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| 
							- 2
 
- 00:00:31,790 --> 00:00:34,120
 
- Moving onto the Hollywood Freeway,
 
- we have a multiple vehicle...
 
- 3
 
- 00:00:34,370 --> 00:00:35,750
 
- multiple injury accident.
 
- 4
 
- 00:00:36,000 --> 00:00:38,710
 
- An absolute mess
 
- from VineStreet to the valley.
 
- 5
 
- 00:00:38,960 --> 00:00:41,050
 
- If you're in it,
 
- expect a long commute.
 
- 6
 
- 00:00:41,300 --> 00:00:43,470
 
- If you're not,
 
- seek alternate routes.
 
- 7
 
- 00:00:43,720 --> 00:00:45,760
 
- If Dan doesn't want to do a daily rate,
 
- we can talk about a weekly rate.
 
- 8
 
- 00:00:46,010 --> 00:00:48,970
 
- But I'm tellin' you right now,
 
- I'm not goin' below a million.
 
- 9
 
- 00:00:49,220 --> 00:00:51,100
 
- I mean, think about it.
 
- I'm risking my reputation...
 
- 10
 
- 00:00:51,350 --> 00:00:53,230
 
- as the host
 
- of this country's number-one...
 
- 11
 
- 00:00:53,480 --> 00:00:57,230
 
- nationally syndicated talk show to do
 
- a cameo in some cheap slasher flick.
 
- 12
 
- 00:00:57,480 --> 00:00:59,520
 
- I mean, why can't these guys write me
 
- a fuckin' decent part?
 
- 13
 
- 00:00:59,770 --> 00:01:02,110
 
- You know?
 
- I lived through the fuckin' thing.
 
- 14
 
- 00:01:02,360 --> 00:01:05,280
 
- By the way, did you talk to Cathy
 
- about that Navy SEAL script?
 
- 15
 
- 00:01:05,530 --> 00:01:09,030
 
- Hang on a sec.
 
- 16
 
- 00:01:09,370 --> 00:01:10,830
 
- - Hello?
 
- - Hello?
 
- 17
 
- 00:01:11,080 --> 00:01:13,250
 
- - Who's this?
 
- - Who's this?
 
- 18
 
- 00:01:13,500 --> 00:01:15,500
 
- - Who are you calling?
 
- - Oh. You know what?
 
- 19
 
- 00:01:15,750 --> 00:01:17,880
 
- - I'm sorry. I have the wrong number.
 
- - That's okay.
 
- 20
 
- 00:01:18,130 --> 00:01:20,710
 
- Wait a minute. I know your voice.
 
- 21
 
- 00:01:20,960 --> 00:01:25,680
 
- You sound a lot like that guy on TV.
 
- Um, Cotton Weary.
 
- 22
 
- 00:01:25,930 --> 00:01:27,640
 
- - I do, huh?
 
- - Yeah.
 
- 23
 
- 00:01:27,890 --> 00:01:31,060
 
- I think he's got
 
- a really sexy voice.
 
- 24
 
- 00:01:31,310 --> 00:01:33,220
 
- - Well, thank you.
 
- - Wait a minute.
 
- 25
 
- 00:01:33,470 --> 00:01:36,020
 
- You are Cotton, aren't you?
 
- Oh, my God.
 
- 26
 
- 00:01:36,270 --> 00:01:40,770
 
- I am talking to Cotton Weary.
 
- I can't believe this.
 
- 27
 
- 00:01:41,020 --> 00:01:43,190
 
- You got me. Look, I've—
 
- I've got someone on the other line.
 
- 28
 
- 00:01:43,440 --> 00:01:45,440
 
- Can you hold on one second?
 
- I'll be right back, I promise.
 
- 29
 
- 00:01:45,700 --> 00:01:48,700
 
- - Yeah.
 
- - Okay.
 
- - Yeah.
 
- 30
 
- 00:01:49,200 --> 00:01:53,910
 
- Andrea, uh, I gotta call you back.
 
- Someone's on the other line.
 
- 31
 
- 00:01:55,330 --> 00:01:59,460
 
- So, uh, you a big 100% Cotton fan?
 
- 32
 
- 00:01:59,710 --> 00:02:04,170
 
- - Yeah! One hundred and ten percent.
 
- - That's very good.
 
- 33
 
- 00:02:04,420 --> 00:02:08,090
 
- So, um, why don't you tell me
 
- who you are?
 
- 34
 
- 00:02:08,340 --> 00:02:12,220
 
- Ooh! You're a naughty boy, Cotton.
 
- Now, what would your girlfriend say?
 
- 35
 
- 00:02:12,470 --> 00:02:14,680
 
- What makes you think
 
- I have a girlfriend?
 
- 36
 
- 00:02:14,930 --> 00:02:16,560
 
- I know you do.
 
- 37
 
- 00:02:16,810 --> 00:02:20,650
 
- - I'm right outside her bathroom door.
 
- - Who is this?
 
- 38
 
- 00:02:20,900 --> 00:02:25,780
 
- She's in the shower.
 
- She's got a nice little voice.
 
- 39
 
- 00:02:26,030 --> 00:02:28,910
 
- Let's come in for a closer look.
 
- 40
 
- 00:02:29,160 --> 00:02:31,370
 
- She's very pretty, Cotton.
 
- 41
 
- 00:02:31,620 --> 00:02:34,490
 
- A step up from
 
- Maureen Prescott.
 
- 42
 
- 00:02:34,740 --> 00:02:37,910
 
- Speaking of which,
 
- let's play a little game.
 
- 43
 
- 00:02:38,160 --> 00:02:40,370
 
- Answer right,
 
- your girlfriend lives.
 
- 44
 
- 00:02:40,630 --> 00:02:42,540
 
- Answer wrong, she dies.
 
- 45
 
- 00:02:42,790 --> 00:02:45,590
 
- - Where's Maureen's daughter, Sidney?
 
- - Who the fuck is this?
 
- 46
 
- 00:02:45,840 --> 00:02:48,340
 
- Somebody who'd kill to know
 
- where Sidney Prescott is!
 
- 47
 
- 00:02:48,590 --> 00:02:52,140
 
- One chance, Cotton!
 
- You've got connections. Where is she?
 
- 48
 
- 00:02:52,390 --> 00:02:54,430
 
- You listen to me, you fuckin' psycho.
 
- You lay a finger on Christine...
 
- 49
 
- 00:02:54,680 --> 00:02:58,100
 
- - and I swear to God I'll kill you.
 
- - Wrong answer!
 
- 50
 
- 00:02:58,350 --> 00:03:03,730
 
- No! Wait!
 
- Hello? Shit!
 
- 51
 
- 00:03:04,320 --> 00:03:05,860
 
- - Hey!
 
- - Get outta the way!
 
- 52
 
- 00:03:06,110 --> 00:03:09,950
 
- - You just hit me!
 
- - Move!
 
- 53
 
- 00:03:34,180 --> 00:03:36,390
 
- Christine, if you're there,
 
- pick up the phone!
 
- 54
 
- 00:03:36,640 --> 00:03:41,690
 
- Christine, pick up the phone!
 
- Oh, shit!
 
- 55
 
- 00:04:09,300 --> 00:04:11,420
 
- You have reached 911.
 
- Due to the volume of calls—
 
- 56
 
- 00:04:11,670 --> 00:04:15,890
 
- Someone pick up the goddam phone!
 
- Move outta the way!
 
- 57
 
- 00:04:17,810 --> 00:04:21,890
 
- Shit! Shit!
 
- 58
 
- 00:04:38,740 --> 00:04:42,250
 
- Cotton, is that you?
 
- 59
 
- 00:04:42,960 --> 00:04:46,460
 
- Cotton?
 
- 60
 
- 00:04:51,800 --> 00:04:55,300
 
- Honey?
 
- 61
 
- 00:05:08,150 --> 00:05:11,650
 
- Okay, Cotton.
 
- 62
 
- 00:05:12,650 --> 00:05:16,410
 
- You know I don't like
 
- your Stab games.
 
- 63
 
- 00:05:21,580 --> 00:05:24,410
 
- - Who is it? Who's there?
 
- - Christine?
 
- 64
 
- 00:05:24,660 --> 00:05:26,170
 
- Hon, you all right?
 
- 65
 
- 00:05:26,420 --> 00:05:30,590
 
- - I'm home.
 
- - Jesus! You scared the shit outta me.
 
- 66
 
- 00:05:30,840 --> 00:05:35,880
 
- - You're not gonna believe
 
- what just happened to me.
 
- - What are you talking about?
 
- 67
 
- 00:05:51,770 --> 00:05:54,530
 
- - Get the hell out of here!
 
- - Okay. Okay, I'm sorry, babe.
 
- 68
 
- 00:05:54,780 --> 00:05:58,450
 
- I didn't mean to scare you that bad.
 
- It's me. Come on, open the door.
 
- 69
 
- 00:05:58,700 --> 00:06:02,240
 
- - What are you doing?
 
- - What?
 
- - What the fuck are you doing?
 
- 70
 
- 00:06:02,490 --> 00:06:05,870
 
- I was— I was just, you know, trying
 
- to take the game to the next level.
 
- 71
 
- 00:06:06,120 --> 00:06:08,290
 
- - I'm sorry. Come on,
 
- open the door, Chris.
 
- - The game?
 
- 72
 
- 00:06:08,540 --> 00:06:10,960
 
- - Yeah, the game!
 
- - What are you talking about?
 
- 73
 
- 00:06:11,210 --> 00:06:14,090
 
- I'm talking about how much fun it's
 
- gonna be to rip your insides out!
 
- 74
 
- 00:06:14,340 --> 00:06:17,170
 
- Now, open the fuckin' door, Christine!
 
- 75
 
- 00:06:17,430 --> 00:06:22,470
 
- - Oh, my God!
 
- - Now you're fuckin' history, baby!
 
- 76
 
- 00:06:38,860 --> 00:06:42,370
 
- Christine?
 
- 77
 
- 00:06:43,830 --> 00:06:47,330
 
- Hon?
 
- 78
 
- 00:06:48,330 --> 00:06:51,330
 
- The recent epidemic of roadrage
 
- in Los Angeles.
 
- 79
 
- 00:06:51,580 --> 00:06:54,670
 
- - Innocent commuters mercilessly
 
- terrorized, even killed...
 
- - Chris?
 
- 80
 
- 00:06:54,920 --> 00:06:58,880
 
- - by these madmen of the freeway.
 
- - Don't mess around, okay?
 
- 81
 
- 00:06:59,130 --> 00:07:01,970
 
- We're gonna make them confront their
 
- victims face-to-face, mano a mano...
 
- 82
 
- 00:07:02,220 --> 00:07:05,810
 
- right here on 100% Cotton.
 
- 83
 
- 00:07:06,060 --> 00:07:10,100
 
- There is carnage on our streets.
 
- And remember, it could happen to you.
 
- 84
 
- 00:07:10,350 --> 00:07:13,610
 
- Tomorrow on 100% Cotton!
 
- Roadrage.
 
- 85
 
- 00:07:13,860 --> 00:07:15,690
 
- L.A. drivers fight back.
 
- 86
 
- 00:07:15,940 --> 00:07:19,900
 
- The news is next on channel six with our
 
- exclusive entertainment report live...
 
- 87
 
- 00:07:20,150 --> 00:07:22,240
 
- from tonight's celebrity
 
- premiere in Hollywood...
 
- 88
 
- 00:07:22,490 --> 00:07:25,990
 
- followed by—
 
- 89
 
- 00:07:50,100 --> 00:07:53,600
 
- Oh, shit.
 
- 90
 
- 00:08:06,580 --> 00:08:09,450
 
- Chris?
 
- 91
 
- 00:08:09,700 --> 00:08:12,500
 
- Is that you, babe?
 
- 92
 
- 00:08:12,750 --> 00:08:15,790
 
- Chris, if you're in there,
 
- open the door. Okay, honey?
 
- 93
 
- 00:08:16,040 --> 00:08:20,670
 
- Chris? Come on, baby.
 
- Open the door.
 
- 94
 
- 00:08:24,720 --> 00:08:29,020
 
- Chris! Whoa, whoa, whoa!
 
- Jesus!
 
- 95
 
- 00:08:29,270 --> 00:08:31,430
 
- - It's me, Chris. What are you doin'?
 
- - Stay back.
 
- 96
 
- 00:08:31,680 --> 00:08:34,230
 
- Stay back.
 
- 97
 
- 00:08:34,480 --> 00:08:38,610
 
- - Chris, what's goin' on, babe?
 
- - You've gone crazy. That's what!
 
- 98
 
- 00:08:38,860 --> 00:08:40,900
 
- - Chris, was somebody in the house?
 
- - No! Get back!
 
- 99
 
- 00:08:41,150 --> 00:08:42,900
 
- Okay, okay, okay.
 
- Just calm down, okay?
 
- 100
 
- 00:08:43,150 --> 00:08:45,620
 
- - Why do you want to kill me?
 
- - What are you talking about?
 
- 101
 
- 00:08:45,870 --> 00:08:49,040
 
- - Why do you wanna kill me?
 
- - Gimme the club. All right, honey?
 
- Gimme the club.
 
- 102
 
- 00:08:49,290 --> 00:08:52,410
 
- Gimme the club, please.
 
- 103
 
- 00:08:52,660 --> 00:08:56,130
 
- Christine, get outta the way!
 
- 104
 
- 00:08:56,380 --> 00:09:00,380
 
- Behind you!
 
- 105
 
- 00:09:09,890 --> 00:09:13,390
 
- Shit!
 
- 106
 
- 00:09:27,370 --> 00:09:31,370
 
- It was a simple game, Cotton.
 
- You should've told me where Sidney was.
 
- 107
 
- 00:09:31,620 --> 00:09:35,460
 
- Now, you lose.
 
- 108
 
- 00:09:53,640 --> 00:09:57,140
 
- Come on.
 
- 109
 
- 00:10:11,580 --> 00:10:15,870
 
- Come on, Cherokee.
 
- Come on.
 
- 110
 
- 00:10:24,510 --> 00:10:28,010
 
- Come on.
 
- 111
 
- 00:10:36,480 --> 00:10:39,980
 
- Come on, Cherokee.
 
- 112
 
- 00:10:57,710 --> 00:10:59,420
 
- California Women's Crisis Counseling.
 
- 113
 
- 00:10:59,670 --> 00:11:02,590
 
- Hey, it's Laura from Monterrey reporting
 
- to work. Can you patch me in?
 
- 114
 
- 00:11:02,840 --> 00:11:05,710
 
- - Sure. Thanks, Laura.
 
- - Thank you.
 
- 115
 
- 00:11:05,960 --> 00:11:09,090
 
- California Women's Crisis Counseling.
 
- How can I help you?
 
- 116
 
- 00:11:09,340 --> 00:11:13,100
 
- Hi. Um, do I have to say my name?
 
- 117
 
- 00:11:13,350 --> 00:11:15,640
 
- No, you don't have to say anything
 
- you don't want to say.
 
- 118
 
- 00:11:15,890 --> 00:11:17,890
 
- - How can I help?
 
- - Um—
 
- 119
 
- 00:11:18,140 --> 00:11:22,100
 
- I'm 18 years old,
 
- and I have a boyfriend.
 
- 120
 
- 00:11:22,360 --> 00:11:24,570
 
- - Sometimes he hits me.
 
- - It's okay.
 
