I always thought
- I had the perfect mom.
- 997
- 01:14:04,780 --> 01:14:08,290
- Perfect family.
- 998
- 01:14:09,250 --> 01:14:14,290
- Till I found out I was wrong.
- She, um—
- 999
- 01:14:15,590 --> 01:14:20,550
- She had a secret life, and I tried
- to understand that, and, um...
- 1000
- 01:14:20,800 --> 01:14:26,470
- soon as I thought that I had,
- more secrets.
- 1001
- 01:14:28,640 --> 01:14:31,560
- I don't know who my mom was.
- 1002
- 01:14:31,810 --> 01:14:35,650
- You know who she was to you.
- 1003
- 01:14:38,690 --> 01:14:40,650
- Here's the deal.
- I'm off to search the set.
- 1004
- 01:14:40,900 --> 01:14:45,030
- I think what you saw is real.
- That's the good news.
- 1005
- 01:14:45,280 --> 01:14:47,370
- - How is that good news?
- - Because that means...
- 1006
- 01:14:47,620 --> 01:14:50,580
- that we're dealing with
- an ordinary flesh-and-blood killer.
- 1007
- 01:14:50,830 --> 01:14:54,250
- - And I know how
- to handle guys like that.
- - Oh, yeah? How?
- 1008
- 01:14:54,500 --> 01:14:58,960
- Catch him or kill him.
- 1009
- 01:15:01,010 --> 01:15:04,930
- Hey, Detective.
- 1010
- 01:15:05,180 --> 01:15:09,180
- What's your favourite
- scary movie?
- 1011
- 01:15:11,480 --> 01:15:14,980
- My life.
- 1012
- 01:15:16,480 --> 01:15:19,030
- Mine too.
- 1013
- 01:15:19,780 --> 01:15:21,650
- We have to think.
- Strategize.
- 1014
- 01:15:21,900 --> 01:15:24,660
- - Milton's the key to everything.
- - He's a pervert, he's not a killer.
- 1015
- 01:15:24,910 --> 01:15:27,620
- He's gotta be involved somehow.
- We should follow him.
- 1016
- 01:15:27,870 --> 01:15:29,700
- We're gonna go back to the precinct and
- we're gonna tell Kincaid and Sidney...
- 1017
- 01:15:29,950 --> 01:15:32,000
- what we found out.
- 1018
- 01:15:32,250 --> 01:15:35,580
- My Gale would be much more aggressive.
- My Gale would suspect everybody.
- 1019
- 01:15:35,830 --> 01:15:39,590
- - My Gale would—
- - Shut up!
- - Shut up!
- 1020
- 01:15:41,210 --> 01:15:43,760
- - Riley here.
- - Dewey, it's Sidney.
- - Hey, Sid.
- 1021
- 01:15:44,010 --> 01:15:45,930
- - I'm with Gale.
- We're on our way to see you.
- - No.
- 1022
- 01:15:46,180 --> 01:15:49,510
- Listen, I'm not at the station.
- John Milton called me and said
- he had something to tell me.
- 1023
- 01:15:49,760 --> 01:15:52,060
- Something about my mom.
- I'm going to meet him at his house.
- 1024
- 01:15:52,310 --> 01:15:54,480
- Wait, Sid, I'm not so sure
- that's a good idea.
- 1025
- 01:15:54,730 --> 01:15:57,560
- It's okay. Kincaid's with me.
- I've got official big-time...
- 1026
- 01:15:57,810 --> 01:16:01,070
- L.A.P.D. protection, but
- I'd feel better if you were there.
- 1027
- 01:16:01,320 --> 01:16:05,400
- - We're on our way, but still, Sid—
- - Thanks.
- 1028
- 01:16:05,660 --> 01:16:10,950
- - What?
- - Looks like we're going
- to that party after all.
- 1029
- 01:16:20,380 --> 01:16:23,090
- Hey, guys. Come on in.
- Join the party.
- 1030
- 01:16:23,340 --> 01:16:25,220
- Yeah, well, actually,
- we're here to see Sidney.
- 1031
- 01:16:25,470 --> 01:16:27,510
- - Really? Sidney's here.
- - Where?
- 1032
- 01:16:27,760 --> 01:16:30,930
- - Where's Sidney?
- - She's right there!
- 1033
- 01:16:31,180 --> 01:16:34,480
- Jesus!
- Not "Sidney," Sidney.
- 1034
- 01:16:34,730 --> 01:16:38,100
- - Like I'm "Gale" and she's Gale.
- - Sidney Prescott?
- 1035
- 01:16:38,350 --> 01:16:41,070
- - Yeah.
- - No, I'd never invite her here.
- 1036
- 01:16:41,320 --> 01:16:44,900
- - She's on her way.
- - Well, the more the merrier.
- 1037
- 01:16:45,150 --> 01:16:48,860
- God, this house is incredible.
- 1038
- 01:16:49,120 --> 01:16:51,990
- - It's old Hollywood.
- - Yeah. Could the dude have more money?
- 1039
- 01:16:52,240 --> 01:16:55,120
- Supposedly, Milton has
- a secret screening room...
- 1040
- 01:16:55,370 --> 01:16:57,210
- that was like the scene
- back in the '70s, you know.
- 1041
- 01:16:57,460 --> 01:17:01,590
- It was, like, drinks and drugs
- and girls and movies and shit.
- 1042
- 01:17:01,840 --> 01:17:04,510
- Wow! Wish I could've seen it.
- 1043
- 01:17:04,760 --> 01:17:06,630
- Big old screening room
- shouldn't be too hard to find.
- 1044
- 01:17:06,880 --> 01:17:08,720
- I'm gonna go—
- I'm gonna go check this place out.
- 1045
- 01:17:08,970 --> 01:17:12,350
- Whoa, whoa, whoa!