- 121
 
- 00:11:24,820 --> 00:11:27,820
 
- - You can talk to me, all right?
 
- - Thanks.
 
- 122
 
- 00:11:28,070 --> 00:11:30,780
 
- So, in closing, as
 
- the future journalists of America...
 
- 123
 
- 00:11:31,030 --> 00:11:32,870
 
- there is one thing
 
- that you need to remember.
 
- 124
 
- 00:11:33,120 --> 00:11:36,450
 
- Being the best means being willing
 
- to do what the others would not.
 
- 125
 
- 00:11:36,700 --> 00:11:39,370
 
- Break the rules.
 
- Stop at nothing.
 
- 126
 
- 00:11:39,620 --> 00:11:42,380
 
- Be willing to have the world hate you,
 
- because that is the only way...
 
- 127
 
- 00:11:42,630 --> 00:11:46,170
 
- that you'll get the story,
 
- the facts and the fame.
 
- 128
 
- 00:11:46,420 --> 00:11:48,170
 
- Thank you.
 
- 129
 
- 00:11:48,420 --> 00:11:52,680
 
- - Excuse me. Excuse me.
 
- - Yes?
 
- 130
 
- 00:11:52,930 --> 00:11:54,970
 
- So you're saying that we should
 
- be ready to go out...
 
- 131
 
- 00:11:55,220 --> 00:11:59,230
 
- and cut each other's throats
 
- because that's what you did.
 
- 132
 
- 00:11:59,480 --> 00:12:02,190
 
- - Metaphorically, yes.
 
- - Well, tell me, Miss Weathers.
 
- 133
 
- 00:12:02,440 --> 00:12:06,650
 
- - Was it worth it?
 
- - I'm so sorry. We're out of time.
 
- 134
 
- 00:12:06,900 --> 00:12:08,940
 
- Gale Weathers, anchor woman for
 
- Total Entertainment.
 
- 135
 
- 00:12:09,190 --> 00:12:12,700
 
- Thank you very much!
 
- 136
 
- 00:12:17,910 --> 00:12:20,250
 
- There is a young man outside
 
- who wants to see you.
 
- 137
 
- 00:12:20,500 --> 00:12:25,960
 
- - He says he's with the police.
 
- - The police?
 
- 138
 
- 00:12:27,090 --> 00:12:28,800
 
- - Detective Mark Kincaid, L.A.P.D.
 
- - Hello.
 
- 139
 
- 00:12:29,050 --> 00:12:30,880
 
- - That's quite an impressive resume.
 
- - Thank you.
 
- 140
 
- 00:12:31,130 --> 00:12:32,970
 
- I assume you're not here
 
- for an autograph.
 
- 141
 
- 00:12:33,220 --> 00:12:36,720
 
- I'm here because
 
- Cotton Weary's been murdered.
 
- 142
 
- 00:12:38,010 --> 00:12:39,640
 
- - Someone killed Cotton?
 
- - And his girlfriend.
 
- 143
 
- 00:12:39,890 --> 00:12:42,180
 
- Someone who left something
 
- he wanted us to see.
 
- 144
 
- 00:12:42,440 --> 00:12:44,980
 
- I'll show you this because
 
- you're the Woodsboro authority
 
- and because you knew him.
 
- 145
 
- 00:12:45,230 --> 00:12:48,570
 
- But I promise you,
 
- if you share this with the world,
 
- it's you I'll be arresting.
 
- 146
 
- 00:12:48,820 --> 00:12:52,570
 
- I swear on my Pulitzer Prize, which
 
- I plan to win one day, Detective.
 
- 147
 
- 00:12:52,820 --> 00:12:56,120
 
- This was left on Cotton Weary's body.
 
- You have any idea who the girl might be?
 
- 148
 
- 00:12:56,370 --> 00:12:58,990
 
- Oh, my God.
 
- 149
 
- 00:12:59,240 --> 00:13:03,790
 
- This is Maureen Prescott.
 
- This is Sidney Prescott's mother.
 
- 150
 
- 00:13:04,040 --> 00:13:05,830
 
- Hollywood is reeling today
 
- from news...
 
- 151
 
- 00:13:06,080 --> 00:13:09,340
 
- of the murder of controversial
 
- talkshow host Cotton Weary.
 
- 152
 
- 00:13:09,590 --> 00:13:12,050
 
- Weary had only recently finished
 
- shooting a cameo as himself...
 
- 153
 
- 00:13:12,300 --> 00:13:14,340
 
- in the film
 
- Stab 3, Return to Woodsboro...
 
- 154
 
- 00:13:14,590 --> 00:13:16,430
 
- the third and final part
 
- of the famous horror series...
 
- 155
 
- 00:13:16,680 --> 00:13:19,680
 
- based on the Woodsboro
 
- and Windsor College murders.
 
- 156
 
- 00:13:19,930 --> 00:13:22,640
 
- Before his rise to television fame,
 
- Cotton had been imprisoned...
 
- 157
 
- 00:13:22,890 --> 00:13:29,150
 
- and was later exonerated for the murder
 
- of Maureen Prescott, his former lover—
 
- 158
 
- 00:13:38,240 --> 00:13:41,240
 
- Just yesterday, Cotton Weary was
 
- shooting here at Sunrise Studios...
 
- 159
 
- 00:13:41,490 --> 00:13:44,790
 
- his first cameo
 
- in a feature film, Stab 3.
 
- 160
 
- 00:13:45,040 --> 00:13:48,710
 
- Security here is tight, but we'll see
 
- if we can get a statement. Excuse me.
 
- 161
 
- 00:13:48,960 --> 00:13:50,800
 
- Always a controversial man—
 
- 162
 
- 00:13:51,050 --> 00:13:53,710
 
- Channel Eight news.
 
- We gotta get in. We gotta get in.
 
- 163
 
- 00:13:53,970 --> 00:13:55,420
 
- No press beyond this point.
 
- 164
 
- 00:13:55,680 --> 00:13:59,430
 
- Alone at night
 
- he crosses flames
 
- 165
 
- 00:13:59,680 --> 00:14:05,600
 
- Ashe makes a fist
 
- with his red right hand
 
- 166
 
- 00:14:07,520 --> 00:14:09,980
 
- Look, you're worried about the movie,
 
- then protect the movie, okay?
 
- 167
 
- 00:14:10,230 --> 00:14:13,070
 
- Hire more security. Hire the National
 
- Guard. Just don't kill the movie.
 
- 168
 
- 00:14:13,320 --> 00:14:16,240
 
- Violence in cinema
 
- is a big deal right now, Roman.
 
- 169
 
- 00:14:16,490 --> 00:14:19,620
 
- This is not the kind of news
 
- this studio is after.
 
- 170
 
- 00:14:19,870 --> 00:14:21,740
 
- So if we stop making
 
- scary movies, what?
 
- 171
 
- 00:14:21,990 --> 00:14:23,830
 
- All the psychos in the world
 
- will retire? Come on.
 
- 172
 
- 00:14:24,080 --> 00:14:26,460
 
- I've been makin' horror movies for
 
- 30 years, never had a psycho problem.
 
- 173
 
- 00:14:26,710 --> 00:14:28,540
 
- He was your goddamn idea, guys.
 
- All right?
 
- 174
 
- 00:14:28,790 --> 00:14:32,710
 
- An ex-con with a trashy talk show?
 
- He must've pissed people off every day.
 
- 175
 
- 00:14:32,960 --> 00:14:35,380
 
- Detectives, there's no reason
 
- to presume that Cotton's death...
 
- 176
 
- 00:14:35,630 --> 00:14:37,550
 
- had anything to do
 
- with this movie, is there?
 
- 177
 
- 00:14:37,800 --> 00:14:43,970
 
- He was making a movie called Stab.
 
- He was stabbed.
 
- 178
 
- 00:14:44,770 --> 00:14:48,440
 
- Probably some psycho fan pissed off
 
- they killed Randy in Stab 2.
 
- 179
 
- 00:14:48,690 --> 00:14:50,520
 
- Well, Tyson, that'd make you next,
 
- wouldn't it?
 
- 180
 
- 00:14:50,770 --> 00:14:53,570
 
- I am not a Randy substitute.
 
- I'm my own character.
 
- 181
 
- 00:14:53,820 --> 00:14:56,400
 
- Named Ricky,
 
- who works at the video store.
 
- 182
 
- 00:14:56,650 --> 00:14:58,360
 
- It's an homage.
 
- 183
 
- 00:14:58,610 --> 00:15:01,700
 
- Hey! What if the killer's
 
- Sidney Prescott?
 
- 184
 
- 00:15:01,950 --> 00:15:03,990
 
- I mean, what the hell ever happened to
 
- her? She's probably off in the woods...
 
- 185
 
- 00:15:04,240 --> 00:15:06,580
 
- livin' like
 
- the fuckin' Unabomber, man.
 
- 186
 
- 00:15:06,830 --> 00:15:09,790
 
- I'm starting to see why
 
- Tori Spelling and David Schwimmer
 
- didn't want to come back.
 
- 187
 
- 00:15:10,040 --> 00:15:14,550
 
- Guys, this was about Cotton.
 
- We are not in any danger.
 
- 188
 
- 00:15:14,800 --> 00:15:19,010
 
- "We are not in any danger,"
 
- says Candy, page 15.
 
- 189
 
- 00:15:19,260 --> 00:15:21,090
 
- I don't see you leavin'.
 
- 190
 
- 00:15:21,340 --> 00:15:24,390
 
- You think serious black actors
 
- my age can just throw away jobs?
 
- 191
 
- 00:15:24,640 --> 00:15:28,480
 
- It's all a business now. They got
 
- Usher doing Pinter off-Broadway.
 
- 192
 
- 00:15:28,730 --> 00:15:30,770
 
- L.L. Cool J's
 
- Shakespearin' in the park.
 
- 193
 
- 00:15:31,020 --> 00:15:33,400
 
- - Yeah!
 
- - Maybe it's not meant to be.
 
- 194
 
- 00:15:33,650 --> 00:15:37,070
 
- Not meant to be? You win that
 
- talent search for the new Sidney.
 
- 195
 
- 00:15:37,320 --> 00:15:41,660
 
- 50,000 girls and they pick you. You
 
- gotta be praying this movie keeps going.
 
- 196
 
- 00:15:41,910 --> 00:15:44,530
 
- Of course I am, but not
 
- at the expense of people's lives.
 
- 197
 
- 00:15:44,780 --> 00:15:49,750
 
- Oh. Cue the violins, right?
 
- 198
 
- 00:16:00,170 --> 00:16:03,140
 
- Jesus.
 
- 199
 
- 00:16:05,930 --> 00:16:09,180
 
- Deja voodoo.
 
- 200
 
- 00:16:10,430 --> 00:16:14,310
 
- We need this area cleared, please.
 
- Clear it.
 
- 201
 
- 00:16:14,560 --> 00:16:17,110
 
- - Gale Weathers! Oh, my God!
 
- - Shit.
 
- 202
 
- 00:16:17,360 --> 00:16:20,240
 
- I— Listen,
 
- I-I— I know we've never met...
 
- 203
 
- 00:16:20,490 --> 00:16:22,820
 
- and I don't mind you never returning
 
- my calls, but I have to tell you...
 
- 204
 
- 00:16:23,070 --> 00:16:26,580
 
- after two films,
 
- I feel like I am in your mind.
 
- 205
 
- 00:16:26,830 --> 00:16:30,910
 
- Well, that would explain
 
- my constant headaches.
 
- 206
 
- 00:16:31,620 --> 00:16:34,000
 
- You know, I'm sorry things didn't
 
- work out on 60 Minutes II.
 
- 207
 
- 00:16:34,250 --> 00:16:36,840
 
- - But Total Entertainment,
 
- that's a pretty good fallback.
 
- - Thank you.
 
- 208
 
- 00:16:37,090 --> 00:16:39,300
 
- I'm sorry that things didn't
 
- work out with Brad Pitt...
 
- 209
 
- 00:16:39,550 --> 00:16:41,510
 
- but being single,
 
- that's a pretty good fallback.
 
- 210
 
- 00:16:41,760 --> 00:16:43,590
 
- Gives me more time
 
- for my work.
 
- 211
 
- 00:16:43,840 --> 00:16:46,390
 
- After all, Gale Weathers,
 
- you're such a complex character.
 
- 212
 
- 00:16:46,640 --> 00:16:50,890
 
- Oh, and to be played by an actress
 
- with such depth and range.
 
- 213
 
- 00:16:51,140 --> 00:16:54,900
 
- Uh, Jennifer,
 
- Nick said you wanted to—
 
- 214
 
- 00:16:54,940 --> 00:16:56,520
 
- Gale.
 
- 215
 
- 00:16:56,770 --> 00:16:59,780
 
- Dewey.
 
- 216
 
- 00:17:00,030 --> 00:17:05,320
 
- Well, surprise, surprise.
 
- Someone dies and Gale comes running.
 
- 217
 
- 00:17:05,570 --> 00:17:09,790
 
- Gale, I think you'll really appreciate
 
- my character work in this one.
 
- 218
 
- 00:17:10,040 --> 00:17:13,660
 
- - Someone's helped me
 
- understand the real you.
 
- - Someone?
 
- 219
 
- 00:17:13,920 --> 00:17:18,090
 
- Your ruthless ambition,
 
- your private self-loathing...
 
- 220
 
- 00:17:18,340 --> 00:17:21,090
 
- and that lost and lonely
 
- little girl inside.
 
- 221
 
- 00:17:21,340 --> 00:17:23,170
 
- Lost and lonely what?
 
- 222
 
- 00:17:23,420 --> 00:17:26,550
 
- You heard me.
 
- Thanks, Dewey, I'll return it.
 
- 223
 
- 00:17:26,800 --> 00:17:29,140
 
- Lost and lonely what?
 
- 224
 
- 00:17:29,390 --> 00:17:32,890
 
- - Little girl inside.
 
- - I thought you were
 
- supposed to be in Woodsboro.
 
- 225
 
- 00:17:33,140 --> 00:17:35,390
 
- Well, I'm surprised
 
- you thought about me at all.
 
- 226
 
- 00:17:35,650 --> 00:17:39,650
 
- Listen, I gotta get back to work.
 
- I really don't have time for this.
 
- 227
 
- 00:17:39,900 --> 00:17:42,070
 
- - Wait a minute. You work here?
 
- - Yeah.
 
- 228
 
- 00:17:42,320 --> 00:17:43,990
 
- The movie needed
 
- a technical advisor.
 
- 229
 
- 00:17:44,240 --> 00:17:46,780
 
- Someone who went through the real
 
- experience, knew the real people.
 
- 230
 
- 00:17:47,030 --> 00:17:50,240
 
- - Hey, Dewey.
 
- - Hey, Tom.
 
- 231
 
- 00:17:50,490 --> 00:17:53,410
 
- Hey! It's the real Gale Weathers.
 
- 232
 
- 00:17:53,660 --> 00:17:55,750
 
- Real from top to bottom.
 
- 233
 
- 00:17:56,000 --> 00:17:58,080
 
- Tom Prinze.
 
- Watch your show all the time.
 
- 234
 
- 00:17:58,330 --> 00:18:02,670
 
- You're so right. Pop culture
 
- is the politics of the 21 st century.
 
- 235
 
- 00:18:02,920 --> 00:18:04,670
 
- - Thank you.
 
- - And that story that you did...
 
- 236
 
- 00:18:04,920 --> 00:18:07,090
 
- last month on me crashing my car?
 
- 237
 
- 00:18:07,340 --> 00:18:10,470
 
- - Wow, was that ever powerful journalism.
 
- - Right, uh—
 
- 238
 
- 00:18:10,720 --> 00:18:13,930
 
- I especially liked the way
 
- you implied that it was caused
 
- by drinking and drugs.
 
- 239
 
- 00:18:14,180 --> 00:18:17,060
 
- And that the tyre blowout was faked.
 
- That was great.
 
- 240
 
- 00:18:17,310 --> 00:18:19,270
 
- Tom, sometimes in journalism
 
- you have to—
 
- 241
 
- 00:18:19,520 --> 00:18:21,940
 
- Are you parked in the lot?
 
- 'Cause I should check to make sure...
 
- 242
 
- 00:18:22,190 --> 00:18:26,900
 
- that nobody's messed
 
- with your brake line.
 
- 243
 
- 00:18:27,200 --> 00:18:31,700
 
- Who's he supposed to be?
 
- 244
 
- 00:18:32,790 --> 00:18:36,750
 
- He's playing you? Him?
 
- 245
 
- 00:18:37,000 --> 00:18:39,040
 
- What?
 
- 246
 
- 00:18:39,290 --> 00:18:41,460
 
- I did not come here
 
- to fight with you, Dewey.
 
- 247
 
- 00:18:41,710 --> 00:18:44,670
 
- - Cotton's killer left a picture.
 
- - Of Sid's mom.
 
- 248
 
- 00:18:44,920 --> 00:18:47,630
 
- - The detectives told me.
 
- - Well, does Sidney know about it?
 
- 249
 
- 00:18:47,880 --> 00:18:50,510
 
- Listen, Sidney doesn't need
 
- you and your camera in her life.
 
- 250
 
- 00:18:50,760 --> 00:18:54,180
 
- Do you see a camera?
 
- 251
 
- 00:18:55,600 --> 00:18:57,690
 
- Right. You bought me
 
- this purse, didn't you?
 
- 252
 
- 00:18:57,940 --> 00:18:59,770
 
- - Yeah.
 
- - Look, it's-it's a habit.
 
- 253
 
- 00:19:00,020 --> 00:19:01,810
 
- - I-I walk outta the house, I turn it on.
 
- - What the hell is this?
 
- 254
 
- 00:19:02,060 --> 00:19:03,650
 
- - It's like perfume.
 
- - Gale Weathers?
 
- 255
 
- 00:19:03,900 --> 00:19:06,240
 
- - Could I be more popular?
 
- - No press.
 
- 256
 
- 00:19:06,490 --> 00:19:08,950
 
- Mo press on set.
 
- Get that woman outta here.
 
- 257
 
- 00:19:09,200 --> 00:19:12,370
 
- - Yes, Mr Milton. Let's go.
 
- - Wait a minute. Wait a minute.
 
- Where is Detective Kincaid?
 
- 258
 
- 00:19:12,620 --> 00:19:14,450
 
- - I am working with Kincaid, Dewey.
 
- - Come on. Move along, miss. Let's go.
 
- 259
 
- 00:19:14,700 --> 00:19:21,790
 
- Rules are rules, Gale.
 
- But, really, it was great seeing you.
 
- 260
 
- 00:19:22,420 --> 00:19:25,670
 
- Stab 3 is a closed set. But just up
 
- ahead is the old Seinfeld stage.
 
- 261
 
- 00:19:25,920 --> 00:19:28,010
 
- Now, does anybody
 
- need a potty break?
 
- 262
 
- 00:19:28,260 --> 00:19:30,510
 
- - Oh, I do.
 
- - Yeah, me too.
 
- 263
 
- 00:19:30,760 --> 00:19:34,390
 
- Okay, let go!
 
- Thanks for your help, boys.
 
- 264
 
- 00:19:34,640 --> 00:19:38,520
 
- Holy shit, Silent Bob. It's that
 
- TV news chick, Connie-fuckin'-Chung!
 
- 265
 
- 00:19:38,770 --> 00:19:41,980
 
- Hey, Connie, how's Maury?
 
- 266
 
- 00:19:42,230 --> 00:19:47,860
 
- Dude, I think she likes me.
 
- See how she's lookin' at me?
 
- 267
 
- 00:19:48,820 --> 00:19:51,280
 
- It's happening again.
 
- 268
 
- 00:19:51,530 --> 00:19:53,950
 
- Cotton had a lot
 
- of enemies, Sid.
 
- 269
 
- 00:19:54,200 --> 00:19:57,950
 
- The police aren't saying
 
- it's related to us.
 
- 270
 
- 00:19:58,700 --> 00:20:02,210
 
- Do you ever think about her?
 
- 271
 
- 00:20:03,130 --> 00:20:04,670
 
- Your mom?
 
- 272
 
- 00:20:04,920 --> 00:20:08,010
 
- None of this would've
 
- ever happened if she hadn't—
 
- 273
 
- 00:20:08,260 --> 00:20:11,760
 
- if she hadn't—
 
- 274
 
- 00:20:14,180 --> 00:20:16,390
 
- Why'd she have
 
- so many secrets, Dad?
 
- 275
 
- 00:20:16,640 --> 00:20:20,730
 
- Listen, maybe it's time
 
- you came home.
 
- 276
 
- 00:20:21,310 --> 00:20:24,520
 
- I'm worried about you, kid. Out here
 
- by yourself. You never see anyone.
 
- 277
 
- 00:20:24,770 --> 00:20:28,480
 
- The only people you talk to
 
- don't even know your real name.
 
- 278
 
- 00:20:28,730 --> 00:20:32,410
 
- It's as if you don't exist.
 
- 279
 
- 00:20:33,950 --> 00:20:40,040
 
- That's the idea. Psychos
 
- can't kill what they can't find.
 
- 280
 
- 00:21:57,200 --> 00:22:00,240
 
- Sid, come here.
 
- 281
 
- 00:22:00,490 --> 00:22:03,120
 
- Mother needs to talk to you.
 
- 282
 
- 00:22:03,370 --> 00:22:06,920
 
- Everything you touch, Sid, dies!
 
- 283
 
- 00:22:07,170 --> 00:22:10,880
 
- You're poison.
 
- You're just like me.
 
- 284
 
- 00:22:11,130 --> 00:22:15,010
 
- You're just like me.
 
- 285
 
- 00:22:15,260 --> 00:22:21,100
 
- Oh, my God!
 
- What have they done to me?
 
- 286
 
- 00:22:22,470 --> 00:22:23,980
 
- They'll do it to you.
 
- 287
 
- 00:22:24,230 --> 00:22:28,060
 
- - They'll do it to you, baby.
 
- - Mom?
 
- 288
 
- 00:23:17,240 --> 00:23:20,740
 
- Roman?
 
- 289
 
- 00:23:21,870 --> 00:23:26,910
 
- Stab 3.
 
- Jesus, I gotta get a new agent.
 
- 290
 
- 00:23:27,750 --> 00:23:31,250
 
- Roman?
 
- 291
 
- 00:23:38,550 --> 00:23:42,050
 
- Someone here?
 
- 292
 
- 00:23:49,100 --> 00:23:51,020
 
- Stan, my man.
 
- He does good work, huh?
 
- 293
 
- 00:23:51,270 --> 00:23:53,110
 
- - Thank you. Thank you very much.
 
- - Fuck you very much.
 
- 294
 
- 00:23:53,360 --> 00:23:57,240
 
- - Tyson, go to hell.
 
- - Well, excuse us, Sarah. Makeup tests.
 
- 295
 
- 00:23:57,490 --> 00:24:00,320
 
- Yeah, makeup. You can use it.
 
- Damn it, have you seen Roman?
 
- 296
 
- 00:24:00,570 --> 00:24:02,950
 
- Look, everyone in the office
 
- has gone home already.
 
- 297
 
- 00:24:03,200 --> 00:24:08,080
 
- - He said it was important.
 
- - Everything's important to Roman.
 
- 298
 
- 00:24:31,140 --> 00:24:34,650
 
- Oh, shit!
 
- 299
 
- 00:24:41,900 --> 00:24:44,200
 
- - Director's office.
 
- - Sarah, it's Roman.
 
- 300
 
- 00:24:44,450 --> 00:24:47,370
 
- I'm sorry I'm running late. I'm still
 
- on the 405. I'm about ten minutes away.
 
- 301
 
- 00:24:47,620 --> 00:24:52,080
 
- Oh, it's no problem. I'm just
 
- lookin' at your music video awards.
 
- 302
 
- 00:24:52,330 --> 00:24:55,710
 
- Since I got you on thephone, let's—
 
- let's talk about your character, okay?
 
- 303
 
- 00:24:55,960 --> 00:24:58,960
 
- What character? I'm Candy,
 
- the chick who gets killed second.
 
- 304
 
- 00:24:59,210 --> 00:25:02,380
 
- - I'm only in two scenes.
 
- - You're not happy with your part.
 
- 305
 
- 00:25:02,630 --> 00:25:06,470
 
- I'm not happy that I am
 
- 35 playing a 21-year-old.
 
- 306
 
- 00:25:06,720 --> 00:25:08,680
 
- I'm not happy
 
- that I have to die naked.
 
- 307
 
- 00:25:08,930 --> 00:25:11,770
 
- And I'm not happy that my character is
 
- too stupid to have a gun in the house...
 
- 308
 
- 00:25:12,020 --> 00:25:14,850
 
- after her boyfriend's
 
- been cut into fish sticks.
 
- 309
 
- 00:25:15,100 --> 00:25:18,360
 
- Great, okay.
 
- So let's—let's run the lines.
 
- 310
 
- 00:25:18,610 --> 00:25:20,230
 
- Fine.
 
- 311
 
- 00:25:20,480 --> 00:25:24,990
 
- Page28.
 
- Candy's big moment.
 
- 312
 
- 00:25:26,450 --> 00:25:29,330
 
- Page 28.
 
- 313
 
- 00:25:29,580 --> 00:25:31,910
 
- Ring-ring.
 
- Hello?
 
- 314
 
- 00:25:32,160 --> 00:25:34,620
 
- - Hello?
 
- - Who's this?
 
- 315
 
- 00:25:34,870 --> 00:25:36,920
 
- - Who's this?
 
- - This is Candy.
 
- 316
 
- 00:25:37,170 --> 00:25:39,050
 
- Hang on.
 
- Let me get some clothes.
 
- 317
 
- 00:25:39,300 --> 00:25:42,170
 
- See? I don't understand why I have
 
- to start the scene in the shower.
 
- 318
 
- 00:25:42,420 --> 00:25:45,890
 
- The whole shower thing's been done.
 
- Vertigo. Hello?
 
- 319
 
- 00:25:46,140 --> 00:25:50,430
 
- And I mean, my boyfriend just died.
 
- Why am I showering?
 
- 320
 
- 00:25:50,680 --> 00:25:52,730
 
- Why don't we just read the scene?
 
- 321
 
- 00:25:52,980 --> 00:25:57,940
 
- Candy. Nice name. Is that like
 
- Candy Cane or Candy Apple?
 
- 322
 
- 00:25:58,190 --> 00:26:00,480
 
- Whatever.
 
- 323
 
- 00:26:00,730 --> 00:26:02,860
 
- Come on.
 
- Who is this?
 
- 324
 
- 00:26:03,110 --> 00:26:05,280
 
- I think you have
 
- the wrong number.
 
- 325
 
- 00:26:05,530 --> 00:26:09,030
 
- - But you know my favourite name?
 
- - I'm hanging up right now.
 
- 326
 
- 00:26:09,280 --> 00:26:11,120
 
- It's Sarah.
 
- 327
 
- 00:26:11,370 --> 00:26:14,620
 
- Roman, that's not the line.
 
- 328
 
- 00:26:14,870 --> 00:26:17,290
 
- It is in my script.
 
- 329
 
- 00:26:17,540 --> 00:26:20,340
 
- Has there been another goddam rewrite?
 
- How the fuck...
 
- 330
 
- 00:26:20,590 --> 00:26:23,460
 
- are we supposed to learn our lines when
 
- there's a new script every 15 minutes?
 
- 331
 
- 00:26:23,710 --> 00:26:27,550
 
- It's not just a new script.
 
- It's a new movie.
 
- 332
 
- 00:26:27,800 --> 00:26:31,100
 
- - What? What movie?
 
- - My movie.
 
- 333
 
- 00:26:31,350 --> 00:26:36,440
 
- And it's called Sarah Gets
 
- Skewered Like a Fuckin' Pig!
 
- 334
 
- 00:26:36,690 --> 00:26:41,820
 
- Still in character, Sarah?
 
- 335
 
- 00:26:56,830 --> 00:27:00,330
 
- Shit.
 
- 336
 
- 00:27:22,400 --> 00:27:24,610
 
- Thank you for calling
 
- Sunrise Picture Studios.
 
- 337
 
- 00:27:24,860 --> 00:27:28,530
 
- If you'd like today's
 
- commissary menu, press one.
 
- 338
 
- 00:27:30,490 --> 00:27:33,990
 
- Mr Bridger?
 
- 339
 
- 00:27:47,380 --> 00:27:50,050
 
- If you'd like to hear previews of
 
- upcoming Sunrise Pictures'releases...
 
- 340
 
- 00:27:50,300 --> 00:27:51,430
 
- press four.
 
- 341
 
- 00:27:51,680 --> 00:27:53,640
 
- If you'd like information about
 
- Sunrise Pictures' merchandise...
 
- 342
 
- 00:27:53,890 --> 00:27:56,850
 
- - Come on. Come on.
 
- - press five.
 
- 343
 
- 00:27:57,100 --> 00:28:02,860
 
- If you're trying to reach Lot Security
 
- or you have an emergency, press six.
 
- 344
 
- 00:28:11,070 --> 00:28:13,780
 
- Shit!
 
- 345
 
- 00:28:19,290 --> 00:28:23,380
 
- Oh! Fuck!
 
- 346
 
- 00:28:38,720 --> 00:28:41,100
 
- Look, I wanna get something straight.
 
- 347
 
- 00:28:41,350 --> 00:28:45,980
 
- I only got into this because
 
- the police asked for my help.
 
- 348
 
- 00:28:46,150 --> 00:28:48,190
 
- - Why would the police come to you?
 
- - Well, I did write..
 
- 349
 
- 00:28:48,440 --> 00:28:50,440
 
- the definitive book
 
- on the Woodsboro murders.
 
- 350
 
- 00:28:50,700 --> 00:28:53,490
 
- I'm sure you just can't wait
 
- to write another one.
 
- 351
 
- 00:28:53,740 --> 00:28:56,280
 
- - What about you?
 
- - What about me?
 
- 352
 
- 00:28:56,530 --> 00:29:01,080
 
- You said you'd never leave Woodsboro.
 
- "It's the only place that's real."
 
- 353
 
- 00:29:01,330 --> 00:29:05,420
 
- But now you're here.
 
- Not with me.
 
- 354
 
- 00:29:06,170 --> 00:29:08,000
 
- Dewey, I took care of you.
 
- 355
 
- 00:29:08,250 --> 00:29:10,840
 
- I waited until you were well,
 
- but I couldn't stay there.
 
- 356
 
- 00:29:11,090 --> 00:29:14,180
 
- It was like dog years. One year in
 
- Woodsboro is like seven anywhere else.
 