- Just one damn minute.
- There's a psycho killer on the loose.
- 1046
- 01:17:12,600 --> 01:17:15,060
- And you want to go traipsing around
- this gigantic mansion?
- 1047
- 01:17:15,310 --> 01:17:17,640
- Have you ever actually seen
- the Stab movies? Every time...
- 1048
- 01:17:17,890 --> 01:17:20,440
- this dude enters a room,
- he ends up a goddam shish kebab.
- 1049
- 01:17:20,690 --> 01:17:23,690
- - I'll go with you, Roman.
- - There you go. You guys wanna come?
- 1050
- 01:17:23,940 --> 01:17:27,860
- It'll be okay.
- We're gonna stick together.
- 1051
- 01:17:28,110 --> 01:17:31,620
- - You're not stickin'. Wait up.
- - We're gonna stay here and wait for Sid.
- 1052
- 01:17:31,870 --> 01:17:34,990
- We'll be right back!
- 1053
- 01:17:35,240 --> 01:17:38,290
- If-If you were a screening room...
- 1054
- 01:17:38,540 --> 01:17:42,040
- where would you be?
- 1055
- 01:17:43,340 --> 01:17:46,840
- I bet in the basement.
- 1056
- 01:17:48,050 --> 01:17:52,050
- I don't like basements.
- 1057
- 01:17:54,470 --> 01:17:57,980
- Ooh, it's spooky.
- 1058
- 01:18:09,110 --> 01:18:11,070
- - Ooh, Weredad.
- - Damn, it's dark in here.
- 1059
- 01:18:11,320 --> 01:18:13,870
- - I loved that movie.
- - Forget the movie!
- What if Milton's crazy...
- 1060
- 01:18:14,120 --> 01:18:16,620
- and he's gonna jump outta his screening
- room with a sling blade or something?
- 1061
- 01:18:16,870 --> 01:18:20,370
- - He won't.
- - You sure about that?
- 1062
- 01:18:24,710 --> 01:18:28,170
- - What's down there?
- - Zombies and aliens.
- 1063
- 01:18:28,420 --> 01:18:30,840
- You know, what you look like
- without make-up, Jennifer.
- 1064
- 01:18:31,090 --> 01:18:34,220
- Jesus. Stop pretending
- I wasn't the best you've ever had.
- 1065
- 01:18:34,470 --> 01:18:40,060
- - Oh, stop pretending I even remember.
- - Stop pretending!
- 1066
- 01:18:43,730 --> 01:18:47,150
- Roman?
- 1067
- 01:18:57,620 --> 01:19:01,120
- Roman?
- 1068
- 01:19:04,540 --> 01:19:07,840
- - Any sign of her?
- - No.
- 1069
- 01:19:08,090 --> 01:19:10,340
- This is so strange.
- 1070
- 01:19:10,590 --> 01:19:12,430
- It sure is.
- 1071
- 01:19:12,680 --> 01:19:14,680
- Dewey, do you have caller I.D.
- on your cell phone?
- 1072
- 01:19:14,930 --> 01:19:18,600
- - Yeah.
- - All right, use it and-and press "send."
- 1073
- 01:19:27,440 --> 01:19:30,940
- What the hell?
- 1074
- 01:19:41,000 --> 01:19:45,000
- What is this thing?
- 1075
- 01:19:45,630 --> 01:19:49,800
- Is this what he—
- What the hell?
- 1076
- 01:19:51,380 --> 01:19:53,670
- Dewey, he's got our voices.
- 1077
- 01:19:53,930 --> 01:19:55,760
- He's got Sid.
- 1078
- 01:19:56,010 --> 01:19:57,850
- He's got us all.
- 1079
- 01:19:58,100 --> 01:20:01,810
- - Oh, my God. We gotta find her.
- - Come on.
- 1080
- 01:20:02,060 --> 01:20:04,440
- All right, take the gun.
- 1081
- 01:20:04,690 --> 01:20:06,900
- Go find Roman and Jennifer.
- I'm gonna get the others.
- 1082
- 01:20:07,150 --> 01:20:10,650
- - Be careful.
- - You too.
- 1083
- 01:20:11,820 --> 01:20:17,570
- Tyson! Angelina!
- You up there?
- 1084
- 01:20:18,450 --> 01:20:21,240
- - Roman!
- - Tyson!
- 1085
- 01:20:21,490 --> 01:20:23,700
- Angelina!
- 1086
- 01:20:23,960 --> 01:20:26,830
- Damn it!
- 1087
- 01:20:27,080 --> 01:20:29,000
- Okay, come on.
- We gotta get out of here.
- 1088
- 01:20:29,250 --> 01:20:31,340
- - Where's Angelina?
- - I don't know. She went in here.
- 1089
- 01:20:31,590 --> 01:20:33,630
- - I came in after her. Now she's gone.
- - Great.
- 1090
- 01:20:33,880 --> 01:20:38,680
- - What's wrong?
- - Looks like Stab 3
- is back in production.
- 1091
- 01:20:40,300 --> 01:20:43,600
- Roman!
- 1092
- 01:20:43,850 --> 01:20:47,940
- Jennifer!
- 1093
- 01:20:58,030 --> 01:21:02,030
- Jennifer!
- 1094
- 01:21:05,790 --> 01:21:08,790
- Roman!
- 1095
- 01:21:09,040 --> 01:21:12,550
- Jennifer!
- 1096
- 01:21:19,550 --> 01:21:24,020
- Roman?
- 1097
- 01:21:38,910 --> 01:21:40,740
- - Is he dead?
- - Yeah, very.
- 1098
- 01:21:40,990 --> 01:21:45,080
- Dewey! Dewey!
- 1099
- 01:21:48,580 --> 01:21:51,460
- Dewey?
- 1100
- 01:21:51,710 --> 01:21:54,170
- Dewey!
- 1101
- 01:21:54,420 --> 01:21:56,630
- God, I'm sorry.
- Jennifer, Gale, look.
- 1102
- 01:21:56,880 --> 01:21:59,340
- - I found a secret passage.
- - Roman's dead.
- 1103
- 01:21:59,590 --> 01:22:02,050
- - What?
- - The killer's here.
- - What?
- 1104
- 01:22:02,300 --> 01:22:05,770
- - Let go of me! I'm getting out of here!
- - You're not safe alone!
- 1105
- 01:22:06,020 --> 01:22:07,850
- Listen to me!
- 1106
- 01:22:08,100 --> 01:22:12,190
- I did not fuck that pig Milton
- to get a leading role...
- 1107
- 01:22:12,440 --> 01:22:17,900
- just to die here with second-rate
- celebrities like you two!
- 1108
- 01:22:19,860 --> 01:22:23,030
- - Gale! I'm up here.
- - Come on.
- 1109
- 01:22:23,280 --> 01:22:26,700
- - Dewey!
- - You guys should get out too.
- 1110
- 01:22:26,950 --> 01:22:30,960
- It's crazy to still be here.
- 1111
- 01:22:36,170 --> 01:22:40,720
- - Wait!
- - Come on!
- 1112
- 01:22:55,230 --> 01:22:58,150
- - Dewey!
- - Gale, Jennifer, up here!
- 1113
- 01:22:58,400 --> 01:23:01,110
- Dewey, here.
- He got Roman and Angelina too.
- 1114
- 01:23:01,360 --> 01:23:05,200
- - We'll be safer if we
- stick together, won't we?
- - Of course. Why—
- 1115
- 01:23:07,330 --> 01:23:09,120
- What's goin' on?
- Oh, shit!
- 1116
- 01:23:09,370 --> 01:23:12,710
- - Hey!
- - Dewey!
- 1117
- 01:23:12,750 --> 01:23:15,670
- Dewey!
- 1118
- 01:23:15,920 --> 01:23:19,340
- No!
- 1119
- 01:23:28,060 --> 01:23:31,270
- Help! Police!
- Help! Help!
- 1120
- 01:23:31,520 --> 01:23:35,730
- Police! Help!
- 1121
- 01:23:42,320 --> 01:23:45,910
- Oh, you motherfucker!
- 1122
- 01:24:22,900 --> 01:24:26,410
- Damn!
- 1123
- 01:24:29,240 --> 01:24:34,120
- Dewey! Dewey!
- 1124
- 01:24:36,370 --> 01:24:40,540
- Behind the mirror, Dewey!
- 1125
- 01:24:41,300 --> 01:24:43,630
- Gale! Get away! Dewey!
- 1126
- 01:24:43,880 --> 01:24:46,050
- - Do you hear something?
- - Get away from me, you asshole.
- 1127
- 01:24:46,300 --> 01:24:50,970
- - Get away from me! You don't scare me!
- - Look, Gale. The mirror's moving.
- 1128
- 01:24:51,220 --> 01:24:54,560
- - Gale! Gale!
- - Stand back, Gale.
- 1129
- 01:24:54,810 --> 01:24:57,940
- You can't kill me. I'm the killer
- in Stab 3. I'm the killer!
- 1130
- 01:24:58,190 --> 01:25:02,440
- Gale, cover!
- 1131
- 01:25:03,030 --> 01:25:06,610
- Dewey!
- 1132
- 01:25:15,870 --> 01:25:18,210
- - Tyson!
- - Tyson!
- 1133
- 01:25:18,460 --> 01:25:20,290
- I'm gonna check down here.
- You call for help.
- 1134
- 01:25:20,540 --> 01:25:22,750
- Okay.
- 1135
- 01:25:23,000 --> 01:25:26,050
- Tyson!
- 1136
- 01:25:26,300 --> 01:25:29,800
- - Tyson?
- - Any sign of him?
- 1137
- 01:25:30,050 --> 01:25:33,640
- - No.
- - All right. I'm gonna check out front.
- 1138
- 01:25:39,350 --> 01:25:42,860
- Dew—
- 1139
- 01:26:06,630 --> 01:26:10,130
- Gale!
- 1140
- 01:26:11,010 --> 01:26:14,930
- Gale!
- 1141
- 01:26:15,560 --> 01:26:17,930
- Gale!
- 1142
- 01:26:18,180 --> 01:26:22,190
- - Dewey?
- - Gale!
- 1143
- 01:26:23,560 --> 01:26:27,070
- Gale!
- 1144
- 01:26:30,660 --> 01:26:33,160
- - Who is this?
- - Dewey, it's me.
- 1145
- 01:26:33,410 --> 01:26:36,290
- Gale, where are you?
- 1146
- 01:26:36,540 --> 01:26:38,910
- I'm in the basement.
- I'm trapped.
- 1147
- 01:26:39,160 --> 01:26:42,920
- - Where?
- - There's a door in the kitchen.
- 1148
- 01:26:43,960 --> 01:26:47,550
- Hurry.
- 1149
- 01:26:49,670 --> 01:26:53,640
- Wait. How do I know this is
- you, Gale, and not the killer?
- 1150
- 01:26:53,890 --> 01:26:57,270
- Dewey, open the fucking door.
- It's me.
- 1151
- 01:26:57,520 --> 01:27:00,180
- Well, don't you think that's
- what the killer would say?
- 1152
- 01:27:00,430 --> 01:27:06,860
- Come on. He's out cold
- at the bottom of the stairs.
- 1153
- 01:27:07,570 --> 01:27:11,240
- Hey!
- 1154
- 01:27:22,670 --> 01:27:26,750
- Dewey. Dewey.
- 1155
- 01:27:35,890 --> 01:27:37,760
- All right, all right.