- 357
 
- 00:29:14,430 --> 00:29:19,220
 
- So it's off to Paris for a week?
 
- New York for a month? L.A. forever?
 
- 358
 
- 00:29:19,470 --> 00:29:22,100
 
- It was fucking 60 Minutes II.
 
- 359
 
- 00:29:22,350 --> 00:29:24,190
 
- - I couldn't say no. I could've
 
- been the next Diane Sawyer.
 
- - Wait a minute.
 
- 360
 
- 00:29:24,440 --> 00:29:29,650
 
- What's wrong with just being
 
- Gale Weathers? I liked her.
 
- 361
 
- 00:29:31,900 --> 00:29:34,360
 
- It didn't work, Dewey.
 
- We tried. We're different.
 
- 362
 
- 00:29:34,610 --> 00:29:38,280
 
- You used to say
 
- that was our strength.
 
- 363
 
- 00:29:40,200 --> 00:29:43,790
 
- - Well—
 
- - Here you go.
 
- - Thank you.
 
- 364
 
- 00:29:44,170 --> 00:29:47,960
 
- Dewey, you're not just here because
 
- of that second-rate K-Mart...
 
- 365
 
- 00:29:48,210 --> 00:29:50,050
 
- straight-to-video
 
- version of me, are you?
 
- 366
 
- 00:29:50,300 --> 00:29:56,720
 
- Brace yourself, Gale.
 
- All of this is actually not about you.
 
- 367
 
- 00:29:57,390 --> 00:30:02,020
 
- All of what, Dewey?
 
- You do know something, don't you?
 
- 368
 
- 00:30:02,600 --> 00:30:05,140
 
- - Off the record?
 
- - Always.
 
- 369
 
- 00:30:05,390 --> 00:30:08,110
 
- Two months ago, the Woodsboro police
 
- got a call from a woman...
 
- 370
 
- 00:30:08,360 --> 00:30:10,190
 
- who said she was with Stab 3.
 
- 371
 
- 00:30:10,440 --> 00:30:13,030
 
- She wanted to see the file
 
- on Sid, "for research."
 
- 372
 
- 00:30:13,280 --> 00:30:15,110
 
- - And?
 
- - The boys said no.
 
- 373
 
- 00:30:15,360 --> 00:30:17,200
 
- And she wouldn't give her name.
 
- 374
 
- 00:30:17,450 --> 00:30:19,950
 
- A month later,
 
- the station gets broken into.
 
- 375
 
- 00:30:20,200 --> 00:30:23,080
 
- - The file room gets ransacked.
 
- - And someone stole Sid's file?
 
- 376
 
- 00:30:23,330 --> 00:30:26,830
 
- I already removed it.
 
- 377
 
- 00:30:27,080 --> 00:30:30,290
 
- I think someone on the film
 
- is tryin' to find Sid.
 
- 378
 
- 00:30:30,540 --> 00:30:35,340
 
- - I'm sorry, this is incredible.
 
- - I said, "off the record."
 
- 379
 
- 00:30:35,930 --> 00:30:38,970
 
- Right.
 
- 380
 
- 00:30:41,010 --> 00:30:42,720
 
- It's Jennifer.
 
- She needs me.
 
- 381
 
- 00:30:42,970 --> 00:30:45,350
 
- - Jennifer?
 
- - Gotta run.
 
- 382
 
- 00:30:45,600 --> 00:30:49,440
 
- - Wait! Dewey, where are you going?
 
- - I'm on duty.
 
- 383
 
- 00:31:02,740 --> 00:31:04,790
 
- Stop following me.
 
- 384
 
- 00:31:05,040 --> 00:31:08,120
 
- I happen to be working
 
- for the police, damn it!
 
- 385
 
- 00:31:08,370 --> 00:31:11,840
 
- - You're not a detective, Gale.
 
- - Neither are you, Mr Incognito.
 
- 386
 
- 00:31:12,090 --> 00:31:15,920
 
- - Uh, you left your motor running.
 
- - Damn it.
 
- 387
 
- 00:31:16,170 --> 00:31:20,510
 
- Fans, I can handle. Fans, they want
 
- a picture, they want a conversation.
 
- 388
 
- 00:31:20,760 --> 00:31:23,010
 
- I can handle fans!
 
- You see this, Dewey?
 
- 389
 
- 00:31:23,260 --> 00:31:26,930
 
- I haven't had one of these in a year and
 
- a half. Someone's gonna pay for this.
 
- 390
 
- 00:31:27,180 --> 00:31:30,860
 
- - Jennifer, settle down. What happened?
 
- - I'm with him.
 
- - You.
 
- 391
 
- 00:31:31,110 --> 00:31:33,480
 
- Like I'm ever going
 
- to win an award playing you.
 
- 392
 
- 00:31:33,730 --> 00:31:36,740
 
- - There's been a second murder.
 
- - Who?
 
- 393
 
- 00:31:36,990 --> 00:31:38,820
 
- - Sarah Darling.
 
- - Where?
 
- 394
 
- 00:31:39,070 --> 00:31:41,410
 
- - At the studio.
 
- - Where? Nancy Drew
 
- wants to know where.
 
- 395
 
- 00:31:41,660 --> 00:31:44,700
 
- Cotton Weary. Sarah Darling.
 
- Don't you get it?
 
- 396
 
- 00:31:44,950 --> 00:31:49,580
 
- Someone's killing them in the order
 
- they die in the movie.
 
- 397
 
- 00:31:50,460 --> 00:31:55,340
 
- - Dewey, who gets killed third?
 
- - Who gets killed third?
 
- 398
 
- 00:31:59,430 --> 00:32:03,010
 
- You do.
 
- 399
 
- 00:32:11,650 --> 00:32:14,520
 
- I get killed in Stab 3?
 
- I get killed?
 
- 400
 
- 00:32:14,770 --> 00:32:17,360
 
- - Yeah.
 
- - Dewey, where are you going?
 
- 401
 
- 00:32:17,610 --> 00:32:19,990
 
- I have to get something
 
- from my trailer.
 
- 402
 
- 00:32:20,240 --> 00:32:23,200
 
- Your—
 
- You live here with her?
 
- 403
 
- 00:32:23,450 --> 00:32:26,160
 
- - Yeah.
 
- - Oh, my God!
 
- 404
 
- 00:32:26,410 --> 00:32:28,830
 
- I needed a place to stay,
 
- and she said she liked having me around.
 
- 405
 
- 00:32:29,080 --> 00:32:33,000
 
- - Why?
 
- - She says I make her feel safe.
 
- 406
 
- 00:32:33,250 --> 00:32:36,130
 
- - She says I'm her rock.
 
- - Her rock?
 
- 407
 
- 00:32:36,380 --> 00:32:39,050
 
- Yeah. If you weren't so concerned
 
- with pretensions and appearances...
 
- 408
 
- 00:32:39,300 --> 00:32:42,090
 
- you'd be able to appreciate the
 
- positivity and emotional centeredness...
 
- 409
 
- 00:32:42,340 --> 00:32:46,180
 
- I provide a woman.
 
- 410
 
- 00:32:47,520 --> 00:32:50,390
 
- Stone, I'm headed
 
- to the crime scene.
 
- 411
 
- 00:32:50,640 --> 00:32:56,190
 
- You stay by Jennifer's side.
 
- I suggest a search of the grounds.
 
- 412
 
- 00:32:56,440 --> 00:32:59,690
 
- Hey, Dewdrop.
 
- Can I have a word?
 
- 413
 
- 00:32:59,940 --> 00:33:03,910
 
- Just so it can be straight. I'm
 
- the professional celebrity guard here.
 
- 414
 
- 00:33:04,160 --> 00:33:06,740
 
- My resume lists Julia Roberts,
 
- Salmon Rushdie, Posh Spice.
 
- 415
 
- 00:33:06,990 --> 00:33:09,790
 
- You are the Hollywood hanger-oner.
 
- 416
 
- 00:33:10,040 --> 00:33:12,160
 
- 'Cause you're just no good
 
- as a cop any more.
 
- 417
 
- 00:33:12,420 --> 00:33:14,170
 
- Your resume reads
 
- like the obituaries.
 
- 418
 
- 00:33:14,420 --> 00:33:17,090
 
- So how about you take suggestions
 
- from me? All right?
 
- 419
 
- 00:33:17,340 --> 00:33:20,840
 
- Whatever you say.
 
- 420
 
- 00:33:21,220 --> 00:33:23,680
 
- Hmm. Same deal?
 
- Found with the body?
 
- 421
 
- 00:33:23,930 --> 00:33:27,140
 
- - Yeah, Maureen Prescott again.
 
- - This is great.
 
- 422
 
- 00:33:27,390 --> 00:33:29,890
 
- Ten more murders
 
- and we can publish a calendar.
 
- 423
 
- 00:33:30,140 --> 00:33:31,980
 
- The old "killer playing
 
- with the cops" routine.
 
- 424
 
- 00:33:32,230 --> 00:33:35,900
 
- Very Hannibal Lecter.
 
- Very Seven.
 
- 425
 
- 00:33:36,150 --> 00:33:38,610
 
- Doesn't the killer come after
 
- the cops in those movies?
 
- 426
 
- 00:33:38,860 --> 00:33:40,690
 
- Usually one cop makes it.
 
- 427
 
- 00:33:40,940 --> 00:33:45,070
 
- - And?
 
- - One cop doesn't.
 
- 428
 
- 00:33:45,320 --> 00:33:47,160
 
- - Usually.
 
- - Detective Kincaid.
 
- 429
 
- 00:33:47,410 --> 00:33:49,790
 
- - What do we know? Same killer?
 
- - Hey, hey.
 
- 430
 
- 00:33:50,040 --> 00:33:53,160
 
- Terminal Entertainment,
 
- this is a crime scene, okay?
 
- 431
 
- 00:33:53,410 --> 00:33:55,460
 
- Wallace, Miss Weathers
 
- is working with me now.
 
- 432
 
- 00:33:55,710 --> 00:33:57,420
 
- - Thank you, Detective.
 
- - You're welcome.
 
- 433
 
- 00:33:57,670 --> 00:34:01,260
 
- Well, in that case, I'm gonna go dust
 
- for fingerprints with Jane Pauley.
 
- 434
 
- 00:34:01,510 --> 00:34:05,340
 
- Uh, photos, Wallace, please?
 
- Thank you.
 
- 435
 
- 00:34:05,590 --> 00:34:08,430
 
- New pictures, same person.
 
- Anything turn up on your research yet?
 
- 436
 
- 00:34:08,680 --> 00:34:12,060
 
- - Nothing that will help with these.
 
- - What about an increased
 
- police presence around Jennifer?
 
- 437
 
- 00:34:12,310 --> 00:34:15,810
 
- - She's the next one
 
- to get killed in the script.
 
- - She has a bodyguard.
 
- 438
 
- 00:34:16,060 --> 00:34:18,900
 
- And besides, the producers told us
 
- that there were three different
 
- versions of the script.
 
- 439
 
- 00:34:19,150 --> 00:34:21,650
 
- Something about trying to keep
 
- the ending off the Internet.
 
- You should know that.
 
- 440
 
- 00:34:21,900 --> 00:34:24,700
 
- You're the technical advisor, right?
 
- 441
 
- 00:34:24,950 --> 00:34:27,700
 
- Three versions.
 
- Three different characters die next.
 
- 442
 
- 00:34:27,950 --> 00:34:30,160
 
- And we don't know which one
 
- the killer read.
 
- 443
 
- 00:34:30,410 --> 00:34:33,830
 
- Hey, hold up.
 
- 444
 
- 00:34:34,460 --> 00:34:37,830
 
- All I ever wanted to do
 
- was make a real classic lovestory.
 
- 445
 
- 00:34:38,080 --> 00:34:40,800
 
- And the studio said they'd let me.
 
- I just had to do
 
- a scary movie for them first.
 
- 446
 
- 00:34:41,050 --> 00:34:43,170
 
- And now we're shut down,
 
- and I am fucked!
 
- 447
 
- 00:34:43,420 --> 00:34:45,510
 
- God, it's not the end
 
- of the world, Roman.
 
- 448
 
- 00:34:45,760 --> 00:34:49,720
 
- That is so easy for you to say. You can
 
- always go back to, to MustSee TV.
 
- 449
 
- 00:34:49,970 --> 00:34:54,390
 
- You know, I have no movie,
 
- I'm about to turn 30, and it
 
- looks like I'm now the next target.
 
- 450
 
- 00:34:54,640 --> 00:34:58,150
 
- - What?
 
- - You? Why you?
 
- 451
 
- 00:34:58,270 --> 00:35:00,400
 
- Do you think this wasn't a message?
 
- 452
 
- 00:35:00,650 --> 00:35:03,110
 
- - Roman Bridger?
 
- - What?
 
- 453
 
- 00:35:03,360 --> 00:35:05,240
 
- Mr Bridger,
 
- you didn't tell us...
 
- 454
 
- 00:35:05,490 --> 00:35:07,700
 
- you spoke with Sarah Darling
 
- before she was murdered.
 
- 455
 
- 00:35:07,950 --> 00:35:09,570
 
- Uh, spoke with her, uh, when?
 
- 456
 
- 00:35:09,820 --> 00:35:12,910
 
- The guard said she was here
 
- for a meeting with you.
 
- 457
 
- 00:35:13,160 --> 00:35:15,500
 
- - What meeting? I don't—
 
- - We talked with her roommate too.
 
- 458
 
- 00:35:15,750 --> 00:35:18,580
 
- Says you called Sarah,
 
- told her to come down to the studio.
 
- 459
 
- 00:35:18,830 --> 00:35:20,670
 
- - Roommate answered the phone.
 
- Says it was you.
 
- - Wait a minute. No, no.
 
- 460
 
- 00:35:20,920 --> 00:35:22,750
 
- I-I never called her.
 
- I never told her to go anywhere.
 
- 461
 
- 00:35:23,000 --> 00:35:24,880
 
- Roommate says she knows
 
- your voice, Mr Bridger.
 
- 462
 
- 00:35:25,130 --> 00:35:29,390
 
- Well, she wasn't speaking with me! God!
 
- Look, I did not call Sarah Darling.
 
- 463
 
- 00:35:29,640 --> 00:35:32,720
 
- - Sarah Darling said you did.
 
- - Someone's trying to ruin my movie.
 
- 464
 
- 00:35:32,970 --> 00:35:34,640
 
- Someone wants to kill
 
- my movie!
 
- 465
 
- 00:35:34,890 --> 00:35:37,270
 
- All right, we'll talk about
 
- your movie down at the station.
 
- 466
 
- 00:35:37,520 --> 00:35:40,440
 
- - All right.
 
- - This is the scene
 
- where you come with us.
 
- 467
 
- 00:35:40,690 --> 00:35:43,820
 
- Dewey, Jennifer—
 
- Wait a minute.
 
- 468
 
- 00:35:44,070 --> 00:35:46,900
 
- She wasn't talking with me
 
- on the phone. I'm coming!
 
- 469
 
- 00:35:47,150 --> 00:35:51,950
 
- I'll call him in. Battery. Mr Riley,
 
- do you have a cell phone I can borrow?
 
- 470
 
- 00:35:52,200 --> 00:35:55,540
 
- Yeah.
 
- 471
 
- 00:35:55,790 --> 00:35:58,500
 
- - Thank you.
 
- - God. Roman.
 