- It's pizza, not a party.
- 1156
- 01:27:38,010 --> 01:27:42,440
- Everybody get back to work.
- Anybody seen my fuckin' partner?
- 1157
- 01:27:42,690 --> 01:27:46,190
- Hey, Morgan,
- what did you pay?
- 1158
- 01:28:34,070 --> 01:28:37,240
- - Hello?
- - Hello?
- 1159
- 01:28:37,490 --> 01:28:39,910
- - Who is this?
- - Who is this?
- 1160
- 01:28:40,160 --> 01:28:45,250
- - Um, w-who's calling?
- - Um, w-who's calling?
- 1161
- 01:28:45,500 --> 01:28:50,750
- Gale, Dewey, whoever, um, call me back.
- I can only hear myself.
- 1162
- 01:28:51,000 --> 01:28:55,550
- I only hear you too, Sidney.
- 1163
- 01:28:55,720 --> 01:28:59,010
- - Who is this?
- - The question isn't who I am.
- 1164
- 01:28:59,260 --> 01:29:02,970
- The question is:
- Who's with me?
- 1165
- 01:29:03,220 --> 01:29:05,060
- - Sidney, stay away!
- - Sidney!
- 1166
- 01:29:05,310 --> 01:29:08,650
- Don't do it. If you do one thing
- to attract attention to yourself...
- 1167
- 01:29:08,900 --> 01:29:11,570
- one thing,
- I'll kill them both.
- 1168
- 01:29:11,820 --> 01:29:17,280
- Now, do you have somewhere
- we can be alone?
- 1169
- 01:29:17,530 --> 01:29:21,830
- - Yes.
- - Yeah. Go there.
- 1170
- 01:29:27,120 --> 01:29:29,790
- Oh, it's hard being friends
- with you, Sidney.
- 1171
- 01:29:30,040 --> 01:29:33,000
- When you're friends with Sidney,
- you die.
- 1172
- 01:29:33,250 --> 01:29:37,550
- Well, these friends don't have to,
- Sidney. It's up to you.
- 1173
- 01:29:37,800 --> 01:29:39,720
- - How do I know their voices are—
- - Are real?
- 1174
- 01:29:39,970 --> 01:29:41,890
- How do you know
- you're not hearing things?
- 1175
- 01:29:42,140 --> 01:29:47,270
- How do you know I'm not someone
- in your head? Somewhere you know.
- 1176
- 01:29:47,520 --> 01:29:49,900
- - Don't come here, Sidney!
- - Dewey!
- 1177
- 01:29:50,150 --> 01:29:53,230
- - Or do you?
- - You're dead.
- 1178
- 01:29:53,480 --> 01:29:55,740
- I don't want them.
- I want you.
- 1179
- 01:29:55,990 --> 01:29:58,570
- It's simple.
- You show yourself, they survive.
- 1180
- 01:29:58,820 --> 01:30:01,200
- - You run, they die.
- - Oh, God!
- 1181
- 01:30:01,450 --> 01:30:05,330
- Don't you wanna know, Sidney,
- who killed her?
- 1182
- 01:30:05,580 --> 01:30:08,920
- Don't you wanna know
- who killed your mother?
- 1183
- 01:30:09,170 --> 01:30:11,000
- - Have you seen Kincaid?
- - Yeah, I saw him go out.
- 1184
- 01:30:11,250 --> 01:30:12,920
- - Wallace is still lookin' for him.
- - Where?
- 1185
- 01:30:13,170 --> 01:30:17,130
- She'd have been so happy, Sidney,
- to know we'd be together.
- 1186
- 01:30:17,380 --> 01:30:22,680
- - Where?
- - I'll call you when you're on your way.
- 1187
- 01:30:25,140 --> 01:30:29,350
- Shit. Shit. Shit.
- 1188
- 01:31:36,540 --> 01:31:40,630
- Holy shit.
- 1189
- 01:31:48,850 --> 01:31:51,140
- - What?
- - You follow directions well, Sidney.
- 1190
- 01:31:51,390 --> 01:31:53,440
- Now, welcome to the final act.
- 1191
- 01:31:53,690 --> 01:31:56,270
- See that metal detector?
- 1192
- 01:31:56,520 --> 01:32:00,440
- Use it.
- 1193
- 01:32:03,280 --> 01:32:07,830
- All over, Sidney.
- Everywhere.
- 1194
- 01:32:11,000 --> 01:32:16,290
- Everywhere.
- The other leg too.
- 1195
- 01:32:19,050 --> 01:32:22,720
- Show it to me.
- 1196
- 01:32:26,800 --> 01:32:30,310
- Throw it in the pool.
- 1197
- 01:32:32,020 --> 01:32:33,850
- Now, come inside, Sidney.
- 1198
- 01:32:34,100 --> 01:32:36,900
- No fucking way. How do I know
- they're not dead already?
- 1199
- 01:32:37,150 --> 01:32:40,360
- They're right inside,
- waiting for you.
- 1200
- 01:32:40,610 --> 01:32:44,110
- Look for yourself.
- 1201
- 01:32:54,210 --> 01:32:59,210
- Now that we're all here,
- the party can begin.
- 1202
- 01:32:59,460 --> 01:33:02,710
- - Dewey.
- - Sid.
- 1203
- 01:33:02,960 --> 01:33:05,840
- - Where is he?
- - I don't know.
- 1204
- 01:33:06,090 --> 01:33:10,010
- He's right there!
- 1205
- 01:33:14,600 --> 01:33:17,230
- Oh, shit.
- 1206
- 01:33:17,480 --> 01:33:19,150
- Think again.
- 1207
- 01:33:19,400 --> 01:33:23,320
- It's your turn to scream, asshole.
- 1208
- 01:33:25,190 --> 01:33:29,570
- Yeah!
- 1209
- 01:33:32,660 --> 01:33:36,000
- - It's okay. Just give me a second.
- - Okay.
- 1210
- 01:33:36,250 --> 01:33:41,290
- - Hurry, Sid.
- - Sidney? Sidney?
- 1211
- 01:33:42,590 --> 01:33:46,510
- Where is he?
- 1212
- 01:33:48,260 --> 01:33:51,850
- Be careful!
- 1213
- 01:33:57,560 --> 01:34:00,980
- I heard shots. Tyson's dead.
- What's goin' on?
- 1214
- 01:34:01,230 --> 01:34:03,770
- - What're you doin' here, Kincaid?
- - Lookin' for you.
- 1215
- 01:34:04,030 --> 01:34:07,030
- Tyson said there was a party here
- tonight, and I thought, uh-oh.
- 1216
- 01:34:07,280 --> 01:34:09,200
- Third act celebration.
- Thought I better check it out.
- 1217
- 01:34:09,450 --> 01:34:13,370
- Alone?
- Where's your partner?
- 1218
- 01:34:15,750 --> 01:34:18,540
- Hey, Miss Prescott.
- 1219
- 01:34:18,790 --> 01:34:23,500
- I'm here to help.
- Put the gun down.
- 1220
- 01:34:24,420 --> 01:34:27,840
- Put the gun down.
- 1221
- 01:34:30,640 --> 01:34:34,720
- No!
- 1222
- 01:34:38,230 --> 01:34:42,650
- Sid! Wake up, Sid!
- Sid, come on!
- 1223
- 01:34:42,900 --> 01:34:46,780
- - Wake up!
- - Sidney!
- 1224
- 01:34:47,030 --> 01:34:49,320
- Sid, shoot him! Sid!
- 1225
- 01:34:49,570 --> 01:34:53,280
- Shoot the fucker!
- 1226
- 01:34:53,530 --> 01:34:57,910
- Shoot him!
- 1227
- 01:35:01,080 --> 01:35:04,040
- You want me, motherfucker?
- Come and get me.
- 1228
- 01:35:04,290 --> 01:35:08,550
- Run!
- 1229
- 01:35:55,090 --> 01:35:58,060
- Sid.
- 1230
- 01:35:58,310 --> 01:36:01,680
- Sid.
- 1231
- 01:36:01,930 --> 01:36:07,520
- Come in here, please.
- 1232
- 01:36:08,400 --> 01:36:12,360
- It's just me, Sid.
- 1233
- 01:36:12,610 --> 01:36:16,320
- Oh, I was so pretty.
- 1234
- 01:36:16,570 --> 01:36:19,830
- Everybody loved me.
- 1235
- 01:36:20,080 --> 01:36:24,540
- Have you missed me, Sidney?
- 1236
- 01:36:25,120 --> 01:36:30,800
- Would you like to hold me
- one last time?
- 1237
- 01:36:31,130 --> 01:36:33,880
- What's the matter?
- What are you staring at?
- 1238
- 01:36:34,130 --> 01:36:40,140
- Don't you remember your mother?
- 1239
- 01:36:50,020 --> 01:36:52,030
- You're not going anywhere, Sidney.
- 1240
- 01:36:52,280 --> 01:36:58,120
- It's time you came to terms
- with me and with Mother.
- 1241
- 01:36:59,080 --> 01:37:01,830
- Maybe you never
- knew her at all, Sidney.
- 1242
- 01:37:02,080 --> 01:37:07,040
- Maybe you just can't get past
- the surface of things.
- 1243
- 01:37:07,290 --> 01:37:10,960
- - Who the hell are you?
- - The other half of you.
- 1244
- 01:37:11,210 --> 01:37:15,130
- I searched for a mother too,
- an actress named Rina Reynolds.
- 1245
- 01:37:15,380 --> 01:37:17,260
- Tried to find her my whole life.
- 1246
- 01:37:17,510 --> 01:37:20,300
- And four years ago,
- I actually tracked her down.
- 1247
- 01:37:20,550 --> 01:37:23,680
- Knocked at her door, thinking
- she'd welcome me with open arms.
- 1248
- 01:37:23,930 --> 01:37:28,310
- But she had a new life
- and a new name: Maureen Prescott.
- 1249
- 01:37:28,560 --> 01:37:30,440
- You were the only child
- she claimed, Sidney.
- 1250
- 01:37:30,690 --> 01:37:33,530
- She shut me out
- in the cold forever.
- 1251
- 01:37:33,780 --> 01:37:37,860
- Her own son.
- 1252
- 01:37:42,160 --> 01:37:47,000
- Roman Bridger, director.
- And brother.
- 1253
- 01:37:47,250 --> 01:37:49,790
- She slammed the door in my face, Sid.
- She said I was Rina's child...
- 1254
- 01:37:50,040 --> 01:37:52,130
- and Rina was dead.
- 1255
- 01:37:52,380 --> 01:37:54,300
- And it struck me.
- 1256
- 01:37:54,550 --> 01:37:57,720
- What a good idea!
- So I watched her.
- 1257
- 01:37:57,970 --> 01:38:01,850
- I made a little home movie.
- A little-little family film.
- 1258
- 01:38:02,100 --> 01:38:05,020
- It seems Maureen—
- Mom—
- 1259
- 01:38:05,270 --> 01:38:09,230
- She really got around.
- I mean, Cotton was one thing.
- 1260
- 01:38:09,480 --> 01:38:11,520
- Everybody knew about that.
- 1261
- 01:38:11,770 --> 01:38:16,320
- But Billy's father?
- That was the key.
- 1262
- 01:38:16,570 --> 01:38:18,530
- Your boyfriend didn't like seeing
- his daddy in my film too much.
- 1263
- 01:38:18,780 --> 01:38:20,910
- He didn't like it at all.