- 472
 
- 00:35:58,750 --> 00:36:01,330
 
- Remind me not
 
- to sleep with him again.
 
- 473
 
- 00:36:01,580 --> 00:36:05,090
 
- Come here, Cherokee.
 
- 474
 
- 00:36:06,340 --> 00:36:08,760
 
- California Women's Crisis Counseling.
 
- My name is Laura. How can I help you?
 
- 475
 
- 00:36:09,010 --> 00:36:12,930
 
- Oh, Laura.
 
- I do have a crisis.
 
- 476
 
- 00:36:13,180 --> 00:36:15,770
 
- Okay, well, whatever it is,
 
- you can tell me.
 
- 477
 
- 00:36:16,020 --> 00:36:20,560
 
- Oh, my God.
 
- I've killed someone, Laura.
 
- 478
 
- 00:36:20,690 --> 00:36:22,650
 
- - Are you sure?
 
- - Uh-huh, I'm sure.
 
- 479
 
- 00:36:22,900 --> 00:36:25,940
 
- I killed someone, I know it!
 
- Oh, my God.
 
- 480
 
- 00:36:26,190 --> 00:36:28,570
 
- - Well, then, um—
 
- - I did.
 
- 481
 
- 00:36:28,820 --> 00:36:30,610
 
- Then the people you need to call
 
- are the police.
 
- 482
 
- 00:36:30,860 --> 00:36:35,160
 
- No, I need to call you!
 
- Just you.
 
- 483
 
- 00:36:35,410 --> 00:36:37,250
 
- I'm sorry, your-your voice—
 
- 484
 
- 00:36:37,500 --> 00:36:42,880
 
- Don't you wanna know
 
- how you can help, Laura?
 
- 485
 
- 00:36:46,000 --> 00:36:48,510
 
- Are you listening to me?
 
- Huh?
 
- 486
 
- 00:36:48,760 --> 00:36:51,970
 
- - Who is this?
 
- - It's Mother, Laura.
 
- 487
 
- 00:36:52,220 --> 00:36:55,810
 
- Now, be a good girl
 
- and turn on the news.
 
- 488
 
- 00:36:56,060 --> 00:36:59,640
 
- Do as Mother tells you!
 
- 489
 
- 00:36:59,890 --> 00:37:02,650
 
- You're not my mother. How did you
 
- get this number? Who is this?
 
- 490
 
- 00:37:02,900 --> 00:37:05,650
 
- You know your mother's voice
 
- when you hear it!
 
- 491
 
- 00:37:05,900 --> 00:37:10,190
 
- Now, turn on the news!
 
- 492
 
- 00:37:11,860 --> 00:37:13,910
 
- And with a second cast member
 
- murdered, Stab 3...
 
- 493
 
- 00:37:14,160 --> 00:37:16,740
 
- has been officially shut down,
 
- prompting those involved...
 
- 494
 
- 00:37:16,990 --> 00:37:19,120
 
- to hope and pray that
 
- these killings maybe over.
 
- 495
 
- 00:37:19,370 --> 00:37:21,080
 
- Just one question.
 
- 496
 
- 00:37:21,330 --> 00:37:26,460
 
- Do you think it's over, Sidney?
 
- Do you?
 
- 497
 
- 00:37:49,980 --> 00:37:53,990
 
- The sky was dark this morning
 
- 498
 
- 00:37:55,030 --> 00:37:58,700
 
- Not a bird in a tree
 
- 499
 
- 00:38:05,750 --> 00:38:07,630
 
- Is this a wrap party
 
- or is this a wrap party?
 
- 500
 
- 00:38:07,880 --> 00:38:11,670
 
- Scene 34.
 
- "Maureen's Murder Flashback."
 
- 501
 
- 00:38:11,920 --> 00:38:15,720
 
- - I never liked that scene.
 
- - That's 'cause you weren't in it.
 
- 502
 
- 00:38:15,970 --> 00:38:17,850
 
- Scenes 40 through 47.
 
- 503
 
- 00:38:18,100 --> 00:38:22,810
 
- - "The Prescott House Flashbacks."
 
- - Tom, stop it.
 
- 504
 
- 00:38:23,060 --> 00:38:24,850
 
- You're scaring me.
 
- Two people are dead.
 
- 505
 
- 00:38:25,100 --> 00:38:27,230
 
- Scaring you?
 
- 506
 
- 00:38:27,480 --> 00:38:30,820
 
- Give the sweet,
 
- young ingenue act a rest.
 
- 507
 
- 00:38:31,070 --> 00:38:35,610
 
- - You're drunk.
 
- - I'm coping.
 
- 508
 
- 00:38:36,780 --> 00:38:40,160
 
- I bet she fought and clawed
 
- for that Sidney part.
 
- 509
 
- 00:38:40,410 --> 00:38:43,000
 
- I bet she stepped on any poor girl
 
- that got in her way.
 
- 510
 
- 00:38:43,250 --> 00:38:47,460
 
- - So you asked her out and she said no?
 
- - That has nothing to do with it.
 
- 511
 
- 00:38:47,710 --> 00:38:50,000
 
- Right.
 
- Come on, Dewey.
 
- 512
 
- 00:38:50,250 --> 00:38:52,460
 
- Scene 50.
 
- 513
 
- 00:38:52,710 --> 00:38:56,800
 
- "Dewey Saves the Day."
 
- 514
 
- 00:39:25,620 --> 00:39:27,460
 
- She's so focused on success
 
- that she never thinks...
 
- 515
 
- 00:39:27,710 --> 00:39:29,540
 
- about who she's hurting
 
- to get it.
 
- 516
 
- 00:39:29,790 --> 00:39:31,750
 
- And you saved her life, like,
 
- how many times?
 
- 517
 
- 00:39:32,000 --> 00:39:33,840
 
- Gale wants the whole world
 
- to love her.
 
- 518
 
- 00:39:34,090 --> 00:39:36,760
 
- One person's never enough.
 
- She's a dreamer.
 
- 519
 
- 00:39:37,010 --> 00:39:40,220
 
- - No, she's a narcissistic, psycho bitch.
 
- - No, she's not.
 
- 520
 
- 00:39:40,470 --> 00:39:42,510
 
- She's got a good heart.
 
- She does.
 
- 521
 
- 00:39:42,760 --> 00:39:49,100
 
- She just hides it away because
 
- she thinks people see that as weak.
 
- 522
 
- 00:39:49,770 --> 00:39:52,820
 
- This is a good picture of you.
 
- You look just like her.
 
- 523
 
- 00:39:53,070 --> 00:39:55,230
 
- God, Dewey.
 
- 524
 
- 00:39:55,480 --> 00:39:58,530
 
- You make it sound like
 
- you're still in love with her.
 
- 525
 
- 00:39:58,780 --> 00:40:00,620
 
- And I left out the part
 
- that she's cruel...
 
- 526
 
- 00:40:00,870 --> 00:40:06,870
 
- and selfish,
 
- obsessive and annoying.
 
- 527
 
- 00:40:07,290 --> 00:40:10,120
 
- We have one Gale Weathers here.
 
- We don't need two.
 
- 528
 
- 00:40:10,370 --> 00:40:15,340
 
- Hey, Dewdrop,
 
- got your girlfriend out here.
 
- 529
 
- 00:40:17,300 --> 00:40:20,640
 
- Look who I found slinkin'
 
- around the yard. The nightly news.
 
- 530
 
- 00:40:20,890 --> 00:40:22,800
 
- I wasn't slinking.
 
- I was walking.
 
- 531
 
- 00:40:23,050 --> 00:40:25,430
 
- You were eaves dropping
 
- at the bedroom window.
 
- 532
 
- 00:40:25,680 --> 00:40:28,270
 
- Yeah, a bedroom that
 
- you seemed awfully at home in.
 
- 533
 
- 00:40:28,520 --> 00:40:31,150
 
- All right, let's talk.
 
- 534
 
- 00:40:31,400 --> 00:40:34,400
 
- Come on.
 
- 535
 
- 00:40:34,650 --> 00:40:37,400
 
- - What's this about, Gale?
 
- - Did you know they released Roman?
 
- 536
 
- 00:40:37,650 --> 00:40:39,400
 
- Sarah's call didn't come
 
- from his cell phone.
 
- 537
 
- 00:40:39,650 --> 00:40:43,320
 
- - Where did it come from then?
 
- - A cloned cell phone. It's untraceable.
 
- 538
 
- 00:40:43,570 --> 00:40:46,080
 
- Well, thanks for the update, Gale.
 
- Why don't you just go back home?
 
- 539
 
- 00:40:46,330 --> 00:40:50,540
 
- Dewey, wait a minute.
 
- Just wait one second.
 
- 540
 
- 00:40:51,040 --> 00:40:53,380
 
- How old do you think
 
- Maureen Prescott is in this picture?
 
- 541
 
- 00:40:53,630 --> 00:40:56,130
 
- - Nineteen, twenty.
 
- - That's what I thought,
 
- so I checked it out.
 
- 542
 
- 00:40:56,380 --> 00:40:59,840
 
- I cannot find any information about
 
- her at this age. I mean, nothing.
 
- 543
 
- 00:41:00,090 --> 00:41:03,680
 
- She lived in Woodsboro her whole life.
 
- Someone there must know something.
 
- 544
 
- 00:41:03,930 --> 00:41:06,260
 
- Almost her whole life.
 
- Two years before...
 
- 545
 
- 00:41:06,510 --> 00:41:08,980
 
- she met Sidney's father,
 
- she left Woodsboro.
 
- 546
 
- 00:41:09,230 --> 00:41:11,640
 
- No one has any idea
 
- where she went or what she did.
 
- 547
 
- 00:41:11,890 --> 00:41:16,110
 
- I mean, it's-it's like she fell into
 
- a black hole, Dewey! She vanished!
 
- 548
 
- 00:41:16,360 --> 00:41:18,190
 
- - So?
 
- - So?
 
- 549
 
- 00:41:18,440 --> 00:41:21,030
 
- Why is the killer
 
- leaving pictures of-of Maureen?
 
- 550
 
- 00:41:21,280 --> 00:41:25,990
 
- And why these pictures at-at—
 
- at that point in her life?
 
- 551
 
- 00:41:26,160 --> 00:41:29,290
 
- I don't know! If I thought
 
- like a homicidal maniac...
 
- 552
 
- 00:41:29,540 --> 00:41:33,290
 
- then I'd know how
 
- a homicidal maniac thinks.
 
- 553
 
- 00:41:37,550 --> 00:41:39,300
 
- What?
 
- 554
 
- 00:41:39,550 --> 00:41:43,970
 
- - Jennifer.
 
- - Jennifer?
 
- 555
 
- 00:41:47,510 --> 00:41:50,470
 
- Look at the buildings.
 
- The second story. There and there.
 
- 556
 
- 00:41:50,730 --> 00:41:53,640
 
- It's the same!
 
- It's the same street 28 years ago.
 
- 557
 
- 00:41:53,890 --> 00:41:58,320
 
- Oh, my God. Maureen Prescott was
 
- at the back lot at Sunrise Studios!
 
- 558
 
- 00:41:58,570 --> 00:42:02,240
 
- - Oh, my God.
 
- - I gotta make some calls.
 
- 559
 
- 00:42:15,080 --> 00:42:16,920
 
- Steven Stone
 
- Protection Services.
 
- 560
 
- 00:42:17,170 --> 00:42:19,000
 
- Stone, where are you?
 
- 561
 
- 00:42:19,250 --> 00:42:21,800
 
- I'm just checking
 
- your tin can, Dewdrop.
 
- 562
 
- 00:42:22,050 --> 00:42:23,800
 
- Well, come back inside
 
- and stay with Jennifer.
 
- 563
 
- 00:42:24,050 --> 00:42:26,140
 
- Something's happened.
 
- I have to go to the police.
 
- 564
 
- 00:42:26,390 --> 00:42:30,560
 
- Is that an order, Dewdrop? 'Cause
 
- Steven Stone doesn't work for you.
 
- 565
 
- 00:42:30,810 --> 00:42:35,440
 
- Get back in the house, Stone.
 
- Would I call you if it wasn't important?
 
- 566
 
- 00:42:35,690 --> 00:42:37,650
 
- - What are you doing in there anyway?
 
- - Me?
 
- 567
 
- 00:42:37,900 --> 00:42:40,150
 
- I'm just checking to make sure
 
- there's no killer in here...
 
- 568
 
- 00:42:40,400 --> 00:42:43,070
 
- waitin' to off you
 
- like he did your little sister.
 
- 569
 
- 00:42:43,320 --> 00:42:46,240
 
- What did you say?
 
- I can't believe you said that.
 
- 570
 
- 00:42:46,490 --> 00:42:48,700
 
- That makes me...
 
- 571
 
- 00:42:48,950 --> 00:42:52,620
 
- angry!
 
- 572
 
- 00:42:52,870 --> 00:42:55,870
 
- Fucker!
 
- 573
 
- 00:43:07,550 --> 00:43:11,060
 
- Gotta call Kincaid.
 
- 574
 
- 00:43:15,600 --> 00:43:20,310
 
- Dewey, where is everybody?
 
- 575
 
- 00:43:25,110 --> 00:43:27,860
 
- - Oh, God.
 
- - Jennifer?
 
- 576
 
- 00:43:28,110 --> 00:43:31,580
 
- Angelina?
 
- Tom?
 
- 577
 
- 00:43:31,830 --> 00:43:36,290
 
- Oh, my God!
 
- What happened?
 
- 578
 
- 00:43:37,830 --> 00:43:42,040
 
- Don't do that.
 
- I'm overreacting.
 
- 579
 
- 00:43:42,500 --> 00:43:46,090
 
- Dewdrop?
 
- 580
 
- 00:43:50,260 --> 00:43:54,810
 
- - Stone?
 
- - Oh, my God!
 
- 581
 
- 00:43:55,560 --> 00:43:57,390
 
- Oh, God, Stone!
 
- 582
 
- 00:43:57,640 --> 00:44:00,900
 
- Oh, God!
 
- 583
 
- 00:44:04,070 --> 00:44:09,450
 
- - Dewey, is he dead?
 
- - Yeah.
 
- 584
 
- 00:44:10,030 --> 00:44:13,780
 
- Everyone back inside!
 
- 585
 
- 00:44:16,040 --> 00:44:19,620
 
- It's all right.
 
- Don't panic.
 
- 586
 
- 00:44:20,120 --> 00:44:24,050
 
- Okay, outside. Everyone,
 
- stay together and try to remain calm.
 
- 587
 
- 00:44:24,300 --> 00:44:26,130
 
- A phone!
 
- 588
 
- 00:44:26,380 --> 00:44:28,760
 
- - It's not mine.
 
- - It's not mine.
 
- 589
 
- 00:44:29,010 --> 00:44:32,680
 
- Shit!
 
- It's the fax.
 
- 590
 
- 00:44:39,940 --> 00:44:42,270
 
- "Interior, Jennifer's house. Living
 
- room, night." It's a script page.
 
- 591
 
- 00:44:42,520 --> 00:44:46,400
 
- - W-W-What's it say?
 
- - "With the bodyguard stabbed to death,
 
- the five stand trapped.
 
- 592
 
- 00:44:46,650 --> 00:44:48,860
 
- - He's rewriting the movie.
 
- - As the killer waits outside...
 
- 593
 
- 00:44:49,110 --> 00:44:51,070
 
- suddenly the fax machine
 
- sends news of their fates."
 