- 1264
- 01:38:21,160 --> 01:38:25,290
- But once I supplied the motivation,
- all the kid needed was a few pointers.
- 1265
- 01:38:25,540 --> 01:38:28,750
- Have a partner to sell out in case
- you get caught, find someone to frame.
- 1266
- 01:38:29,000 --> 01:38:31,290
- It was like
- he was making a movie.
- 1267
- 01:38:31,540 --> 01:38:36,050
- You. This is all because of you.
- 1268
- 01:38:36,300 --> 01:38:39,720
- I'm a director, Sid.
- 1269
- 01:38:39,970 --> 01:38:42,220
- - I direct.
- - Oh.
- 1270
- 01:38:42,470 --> 01:38:47,350
- I had no idea that they were
- gonna make a film of their own.
- 1271
- 01:38:48,230 --> 01:38:51,900
- - Oh, shit.
- - What a film it turned out to be, huh?
- 1272
- 01:38:52,150 --> 01:38:54,940
- I mean, introducing Sidney,
- the victim.
- 1273
- 01:38:55,190 --> 01:39:00,150
- Sidney, the survivor.
- Sidney, the star!
- 1274
- 01:39:14,460 --> 01:39:16,550
- All right. You're gonna be all right.
- Just apply pressure.
- 1275
- 01:39:16,800 --> 01:39:19,050
- Here, take this.
- Get the son of a bitch.
- 1276
- 01:39:19,300 --> 01:39:20,800
- Let's go.
- 1277
- 01:39:21,050 --> 01:39:23,890
- Fine, you got what you wanted,
- hero and villain face-to-face.
- 1278
- 01:39:24,140 --> 01:39:26,810
- - Well, you know what happens now?
- The villain dies!
- - Exactly!
- 1279
- 01:39:27,060 --> 01:39:31,310
- But I'm not the villain, Sid.
- You are.
- 1280
- 01:39:31,560 --> 01:39:35,980
- Here he is, the man who gave away
- your mother's innocence.
- 1281
- 01:39:36,230 --> 01:39:38,570
- Huh? What he did
- to her made her a slut.
- 1282
- 01:39:38,820 --> 01:39:43,030
- Didn't it? Huh? She never recovered from
- that night, right here in this room.
- 1283
- 01:39:43,280 --> 01:39:46,740
- They fucked her three ways from Sunday.
- Ruined her life.
- 1284
- 01:39:46,990 --> 01:39:48,660
- Ruined yours too,
- didn't it, Sid?
- 1285
- 01:39:48,910 --> 01:39:51,290
- You hate him, Sid?
- 1286
- 01:39:51,540 --> 01:39:57,130
- Come on, I know you do.
- I'm sure you do.
- 1287
- 01:39:57,340 --> 01:39:59,670
- I know who you are.
- I know what happened to my mother.
- 1288
- 01:39:59,920 --> 01:40:02,720
- And I want you to understand,
- I'm gonna make you pay!
- 1289
- 01:40:02,970 --> 01:40:04,800
- That's what the police are gonna
- find on Milton's answering machine...
- 1290
- 01:40:05,050 --> 01:40:08,600
- right next to his lifeless,
- mutilated corpse.
- 1291
- 01:40:08,850 --> 01:40:10,980
- - What? Can't hear ya.
- - You don't have to do this, Roman.
- 1292
- 01:40:11,230 --> 01:40:13,100
- Just tell me what you want.
- I can make it happen.
- 1293
- 01:40:13,350 --> 01:40:15,270
- Any picture.
- Name your budget. Script approval.
- 1294
- 01:40:15,520 --> 01:40:17,610
- - Final cut!
- - I already have it.
- 1295
- 01:40:17,860 --> 01:40:21,190
- No!
- 1296
- 01:40:21,900 --> 01:40:23,740
- God! You spineless bastard!
- 1297
- 01:40:23,990 --> 01:40:26,820
- No, Sid, that would be you.
- You did it all.
- 1298
- 01:40:27,070 --> 01:40:31,000
- You did it, you called them all.
- Even your closest friends.
- 1299
- 01:40:31,250 --> 01:40:33,620
- Living in total isolation, the pressure
- ofanother movie about you...
- 1300
- 01:40:33,870 --> 01:40:36,880
- the discovery that Milton
- destroyed Mommy dearest...
- 1301
- 01:40:37,130 --> 01:40:40,210
- you finally just snapped!
- 1302
- 01:40:40,460 --> 01:40:44,840
- One, two, three!
- 1303
- 01:40:45,890 --> 01:40:49,560
- And who's our hero, huh?
- The sole survivor. Who's the one...
- 1304
- 01:40:49,810 --> 01:40:53,600
- who bravely faced down the psychopath
- and killed her with her own knife?
- 1305
- 01:40:53,850 --> 01:40:56,060
- You're gonna pay for the life
- you stole from me, Sid.
- 1306
- 01:40:56,310 --> 01:41:00,020
- For the mother, and for the family,
- and for the stardom and—
- 1307
- 01:41:00,270 --> 01:41:02,400
- Goddam it! Everything you have
- that should've been mine!
- 1308
- 01:41:02,650 --> 01:41:05,660
- God! Why don't you stop your whining
- and get on with it?
- I've heard this shit before!
- 1309
- 01:41:05,910 --> 01:41:08,120
- - Stop!
- - You know why you kill people,
- Roman? Do you?
- 1310
- 01:41:08,370 --> 01:41:11,330
- - I don't wanna hear it!
- - Because you choose to!
- There is no one else to blame!
- 1311
- 01:41:11,580 --> 01:41:14,790
- - Stop it! Fucking damn it!
- - Why don't you take
- some fucking responsibility?
- 1312
- 01:41:15,040 --> 01:41:18,880
- - Fuck you!
- - Fuck you!
- 1313
- 01:41:30,600 --> 01:41:34,100
- Sid? Sidney?
- 1314
- 01:41:41,610 --> 01:41:45,110
- Sidney?
- 1315
- 01:41:52,160 --> 01:41:55,250
- Sidney!
- 1316
- 01:42:07,930 --> 01:42:10,850
- Sidney!
- 1317
- 01:42:13,010 --> 01:42:16,100
- Leave her alone!
- 1318
- 01:42:25,940 --> 01:42:29,110
- Dewey, do something!
- 1319
- 01:42:32,120 --> 01:42:36,660
- - Stand back!
- - Dewey!
- 1320
- 01:42:39,830 --> 01:42:43,670
- Sid! Sid.
- 1321
- 01:43:06,980 --> 01:43:10,910
- Sid?
- 1322
- 01:43:13,280 --> 01:43:17,040
- Where is he?
- 1323
- 01:43:29,800 --> 01:43:33,050
- Hey. Lose something?
- 1324
- 01:43:33,300 --> 01:43:36,640
- Found something.
- 1325
- 01:43:58,080 --> 01:44:02,710
- There's gotta be another way in there!
- Come on!
- 1326
- 01:44:07,550 --> 01:44:12,260
- You hurt her,
- I swear I'll kill you!
- 1327
- 01:44:24,850 --> 01:44:29,110
- - Dewey!
- - Down this way. There's another hallway.
- 1328
- 01:44:39,870 --> 01:44:43,370
- There's another door down here.
- 1329
- 01:44:49,170 --> 01:44:51,420
- - This thing's not budging.
- - Look around for something heavy.
- 1330
- 01:44:51,670 --> 01:44:55,840
- - Go that way.
- - Okay!
- 1331
- 01:45:20,410 --> 01:45:24,080
- I shot you.
- 1332
- 01:45:27,790 --> 01:45:32,420
- I guess we think alike.
- 1333
- 01:45:32,420 --> 01:45:35,170
- Mother's dead.
- 1334
- 01:45:35,420 --> 01:45:38,930
- And there is nothing
- you can do about that.
- 1335
- 01:45:39,100 --> 01:45:42,310
- I still got
- to make my movie.
- 1336
- 01:45:42,560 --> 01:45:46,560
- Stab 3, right?
- 1337
- 01:46:02,740 --> 01:46:06,660
- Kincaid, hang in there.
- 1338
- 01:46:06,830 --> 01:46:11,960
- Roman? It was Roman?
- 1339
- 01:46:35,320 --> 01:46:40,620
- Be careful, Sid. Randy said
- the killer's always superhuman.
- 1340
- 01:46:41,950 --> 01:46:45,750
- Yeah, well,
- he wasn't superhuman, Dewey.
- 1341
- 01:46:46,000 --> 01:46:49,750
- He wasn't superhuman at all.
- 1342
- 01:46:53,840 --> 01:46:55,880
- - You can't fuckin' kill me!
- - Head!
- 1343
- 01:46:56,130 --> 01:46:58,380
- - Head! Head, Dewey!
- - What?
- 1344
- 01:46:58,630 --> 01:47:02,300
- Head!
- Shoot him in the head.
- 1345
- 01:47:13,770 --> 01:47:15,820
- Thanks.
- 1346
- 01:47:16,070 --> 01:47:19,570
- No problem.
- 1347
- 01:47:44,640 --> 01:47:47,010
- Look.
- 1348
- 01:47:47,270 --> 01:47:49,390
- Come on, Cherokee.
- Come on.
- 1349
- 01:47:49,640 --> 01:47:54,360
- - Yeah, she's doin' great.
- - Yeah.
- 1350
- 01:47:58,030 --> 01:48:01,530
- Look.
- 1351
- 01:48:01,820 --> 01:48:03,780
- What are you doing with that?
- 1352
- 01:48:04,030 --> 01:48:07,740
- Um, will you sign it
- for me, Gale?
- 1353
- 01:48:07,990 --> 01:48:10,250
- You hate that book.
- 1354
- 01:48:10,500 --> 01:48:13,620
- Besides, I'm-I'm done
- with that kind of reporting.
- 1355
- 01:48:13,870 --> 01:48:19,260
- For me.
- Will you sign it for me?
- 1356
- 01:48:20,460 --> 01:48:23,340
- You're a nut.
- 1357
- 01:48:23,590 --> 01:48:26,680
- Okay.
- 1358
- 01:48:35,400 --> 01:48:39,690
- - Will you?
- - Dewey.
- 1359
- 01:48:39,940 --> 01:48:43,450
- I know it'll never work,
- and you know it'll never work.
- 1360
- 01:48:43,700 --> 01:48:51,000
- But what I'm asking is
- just to see if we're wrong.
- 1361
- 01:48:51,330 --> 01:48:55,250
- We don't know everything, Gale.
- 1362
- 01:48:56,130 --> 01:49:01,010
- I mean, you think you do, but—
- 1363
- 01:49:06,890 --> 01:49:10,470
- You're a brave man,
- Dewey Riley.
- 1364
- 01:49:10,890 --> 01:49:15,060
- I'm really scared right now.
- 1365
- 01:49:57,900 --> 01:50:01,480
- Inside.
- 1366
- 01:50:05,900 --> 01:50:09,070
- Sid, we've been waiting for you.
- We're gonna start a movie.
- 1367
- 01:50:09,320 --> 01:50:15,660
- - What kind of movie?
- - You have to come and see.