- 594
 
- 00:44:51,320 --> 00:44:53,200
 
- It's a trick!
 
- Everybody, outside!
 
- 595
 
- 00:44:53,450 --> 00:44:55,530
 
- - Outside where he can
 
- pick us off one by one?
 
- - Shut up!
 
- 596
 
- 00:44:55,790 --> 00:44:57,790
 
- "The killer prepares to grant
 
- mercy to only one of them."
 
- 597
 
- 00:44:58,040 --> 00:45:01,210
 
- Don't you get it? The killer says he's
 
- outside because he wants us here inside.
 
- 598
 
- 00:45:01,460 --> 00:45:03,580
 
- - Which one is it?
 
- - Come on!
 
- 599
 
- 00:45:03,830 --> 00:45:05,840
 
- "Who will survive? Is it Jennifer?
 
- Tom? Angelina? Dewey? Gale?
 
- 600
 
- 00:45:06,090 --> 00:45:09,630
 
- - The killer will give mercy to—"
 
- - Everyone outside!
 
- 601
 
- 00:45:09,880 --> 00:45:13,050
 
- He grants mercy to who?
 
- I wanna know what happens!
 
- 602
 
- 00:45:13,300 --> 00:45:15,850
 
- - I wanna know what happens!
 
- - Wait for the fucking movie!
 
- 603
 
- 00:45:16,100 --> 00:45:17,930
 
- - I've gotta know! I'm goin' back in!
 
- - No.
 
- 604
 
- 00:45:18,180 --> 00:45:20,640
 
- All right, everyone, back.
 
- Stay together.
 
- 605
 
- 00:45:20,890 --> 00:45:22,940
 
- - What's it say?
 
- - "And the...
 
- 606
 
- 00:45:23,190 --> 00:45:25,190
 
- killer will give mercy to...
 
- 607
 
- 00:45:25,440 --> 00:45:27,940
 
- - whoever—"
 
- - Whoever?
 
- 608
 
- 00:45:28,190 --> 00:45:30,570
 
- Whoever?
 
- 609
 
- 00:45:30,820 --> 00:45:32,450
 
- Piece of shit.
 
- 610
 
- 00:45:32,700 --> 00:45:38,160
 
- "Whoever—
 
- Whoever smells the—"
 
- 611
 
- 00:45:52,260 --> 00:45:56,510
 
- I can't stop
 
- rolling down the hill!
 
- 612
 
- 00:46:07,110 --> 00:46:09,820
 
- Gale! Jennifer!
 
- 613
 
- 00:46:10,070 --> 00:46:11,860
 
- - Dewey!
 
- - Dewey!
 
- 614
 
- 00:46:12,110 --> 00:46:13,990
 
- Dewey, where are you?
 
- 615
 
- 00:46:14,240 --> 00:46:17,990
 
- Over here, Dewey!
 
- 616
 
- 00:46:19,790 --> 00:46:24,500
 
- - Dewey!
 
- - Gale!
 
- 617
 
- 00:46:24,620 --> 00:46:28,460
 
- Gale, behind you!
 
- 618
 
- 00:46:37,640 --> 00:46:40,930
 
- Dewey!
 
- Are you all right?
 
- 619
 
- 00:46:41,180 --> 00:46:44,230
 
- Yeah, never been better.
 
- 620
 
- 00:46:44,480 --> 00:46:46,900
 
- Yeah, I'm all right.
 
- Where'd he go?
 
- 621
 
- 00:46:47,150 --> 00:46:51,530
 
- - He must've rolled under the car.
 
- - All right, stay close.
 
- 622
 
- 00:46:59,160 --> 00:47:01,990
 
- Is he back there?
 
- 623
 
- 00:47:02,250 --> 00:47:04,870
 
- - No.
 
- - No?
 
- 624
 
- 00:47:05,120 --> 00:47:09,670
 
- He's fast.
 
- Could've sworn I hit him.
 
- 625
 
- 00:47:12,800 --> 00:47:16,300
 
- - Are you all right?
 
- - Yeah.
 
- 626
 
- 00:47:16,930 --> 00:47:18,590
 
- Thanks for saving me.
 
- 627
 
- 00:47:18,840 --> 00:47:22,350
 
- Ah, it's habit.
 
- 628
 
- 00:47:24,060 --> 00:47:27,560
 
- Oh, God.
 
- 629
 
- 00:47:28,270 --> 00:47:32,280
 
- What the fuck happened to you?
 
- 630
 
- 00:47:32,530 --> 00:47:34,860
 
- - Jennifer, wait a minute.
 
- - Who gave you a place to stay?
 
- 631
 
- 00:47:35,110 --> 00:47:38,360
 
- - Who are you supposed to be protecting?
 
- - Jennifer!
 
- 632
 
- 00:47:38,610 --> 00:47:42,620
 
- Hey!
 
- 633
 
- 00:47:46,540 --> 00:47:50,250
 
- My lawyer liked that.
 
- 634
 
- 00:47:50,500 --> 00:47:54,340
 
- Not as much as I did.
 
- 635
 
- 00:47:58,880 --> 00:48:02,140
 
- - Angelina?
 
- - Tom was in the house.
 
- 636
 
- 00:48:02,390 --> 00:48:08,100
 
- - How'd you end up way over there?
 
- - Oh, my God! Tom was in the house!
 
- 637
 
- 00:48:10,020 --> 00:48:14,730
 
- - Are we safe?
 
- - Safe from who?
 
- 638
 
- 00:48:18,150 --> 00:48:21,740
 
- Wait a second!
 
- 639
 
- 00:48:24,830 --> 00:48:28,500
 
- Another picture.
 
- 640
 
- 00:48:32,340 --> 00:48:36,050
 
- Whoever it is is now taking credit
 
- for Maureen Prescott's murder.
 
- 641
 
- 00:48:36,300 --> 00:48:39,220
 
- But we know who killed Maureen
 
- Prescott. Billy Loomis and Stu Macher.
 
- 642
 
- 00:48:39,470 --> 00:48:41,680
 
- - I mean, they even told Sidney
 
- how they did it.
 
- - Yeah, but if I'm not mistaken...
 
- 643
 
- 00:48:41,930 --> 00:48:44,010
 
- you said in your book that
 
- Sidney got it wrong once before.
 
- 644
 
- 00:48:44,260 --> 00:48:46,850
 
- She accused Cotton Weary
 
- of murdering her mother.
 
- 645
 
- 00:48:47,100 --> 00:48:49,940
 
- And he was sent away for it.
 
- Maybe there is a third killer.
 
- 646
 
- 00:48:50,190 --> 00:48:52,100
 
- Sidney might know something.
 
- 647
 
- 00:48:52,360 --> 00:48:54,730
 
- I told you.
 
- I don't know where Sidney is.
 
- 648
 
- 00:48:54,980 --> 00:48:57,400
 
- And even if there was a third killer,
 
- Sidney doesn't know about it.
 
- 649
 
- 00:48:57,650 --> 00:49:00,780
 
- That is for me to decide.
 
- I need to talk to her, Mr. Riley.
 
- She is a key element in this case.
 
- 650
 
- 00:49:01,030 --> 00:49:03,120
 
- I have a press conference in an hour.
 
- I need to explain...
 
- 651
 
- 00:49:03,370 --> 00:49:05,660
 
- why there are three dead celebrities
 
- and a bodyguard.
 
- 652
 
- 00:49:05,910 --> 00:49:08,500
 
- And a very angry mayor.
 
- 653
 
- 00:49:08,750 --> 00:49:10,580
 
- Okay, look, we all know this has
 
- something to do with Stab 3.
 
- 654
 
- 00:49:10,830 --> 00:49:13,670
 
- But what we do not know is why
 
- the killer keeps leaving pictures...
 
- 655
 
- 00:49:13,920 --> 00:49:16,130
 
- of Maureen Prescott
 
- taken over 25 years ago.
 
- 656
 
- 00:49:16,380 --> 00:49:18,970
 
- And the photographs taken at the same
 
- studio Stab 3 is shooting out of.
 
- 657
 
- 00:49:19,220 --> 00:49:20,680
 
- What does this
 
- have to do with Sid?
 
- 658
 
- 00:49:20,930 --> 00:49:23,470
 
- Who knows more about Maureen
 
- Prescott than her own daughter?
 
- 659
 
- 00:49:23,720 --> 00:49:27,270
 
- Well, Sid's dad couldn't help you,
 
- and he was married to Maureen.
 
- 660
 
- 00:49:27,520 --> 00:49:29,270
 
- What's your problem?
 
- 661
 
- 00:49:29,520 --> 00:49:33,900
 
- Last night you were almost charcoal.
 
- You gonna help us or what?
 
- 662
 
- 00:49:34,150 --> 00:49:36,110
 
- Do you wanna have this
 
- conversation with a polygraph?
 
- 663
 
- 00:49:36,360 --> 00:49:41,740
 
- - Is that a threat, Detective?
 
- - When it's a threat, you'll know it.
 
- 664
 
- 00:49:41,990 --> 00:49:44,120
 
- - Was that a threat?
 
- - Boys, boys.
 
- 665
 
- 00:49:44,370 --> 00:49:46,660
 
- Why don't we compare
 
- our gun calibres later?
 
- 666
 
- 00:49:46,910 --> 00:49:50,080
 
- - The issue is Maureen Prescott.
 
- - Wrong. The issue is Sidney Prescott.
 
- 667
 
- 00:49:50,330 --> 00:49:54,040
 
- And either Mr Riley is going
 
- to obstructjustice or he's going
 
- to put me in touch with her.
 
- 668
 
- 00:49:54,290 --> 00:49:59,510
 
- So, where is she?
 
- 669
 
- 00:50:01,970 --> 00:50:05,220
 
- Hi, you've reached the machine.
 
- You can leave a message.
 
- Talk as long as you want.
 
- 670
 
- 00:50:05,470 --> 00:50:08,100
 
- Sid, it's me.
 
- This is the fifth time I've called.
 
- 671
 
- 00:50:08,350 --> 00:50:12,270
 
- Please pick up.
 
- I wanna make sure you're...
 
- 672
 
- 00:50:12,520 --> 00:50:14,900
 
- okay.
 
- 673
 
- 00:50:15,150 --> 00:50:19,070
 
- - Sid!
 
- - Dewey!
 
- 674
 
- 00:50:19,730 --> 00:50:21,820
 
- What are you doing down here?
 
- 675
 
- 00:50:22,070 --> 00:50:25,110
 
- Actually, what was I doing up there?
 
- 676
 
- 00:50:25,360 --> 00:50:28,450
 
- - Jesus, Dewey. Are you okay?
 
- - Oh, yeah, I'm all right.
 
- 677
 
- 00:50:28,700 --> 00:50:31,500
 
- - Is she all right?
 
- - Hey, you know Gale.
 
- 678
 
- 00:50:31,750 --> 00:50:34,330
 
- It'd take a direct hit.
 
- 679
 
- 00:50:34,580 --> 00:50:38,880
 
- So the news said this was the precinct.
 
- Who's this guy Kincaid?
 
- 680
 
- 00:50:39,000 --> 00:50:41,960
 
- Come here.
 
- I told you to stay hidden.
 
- 681
 
- 00:50:42,210 --> 00:50:45,640
 
- - It's not safe for you to be here.
 
- - The killer called me.
 
- 682
 
- 00:50:45,890 --> 00:50:48,010
 
- - What?
 
- - Yeah, he found me.
 
- 683
 
- 00:50:48,260 --> 00:50:53,640
 
- I'm no more safe there than I am here,
 
- and at least here I'm not alone.
 
- 684
 
- 00:50:54,020 --> 00:50:57,770
 
- Okay, come on.
 
- 685
 
- 00:50:58,190 --> 00:51:00,320
 
- - Detective Kincaid?
 
- - Yeah.
 
- 686
 
- 00:51:00,570 --> 00:51:02,990
 
- There's someone here
 
- who wants to help.
 
- 687
 
- 00:51:03,240 --> 00:51:05,740
 
- Oh, my God.
 
- Sidney.
 
- 688
 
- 00:51:05,990 --> 00:51:07,910
 
- Is the man fast or what?
 
- 689
 
- 00:51:08,160 --> 00:51:12,500
 
- - Hi.
 
- - Hi, Gale.
 
- 690
 
- 00:51:12,750 --> 00:51:15,790
 
- - I'm glad you're all right.
 
- - Thank you.
 
- 691
 
- 00:51:16,040 --> 00:51:20,590
 
- - Sid, this is Detective Kincaid.
 
- - Nice to finally meet you, Sidney.
 
- 692
 
- 00:51:22,170 --> 00:51:24,010
 
- - The killer called her.
 
- - What? When?
 
- 693
 
- 00:51:24,260 --> 00:51:26,510
 
- - What did he say?
 
- - Oh, you know, the usual small talk.
 
- 694
 
- 00:51:26,760 --> 00:51:29,010
 
- What's new? How you been?
 
- How do you wanna die?
 
- 695
 
- 00:51:29,260 --> 00:51:32,140
 
- Sidney, do you have any idea
 
- how he could've gotten your number?
 
- 696
 
- 00:51:32,390 --> 00:51:35,350
 
- He could have monitored her calls on a
 
- scanner. Did you call her from the set?
 
- 697
 
- 00:51:35,600 --> 00:51:38,560
 
- - No.
 
- - Do you have her number
 
- stored in your memory?
 
- 698
 
- 00:51:38,810 --> 00:51:42,820
 
- - Phone memory!
 
- - Oh. Yeah, guess I do.
 
- 699
 
- 00:51:43,070 --> 00:51:46,950
 
- - Has anyone else ever used your phone?
 
- - Just Jennifer.
 
- 700
 
- 00:51:47,200 --> 00:51:49,070
 
- And you.
 
- 701
 
- 00:51:49,320 --> 00:51:54,040
 
- Hey, I'm the cop here.
 
- You're in my office, Riley.
 
- 702
 
- 00:51:58,960 --> 00:52:01,380
 
- The killer leaves a photograph
 
- after each murder, Sidney.
 
- 703
 
- 00:52:01,630 --> 00:52:04,590
 
- They were taken in Hollywood at the same
 
- studio that they're shooting Stab 3.
 
- 704
 
- 00:52:04,840 --> 00:52:07,680
 
- Why didn't you tell me?
 
- This is my mother, Dewey.
 
- 705
 
- 00:52:07,930 --> 00:52:10,470
 
- - Why didn't you say something?
 
- - I was afraid they were bait.
 
- 706
 
- 00:52:10,720 --> 00:52:12,680
 
- Something to, you know,
 
- trick you out of hiding.
 
- 707
 
- 00:52:12,930 --> 00:52:16,480
 
- Sidney, was she an actress or a model?
 
- Because they look a lot
 
- like publicity stills.
 
- 708
 
- 00:52:16,730 --> 00:52:19,770
 
- I, uh, don't know.
 
- 709
 
- 00:52:20,020 --> 00:52:22,900
 
- Detective, I wanna see
 
- this place in the pictures.
 
- 710
 
- 00:52:23,150 --> 00:52:28,610
 
- - Are you sure?
 
- - Absolutely.
 
- 711
 
- 00:52:30,160 --> 00:52:33,120
 
- - Slow it down.
 
- - Sorry.
 
- 712
 
- 00:52:33,370 --> 00:52:36,870
 
- Watch the fuckin' aliens.
 
- 713
 
- 00:52:38,370 --> 00:52:40,670
 
- I'm gonna go talk to
 
- the studio brass about those photos.
 
- 714
 
- 00:52:40,920 --> 00:52:42,750
 
- Yeah, right.
 
- I know where you're goin'.
 
- 715
 
- 00:52:43,000 --> 00:52:45,130
 
- - Yeah, keep an eye on Sidney.
 
- - I know where you're goin'.
 
- 716
 
- 00:52:45,380 --> 00:52:47,920
 
- You're gonna get her some flowers
 
- and candy, huh? Huh?
 
- 717
 
- 00:52:48,170 --> 00:52:50,010
 
- - Gimme a break.
 
- - Yeah, gimme a call.
 
- 718
 
- 00:52:50,260 --> 00:52:53,760
 
- Just keep your eye on her.
 
- 719
 
- 00:52:59,770 --> 00:53:03,900
 
- That stairwell over there, that's
 
- where one of the pictures was taken.
 
- 720
 
- 00:53:04,150 --> 00:53:06,730
 
- God. I can't believe
 
- she never mentioned any of this.
 
- 721
 
- 00:53:06,980 --> 00:53:08,280
 
- - She probably just—
 
- - Dewey!
 
- 722
 
- 00:53:08,530 --> 00:53:10,070
 
- - Sorry.
 
- - Martha!
 
- 723
 
- 00:53:10,320 --> 00:53:12,200
 
- - Oh, my God, Sid.
 
- - Hey, hold it right there! Hey!
 
- - Don't shoot!
 
- 724
 
- 00:53:12,450 --> 00:53:14,580
 
- - I'm only 17.
 
- - It's okay. We know her.
 
- 725
 
- 00:53:14,830 --> 00:53:16,620
 
- We do?
 
- 726
 
- 00:53:16,870 --> 00:53:18,870
 
- Tell me that's his ex-girlfriend,
 
- I'll shoot myself.
 
- 727
 
- 00:53:19,120 --> 00:53:21,620
 
- - It's Martha Meeks, Randy's sister.
 
- - Randy's sister?
 
- 728
 
- 00:53:21,870 --> 00:53:24,340
 
- - Yeah, can't you tell?
 
- - We miss you in Woodsboro, guys.
 
- 729
 
- 00:53:24,590 --> 00:53:30,260
 
- - Martha, what are you doing here?
 
- - There's something you guys should see.
 
- 730
 
- 00:53:34,100 --> 00:53:36,510
 
- Told ya I'd make
 
- a movie someday. Huh?
 
- 731
 
- 00:53:36,760 --> 00:53:39,980
 
- - Oh, my God.
 
- - Well, if you're watching this tape...
 
- 732
 
- 00:53:40,230 --> 00:53:42,060
 
- it means, as I feared, I did not
 
- survive these killings...
 
- 733
 
- 00:53:42,310 --> 00:53:44,900
 
- here at Windsor College,
 
- and that giving up my virginity...
 
- 734
 
- 00:53:45,150 --> 00:53:47,780
 
- to Karen Kolchakat the video store
 
- was probably not a good idea.
 
- 735
 
- 00:53:48,030 --> 00:53:50,240
 
- - Karen Kolchak?
 
- - Yes, Karen Kolchak.
 
- 736
 
- 00:53:50,490 --> 00:53:52,990
 
- - "Creepy Karen"?
 
- - Shut up! She's a sweet person, okay?
 
- 737
 
- 00:53:53,240 --> 00:53:55,740
 
- We were workin'late. We were puttin'
 
- away some videos in the porno section...
 
- 738
 
- 00:53:55,990 --> 00:53:58,540
 
- and, you know, shit happens.
 
- 739
 
- 00:53:58,790 --> 00:54:02,000
 
- - Open the door, Randy!
 
- - Fifteen minutes.
 
- 740
 
- 00:54:02,250 --> 00:54:04,790
 
- - It's my room too!
 
- - Paul,15 minutes.
 
- 741
 
- 00:54:05,040 --> 00:54:07,800
 
- I'm leaving my legacy.
 
- 742
 
- 00:54:08,050 --> 00:54:11,840
 
- Fifteen minutes, Paul!
 
- Damn! Anyway...
 
- 743
 
- 00:54:12,090 --> 00:54:16,350
 
- the reason I'm here is to help you so
 
- that my death will not be in vain.
 
- 744
 
- 00:54:16,600 --> 00:54:21,680
 
- That my life's work will help save some
 
- other poor soul from getting mutilated.
 
- 745
 
- 00:54:21,930 --> 00:54:24,310
 
- If this killer does come back
 
- and he's for real...
 
- 746
 
- 00:54:24,560 --> 00:54:26,480
 
- there are a few things
 
- that you gotta remember.
 
- 747
 
- 00:54:26,730 --> 00:54:29,730
 
- Is this simply another sequel?
 
- Well, if it is, same rules apply.
 
- 748
 
- 00:54:29,980 --> 00:54:32,320
 
- But here's the critical thing.
 
- If you find yourself dealing...
 
- 749
 
- 00:54:32,570 --> 00:54:34,860
 
- with an unexpected back-story
 
- and ap reponderance...
 
- 750
 
- 00:54:35,110 --> 00:54:37,700
 
- of exposition,
 
- then the sequel rules do not apply.
 
- 751
 
- 00:54:37,950 --> 00:54:41,450
 
- Because you're not dealing with
 
- the sequel. You are dealing with...
 
- 752
 
- 00:54:41,700 --> 00:54:44,750
 
- the concluding chapter
 
- of a trilogy.
 
- 753
 
- 00:54:45,000 --> 00:54:47,500
 
- - Trilogy.
 
- - That's right. It's
 
- a rarity in the horror field...
 
- 754
 
- 00:54:47,750 --> 00:54:50,380
 
- but it does exist, and it is
 
- a force to be reckoned with.
 
- 755
 
- 00:54:50,630 --> 00:54:54,090
 
- Because true trilogies are all about
 
- going back to the beginning...
 
- 756
 
- 00:54:54,340 --> 00:54:56,470
 
- and discovering something
 
- that wasn't true from the get-go.
 
- 757
 
- 00:54:56,720 --> 00:54:59,220
 
- Godfather, Jedi,
 
- all revealed something...
 
- 758
 
- 00:54:59,470 --> 00:55:01,680
 
- that we thought was true
 
- that wasn't true.
 
- 759
 
- 00:55:01,930 --> 00:55:04,140
 
- So if it is a trilogy
 
- you are dealing with...
 
- 760
 
- 00:55:04,390 --> 00:55:07,560
 
- here are some super
 
- trilogy rules.
 
- 761
 
- 00:55:07,810 --> 00:55:09,440
 
- One: You've got a killer
 
- who's gonna be superhuman.
 
- 762
 
- 00:55:09,690 --> 00:55:11,530
 
- Stabbing him won't work.
 
- Shooting him won't work.
 
- 763
 
- 00:55:11,780 --> 00:55:14,070
 
- Basically, in the third one, you've
 
- gotta cryogenically freeze his head...
 
- 764
 
- 00:55:14,320 --> 00:55:15,990
 
- decapitate him or blowhim up.
 
- 765
 
- 00:55:16,240 --> 00:55:19,160
 
- Number two: Anyone, including
 
- the main character, can die.
 
- 766
 
- 00:55:19,410 --> 00:55:22,580
 
- This means you, Sid.
 
- I'm sorry. It's the final chapter.
 
- 767
 
- 00:55:22,830 --> 00:55:25,290
 
- It could be fuckin' Reservoir Dogs
 
- by the time this thing is through.
 
- 768
 
- 00:55:25,540 --> 00:55:28,290
 
- Number three: The past will
 
- come back to bite you in the ass.
 
- 769
 
- 00:55:28,540 --> 00:55:30,380
 
- Whatever you think you know
 
- about the past, forget it.
 
- 770
 
- 00:55:30,630 --> 00:55:32,800
 
- The past is not at rest!
 
- Any sins you think...
 
- 771
 
- 00:55:33,050 --> 00:55:38,340
 
- were committed in the past are about
 
- to break out and destroy you.
 
- 772
 
- 00:55:40,550 --> 00:55:42,560
 
- So in closing,
 
- let me say...
 
- 773
 
- 00:55:42,810 --> 00:55:45,310
 
- goodluck, Godspeed...
 
- 774
 
- 00:55:45,560 --> 00:55:49,560
 
- and for some of you,
 
- I'll see you soon.
 
- 775
 
- 00:55:49,810 --> 00:55:53,110
 
- 'Cause the rules say some of you
 
- ain't gonna make it. I didn't.
 
- 776
 
- 00:55:53,360 --> 00:55:57,910
 
- Not if you're watching this tape.
 
- 777
 
- 00:56:02,870 --> 00:56:07,250
 
- Thank you. And you be careful.
 
- Say hi to your folks for me.
 
- 778
 
- 00:56:07,500 --> 00:56:09,750
 
- You be careful too, Sid.
 
- 779
 
- 00:56:10,000 --> 00:56:12,550
 
- - Bye, Dewey. Come visit us soon.
 
- - I will, Martha.
 
- 780
 
- 00:56:12,800 --> 00:56:16,800
 
- - Thank you.
 
- - Bye.
 
- 781
 
- 00:56:18,930 --> 00:56:21,390
 
- I've got an idea.
 
- I'll hook up with you guys later.
 
- 782
 
- 00:56:21,640 --> 00:56:23,930
 
- - Do you want us to come with you?
 
- - I work better alone.
 
- 783
 
- 00:56:24,180 --> 00:56:27,980
 
- Why don't you try to figure out where
 
- those other pictures were taken.
 
- 784
 
- 00:56:28,230 --> 00:56:32,520
 
- - I can see nothing's changed.
 
- - No.
 
- 785
 
- 00:56:37,450 --> 00:56:40,950
 
- Oh, shit.
 
- 786
 
- 00:56:41,120 --> 00:56:44,620
 
- Hello!
 
- 787
 
- 00:56:53,540 --> 00:56:55,550
 
- - Jeez.
 
- - What the hell are you doing?
 
- 788
 
- 00:56:55,800 --> 00:56:57,760
 
- Being Gale Weathers.
 
- What the hell are you doing?
 
- 789
 
- 00:56:58,010 --> 00:56:59,970
 
- - I am Gale Weathers.
 
- - Here's how I see it.
 
- 790
 
- 00:57:00,220 --> 00:57:03,010
 
- I've got no house, no bodyguard,
 
- no movie, and I'm being stalked.
 
- 791
 
- 00:57:03,260 --> 00:57:05,430
 
- Because someone wants to kill me?
 
- No, because someone wants to kill you.
 
- 792
 
- 00:57:05,680 --> 00:57:07,810
 
- So now, starting now,
 
- I go where you go.
 
- 793
 
- 00:57:08,060 --> 00:57:10,480
 
- That way, if someone wants
 
- to kill me, I'll be with you.
 
- 794
 
- 00:57:10,730 --> 00:57:12,860
 
- And since they really want to kill you,
 
- they won't kill me, they'll kill you.
 
- 795
 
- 00:57:13,110 --> 00:57:14,770
 
- - Make sense?
 
- - None.
 
- 796
 
- 00:57:15,020 --> 00:57:16,900
 
- You know, in the movies,
 
- I play you as being much smarter.
 
- 797
 
- 00:57:17,150 --> 00:57:20,490
 
- And as a sane person.
 
- Foryou, that must be quite a stretch.
 
- 798
 
- 00:57:20,740 --> 00:57:22,740
 
- - That's funny.
 
- - Ha!
 
- 799
 
- 00:57:22,990 --> 00:57:24,830
 
- - Need to get in that building?
 
- - Yeah.
 
- 800
 
- 00:57:25,080 --> 00:57:26,910
 
- - Is there a story in that building?
 
- - Maybe.
 
- 801
 
- 00:57:27,160 --> 00:57:30,920
 
- Gale Weathers would find a way.
 
- 802
 
- 00:57:32,420 --> 00:57:35,210
 
- Bitch. All right, wait. Just—
 
- 803
 
- 00:57:35,460 --> 00:57:38,710
 
- Don't tell me what to do.
 
- 804
 
- 00:57:44,760 --> 00:57:46,600
 
- Basements, wow.
 
- 805
 
- 00:57:46,850 --> 00:57:48,770
 
- Basements creep me out.
 
- 806
 
- 00:57:49,020 --> 00:57:52,520
 
- You'd make
 
- a fascinating interview.
 
- 807
 
- 00:57:55,440 --> 00:57:58,940
 
- Hello?
 
- 808
 
- 00:58:06,370 --> 00:58:09,080
 
- Hi. Excuse me.
 
- I am Gale Weathers...
 
- 809
 
- 00:58:09,330 --> 00:58:13,500
 
- and I'm here researching
 
- with the police this photo.
 
- 810
 
- 00:58:13,750 --> 00:58:16,130
 
- It was taken at the studio.
 
- Her name is Maureen Prescott.
 
- 811
 
- 00:58:16,380 --> 00:58:19,210
 
- Back then it was probably Roberts.
 
- 812
 
- 00:58:19,460 --> 00:58:21,800
 
- - Hey, are you—
 
- - No.
 
- 813
 
- 00:58:22,050 --> 00:58:24,180
 
- - But you look just—
 
- - Like her?
 
- 814
 
- 00:58:24,430 --> 00:58:26,760
 
- - I've been hearing it all my life.
 
- - It's uncanny.
 
- 815
 
- 00:58:27,010 --> 00:58:30,100
 
- I was up for Princess Leia.
 
- I was this close.
 
- 816
 
- 00:58:30,350 --> 00:58:33,020
 
- So, who gets it?
 
- The one who sleeps with George Lucas.
 
- 817
 
- 00:58:33,270 --> 00:58:35,900
 
- I'm sorry. I didn't mean to bring up
 
- a-a sore subject for you.
 
- 818
 
- 00:58:36,150 --> 00:58:38,230
 
- Sure, you didn't.
 
- None of them did.
 
- 819
 
- 00:58:38,480 --> 00:58:42,860
 
- So, how can I help you? Or do you want
 
- me to tell you who you look like?
 
- 820
 
- 00:58:43,110 --> 00:58:45,570
 
- How about some information
 
- on Maureen Roberts?
 
- 821
 
- 00:58:45,820 --> 00:58:48,410
 
- I don't work for the cops, sweetie.
 
- I work for the studio.
 
- 822
 
- 00:58:48,660 --> 00:58:53,620
 
- Really? Well,
 
- would you work for...
 
- 823
 
- 00:58:54,500 --> 00:58:56,630
 
- the president?
 
- 824
 
- 00:58:56,880 --> 00:59:00,630
 
- The president of the studio.
 
- 825
 
- 00:59:00,880 --> 00:59:06,260
 
- Fifty dollars? Who are you?
 
- A reporter for Woodsboro High?
 
- 826
 
- 00:59:12,480 --> 00:59:14,560
 
- It's worth two grand.
 
- 827
 
- 00:59:14,810 --> 00:59:18,650
 
- Are you gonna help
 
- Gale Weathers or not?
 
- 828
 
- 00:59:19,610 --> 00:59:21,780
 
- I know every face in here.
 
- 829
 
- 00:59:22,030 --> 00:59:24,320
 
- I got a respect
 
- for the unknown actor.
 