- 1368
- 01:50:43,900 --> 01:50:47,610
- Take a little walk
- to the edge of town
- 1369
- 01:50:47,860 --> 01:50:51,620
- Now, spread your wings and fly
- 1370
- 01:50:51,870 --> 01:50:55,830
- Don't the lights of the city
- look so damn pretty
- 1371
- 01:50:56,080 --> 01:51:00,290
- When you're flyin' so high
- 1372
- 01:51:00,540 --> 01:51:04,050
- It's hard to know
- about there down below
- 1373
- 01:51:04,300 --> 01:51:09,220
- The streets fade
- They're swimmin'deep in blood
- 1374
- 01:51:09,470 --> 01:51:16,350
- It seems to make me
- groan and cry
- 1375
- 01:51:16,970 --> 01:51:20,310
- You really wanna know
- what's wrong with this land
- 1376
- 01:51:20,560 --> 01:51:26,230
- Just scratch your head
- with your red right hand
- 1377
- 01:51:27,780 --> 01:51:32,280
- I'm talkin'about blood, babe
- 1378
- 01:51:32,530 --> 01:51:36,490
- It's in your veins
- 1379
- 01:51:36,740 --> 01:51:40,330
- Your mommy and daddy
- 1380
- 01:51:40,580 --> 01:51:44,250
- They've got the same
- 1381
- 01:51:45,800 --> 01:51:50,680
- You're under the mirror
- day after day
- 1382
- 01:51:50,930 --> 01:51:54,640
- You see a pretty face
- crumblin' away
- 1383
- 01:51:54,890 --> 01:52:01,940
- As you become
- your mom and daddy
- 1384
- 01:52:02,060 --> 01:52:06,570
- Scream once, scream twice
- Now scream again
- 1385
- 01:52:06,820 --> 01:52:12,820
- Cover that face
- with your red right hand
- 1386
- 01:52:24,790 --> 01:52:29,340
- So, is this the end
- 1387
- 01:52:29,590 --> 01:52:34,390
- Forus, my friend
- 1388
- 01:52:37,810 --> 01:52:42,100
- So, is this the end
- 1389
- 01:52:42,350 --> 01:52:47,820
- Forus, my friend
- 1390
- 01:52:50,480 --> 01:52:54,910
- So, is this the end
- 1391
- 01:52:55,160 --> 01:53:00,620
- Forus, my friend
- 1392
- 01:53:17,470 --> 01:53:24,270
- Well as though we rise
- 1393
- 01:53:24,520 --> 01:53:30,070
- As the day breaks the dawn
- 1394
- 01:53:30,320 --> 01:53:37,110
- And as the moon hides the sun
- 1395
- 01:53:37,370 --> 01:53:41,290
- Oh, the sun
- 1396
- 01:53:43,000 --> 01:53:49,170
- No more sorrow
- 1397
- 01:53:50,090 --> 01:53:55,800
- All those crying days are gone
- 1398
- 01:53:56,050 --> 01:53:59,430
- No more sorrow
- 1399
- 01:53:59,680 --> 01:54:02,470
- Now it'sgone
- 1400
- 01:54:02,720 --> 01:54:05,730
- Now it'sgone
- 1401
- 01:54:05,980 --> 01:54:10,150
- Now it'sgone
- 1402
- 01:54:13,650 --> 01:54:18,320
- So, is this the end
- 1403
- 01:54:18,570 --> 01:54:25,160
- Forus, my friend
- 1404
- 01:54:28,250 --> 01:54:32,500
- Spoke to my god today
- Asked him why he'd gone away
- 1405
- 01:54:32,750 --> 01:54:36,800
- Hitched on a rocket ride
- into the sun
- 1406
- 01:54:37,050 --> 01:54:41,300
- Said, son I got one for ya
- Down there in California
- 1407
- 01:54:41,550 --> 01:54:45,680
- Just take a look around
- at all you've done
- 1408
- 01:54:45,930 --> 01:54:49,060
- You're automatic
- like a burnin' gun
- 1409
- 01:54:49,310 --> 01:54:54,440
- You're a star like everyone
- 1410
- 01:54:54,780 --> 01:54:58,860
- Talked to my soul today
- Couldn't keep my brain away
- 1411
- 01:54:59,110 --> 01:55:03,200
- So I found a holiday
- behind the sun
- 1412
- 01:55:03,450 --> 01:55:07,660
- Took all the friends I could
- Spun out in Hollywood
- 1413
- 01:55:07,910 --> 01:55:12,080
- Hit up on a climate everyone
- 1414
- 01:55:12,340 --> 01:55:15,460
- You're automatic
- like a burnin' gun
- 1415
- 01:55:15,710 --> 01:55:21,090
- You're a star like everyone
- 1416
- 01:55:21,800 --> 01:55:25,890
- You could save the world
- 1417
- 01:55:26,140 --> 01:55:30,560
- Could be shining on my pearl
- 1418
- 01:55:30,810 --> 01:55:34,860
- You could save the world
- 1419
- 01:55:35,110 --> 01:55:40,400
- Just might find your way
- mypearl
- 1420
- 01:55:40,660 --> 01:55:44,080
- Shine
- 1421
- 01:55:46,540 --> 01:55:50,290
- Shine
- 1422
- 01:55:56,340 --> 01:55:59,420
- You're automatic
- like a burnin' gun
- 1423
- 01:55:59,670 --> 01:56:05,510
- You're a star like everyone
- 1424
- 01:56:05,810 --> 01:56:09,890
- You could save the world
- 1425
- 01:56:10,140 --> 01:56:14,270
- Could be shinin' on my pearl
- 1426
- 01:56:14,520 --> 01:56:18,780
- You could save the world
- 1427
- 01:56:19,030 --> 01:56:23,240
- Could be shinin' on my pearl
- 1428
- 01:56:23,490 --> 01:56:27,620
- You could save the world
- 1429
- 01:56:27,870 --> 01:56:33,120
- Just might find your way
- my pearl
- 1430
- 01:56:33,370 --> 01:56:41,170
- Shine
- 1431
- 01:56:42,305 --> 01:57:42,205
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