- 830
 
- 00:59:24,570 --> 00:59:29,950
 
- If they're looking for Maureen Roberts,
 
- they're never gonna find her.
 
- 831
 
- 00:59:29,990 --> 00:59:33,410
 
- Rina Reynolds they will.
 
- 832
 
- 00:59:33,660 --> 00:59:37,420
 
- Rina Reynolds.
 
- Stage name.
 
- 833
 
- 00:59:37,670 --> 00:59:41,340
 
- You should talk, Judy Jurgenstern.
 
- 834
 
- 00:59:44,880 --> 00:59:47,050
 
- What are these movies?
 
- Amazombies, Space Psycho...
 
- 835
 
- 00:59:47,300 --> 00:59:49,140
 
- Creatures from the San Andreas Fault.
 
- 836
 
- 00:59:49,390 --> 00:59:52,520
 
- Horror pictures
 
- back in Milton's heyday.
 
- 837
 
- 00:59:52,770 --> 00:59:54,850
 
- - Back in what?
 
- - Back in what?
 
- - John Milton.
 
- 838
 
- 00:59:55,100 --> 00:59:59,400
 
- The horror producer?
 
- Those were his movies.
 
- 839
 
- 01:00:29,140 --> 01:00:32,640
 
- Come on, Sid.
 
- 840
 
- 01:00:56,500 --> 01:01:01,460
 
- Oh, my God!
 
- Sidney Prescott!
 
- 841
 
- 01:01:01,540 --> 01:01:05,250
 
- Oh, my God! I'm Angelina Tyler.
 
- I'm you! I mean, I'm not.
 
- 842
 
- 01:01:05,500 --> 01:01:09,590
 
- I mean, I was.
 
- 843
 
- 01:01:13,140 --> 01:01:14,970
 
- I-I thought— Well,
 
- if there's no movie...
 
- 844
 
- 01:01:15,220 --> 01:01:17,180
 
- then no one would care
 
- if I took some souvenirs.
 
- 845
 
- 01:01:17,430 --> 01:01:20,440
 
- Souvenirs?
 
- 846
 
- 01:01:20,690 --> 01:01:23,150
 
- I may never win another role,
 
- so these may be...
 
- 847
 
- 01:01:23,400 --> 01:01:26,190
 
- my only memories,
 
- you know, of Hollywood.
 
- 848
 
- 01:01:26,440 --> 01:01:29,860
 
- I-I know it's weird 'cause
 
- it's your life and all, but...
 
- 849
 
- 01:01:30,110 --> 01:01:33,200
 
- I wanted to make you proud, Sidney.
 
- 850
 
- 01:01:33,450 --> 01:01:37,540
 
- Oh. Well,
 
- I'm sure I would've been.
 
- 851
 
- 01:01:37,790 --> 01:01:40,160
 
- The real Sidney.
 
- The real person.
 
- 852
 
- 01:01:40,410 --> 01:01:43,210
 
- I wish—
 
- 853
 
- 01:01:43,460 --> 01:01:47,460
 
- I wish it would've worked out.
 
- 854
 
- 01:01:57,010 --> 01:02:00,520
 
- Hey—
 
- 855
 
- 01:02:05,020 --> 01:02:08,530
 
- Angelina?
 
- 856
 
- 01:02:21,290 --> 01:02:24,790
 
- Hello?
 
- 857
 
- 01:03:43,040 --> 01:03:44,790
 
- Close call.
 
- 858
 
- 01:03:45,040 --> 01:03:46,920
 
- What are you doing here?
 
- 859
 
- 01:03:47,170 --> 01:03:50,750
 
- It occurred to me that I've never
 
- snuck through your bedroom window.
 
- 860
 
- 01:03:51,000 --> 01:03:54,050
 
- See what you do to me?
 
- 861
 
- 01:03:54,300 --> 01:03:57,050
 
- What have I done to you?
 
- 862
 
- 01:03:57,300 --> 01:03:59,470
 
- About the, uh, sex stuff?
 
- 863
 
- 01:03:59,720 --> 01:04:02,220
 
- You know, I'm not trying
 
- to rush you at all.
 
- 864
 
- 01:04:02,470 --> 01:04:07,520
 
- Would you settle for
 
- a PG-13 relationship?
 
- 865
 
- 01:05:28,600 --> 01:05:32,100
 
- Dewey!
 
- 866
 
- 01:06:18,990 --> 01:06:22,740
 
- Dewey!
 
- 867
 
- 01:06:25,910 --> 01:06:30,000
 
- Sidney, I'm in here.
 
- 868
 
- 01:06:35,330 --> 01:06:37,840
 
- Over here.
 
- 869
 
- 01:06:38,090 --> 01:06:42,680
 
- Yes. Mother will protect you
 
- from the bogeyman.
 
- 870
 
- 01:06:42,930 --> 01:06:46,970
 
- Come into the bedroom.
 
- 871
 
- 01:06:47,220 --> 01:06:50,890
 
- Hide in Mommy's bed.
 
- 872
 
- 01:06:52,890 --> 01:06:54,850
 
- I lied, Sidney.
 
- 873
 
- 01:06:55,100 --> 01:06:56,650
 
- I can't protect you at all.
 
- 874
 
- 01:06:56,900 --> 01:07:00,820
 
- You don't deserve to be protected!
 
- You didn't protect me!
 
- 875
 
- 01:07:01,070 --> 01:07:03,530
 
- We did your mom a favour, Sid.
 
- That woman was a slutbag whore...
 
- 876
 
- 01:07:03,780 --> 01:07:05,990
 
- who flashed her shit all over town
 
- like she was Sharon Stone.
 
- 877
 
- 01:07:06,240 --> 01:07:09,620
 
- 'Cause let's face it, Sidney,
 
- your mother was no Sharon Stone.
 
- 878
 
- 01:07:09,870 --> 01:07:12,620
 
- - Sidney's mother was fucking my father.
 
- - Sid, where are you?
 
- 879
 
- 01:07:12,870 --> 01:07:16,080
 
- Dewey!
 
- Dewey, help me!
 
- 880
 
- 01:07:16,330 --> 01:07:20,170
 
- Sidney? Give Mommy a kiss
 
- and we'll make up.
 
- 881
 
- 01:07:20,420 --> 01:07:23,420
 
- - No!
 
- - Sidney!
 
- 882
 
- 01:07:29,890 --> 01:07:32,430
 
- Sid!
 
- 883
 
- 01:07:32,680 --> 01:07:34,690
 
- Sid, are you okay?
 
- What happened?
 
- 884
 
- 01:07:34,940 --> 01:07:38,610
 
- The killer's in the house, Dewey.
 
- He's upstairs.
 
- 885
 
- 01:07:39,070 --> 01:07:43,360
 
- - And my mother—
 
- - Let's go, let's go.
 
- 886
 
- 01:07:43,690 --> 01:07:46,280
 
- I heard her voice.
 
- I saw her, Dewey.
 
- 887
 
- 01:07:46,530 --> 01:07:49,450
 
- - Upstairs. Come on, let's go.
 
- - It's okay, Sid.
 
- 888
 
- 01:07:49,700 --> 01:07:51,830
 
- You weren't supposed
 
- to go in that house.
 
- 889
 
- 01:07:52,080 --> 01:07:54,000
 
- It's all set up for the murder scene.
 
- 890
 
- 01:07:54,250 --> 01:07:56,080
 
- - I'm sorry you had to see that.
 
- - He was in there, Dewey.
 
- 891
 
- 01:07:56,330 --> 01:08:00,880
 
- - He was in there, I swear, I swear.
 
- - You know I believe you.
 
- 892
 
- 01:08:02,300 --> 01:08:05,170
 
- - What happened?
 
- - Kincaid, hey.
 
- 893
 
- 01:08:05,420 --> 01:08:08,680
 
- There's nobody up here.
 
- 894
 
- 01:08:12,680 --> 01:08:16,440
 
- Come on.
 
- 895
 
- 01:08:17,270 --> 01:08:19,900
 
- - Come on.
 
- - Okay, so I stole the mask.
 
- 896
 
- 01:08:20,150 --> 01:08:23,360
 
- Whatever. I didn't know you got
 
- the gas chamber for that.
 
- 897
 
- 01:08:23,610 --> 01:08:26,200
 
- - You stole the mask?
 
- - I took it.
 
- 898
 
- 01:08:26,450 --> 01:08:29,570
 
- - You took the mask
 
- or you stole the mask?
 
- - I-I took it as like a souvenir.
 
- 899
 
- 01:08:29,820 --> 01:08:32,240
 
- - Don't look at me. I didn't take shit.
 
- - I know he was there.
 
- 900
 
- 01:08:32,490 --> 01:08:34,410
 
- I am not dreaming,
 
- I am not crazy.
 
- 901
 
- 01:08:34,660 --> 01:08:37,870
 
- - He was there in Woodsboro.
 
- - That's not Woodsboro, Sidney.
 
- 902
 
- 01:08:38,120 --> 01:08:42,710
 
- You know what I mean. But he was there.
 
- He or she, or whoever this is.
 
- 903
 
- 01:08:42,960 --> 01:08:45,510
 
- We're gonna take you back
 
- to the station, keep you under watch.
 
- 904
 
- 01:08:45,760 --> 01:08:48,090
 
- Put you in a safe house.
 
- Whatever it takes.
 
- 905
 
- 01:08:48,340 --> 01:08:51,850
 
- Come on.
 
- 906
 
- 01:08:51,850 --> 01:08:54,560
 
- It's all right, Sid.
 
- We all believe you.
 
- 907
 
- 01:08:54,810 --> 01:08:58,480
 
- - He's watching.
 
- - And he wants you.
 
- 908
 
- 01:09:01,400 --> 01:09:03,190
 
- - Hey, Dew.
 
- - Dew.
 
- - Come on.
 
- 909
 
- 01:09:03,440 --> 01:09:06,070
 
- - We have to go catch up with Sid.
 
- - Take a look at this first.
 
- 910
 
- 01:09:06,320 --> 01:09:08,240
 
- - Someone we know?
 
- - Where'd you get this?
 
- 911
 
- 01:09:08,490 --> 01:09:11,870
 
- - We got it. Archives.
 
- - Sidney's mother was an actress.
 
- Three movies.
 
- 912
 
- 01:09:12,120 --> 01:09:16,660
 
- - Horror movies.
 
- - Wanna know who produced all three?
 
- - Who?
 
- 913
 
- 01:09:16,910 --> 01:09:18,790
 
- - There'll be other movies, Roman.
 
- - Not only did they—
 
- 914
 
- 01:09:19,040 --> 01:09:22,000
 
- did they kill the film,
 
- but they killed my cast.
 
- 915
 
- 01:09:22,250 --> 01:09:25,340
 
- Now, nobody's gonna wanna work
 
- with me. Variety called me a pariah.
 
- 916
 
- 01:09:25,590 --> 01:09:29,090
 
- I don't even know what a pariah is.
 
- Why-Why couldn't someone
 
- have killed the cast from Stab 1?
 
- 917
 
- 01:09:29,340 --> 01:09:31,720
 
- Huh? Or Stab 2? Why me?
 
- What—John, what did we do wrong?
 
- 918
 
- 01:09:31,970 --> 01:09:34,260
 
- Hollywood is full of criminals
 
- whose careers are flourishing.
 
- 919
 
- 01:09:34,510 --> 01:09:36,720
 
- I'm not a criminal!
 
- I was questioned.
 
- 920
 
- 01:09:36,970 --> 01:09:38,810
 
- Yeah, but that's all.
 
- I was questioned. That's it.
 
- 921
 
- 01:09:39,060 --> 01:09:41,900
 
- - That's good for your mystique.
 
- - You think it will help me get work?
 
- 922
 
- 01:09:42,150 --> 01:09:44,110
 
- Roman. John.
 
- 923
 
- 01:09:44,360 --> 01:09:47,280
 
- Jennifer, and guests.
 
- To what do I owe the honour?
 
- 924
 
- 01:09:47,530 --> 01:09:51,320
 
- - Rina Reynolds.
 
- - Rina Reynolds? Who's Rina Reynolds?
 
- 925
 
- 01:09:51,570 --> 01:09:55,030
 
- Why don't you head to the house?
 
- Tell everybody not to cut
 
- the cake without me.
 
- 926
 
- 01:09:55,280 --> 01:09:57,580
 
- - Oh, God, I forgot. Your birthday.
 
- - Yeah.
 
- 927
 
- 01:09:57,830 --> 01:10:00,580
 
- - Happy birthday, Roman.
 
- - Yeah, as if life isn't tragic enough.
 
- 928
 
- 01:10:00,830 --> 01:10:05,540
 
- Shut the doors behind you, please.
 
- 929
 
- 01:10:06,460 --> 01:10:08,760
 
- So, you knew
 
- Sidney Prescott's mother.
 
- 930
 
- 01:10:09,010 --> 01:10:12,220
 
- - Who?
 
- - Rina Reynolds?
 
- 931
 
- 01:10:12,470 --> 01:10:15,640
 
- Do you know how many actors have
 
- worked for me? Hundreds. Thousands.
 
- 932
 
- 01:10:15,890 --> 01:10:19,180
 
- - He didn't say she was an actor.
 
- - Good catch.
 
- 933
 
- 01:10:19,430 --> 01:10:21,690
 
- - So what's the point?
 
- - Uh, no point.
 
- 934
 
- 01:10:21,940 --> 01:10:24,730
 
- I'm just gonna give, uh,
 
- Detective Kincaid a call.
 
- 935
 
- 01:10:24,980 --> 01:10:28,730
 
- I remember. She was a bit player
 
- in a couple of my movies.
 
- 936
 
- 01:10:28,990 --> 01:10:31,400
 
- - A nobody. So what does it matter?
 
- - Oh, come on.
 
- 937
 
- 01:10:31,650 --> 01:10:35,200
 
- You have made millions
 
- off the story of her murder.
 
- 938
 
- 01:10:35,450 --> 01:10:38,290
 
- You're obsessed with her,
 
- and you're obsessed with her daughter!
 
- 939
 
- 01:10:38,540 --> 01:10:41,660
 
- All right, easy, Geraldo.
 
- Why don't you tell us the truth?
 
- 940
 
- 01:10:41,910 --> 01:10:45,920
 
- What the hell are you guys getting at?
 
- I make horror films, that's what I do.
 
- 941
 
- 01:10:46,170 --> 01:10:48,170
 
- The studio came to me with Stab.
 
- 942
 
- 01:10:48,420 --> 01:10:51,130
 
- They came to me.
 
- Check it out.
 
- 943
 
- 01:10:51,380 --> 01:10:54,010
 
- - But you knew who she was.
 
- - When we did the first Stab...
 
- 944
 
- 01:10:54,260 --> 01:10:56,470
 
- I realized I had known
 
- Maureen Prescott before.
 
- 945
 
- 01:10:56,720 --> 01:10:59,020
 
- I mean, as Rina.
 
- 946
 
- 01:10:59,270 --> 01:11:03,020
 
- I couldn't tell anyone.
 
- Can you imagine the press?
 
- 947
 
- 01:11:03,270 --> 01:11:05,610
 
- And now?
 
- I mean, murders on your set.
 
- 948
 
- 01:11:05,860 --> 01:11:08,190
 
- - And-And still you say nothing?
 
- - Get real.
 
- 949
 
- 01:11:08,440 --> 01:11:10,820
 
- - That would make me a suspect.
 
- - Just because you knew her?
 
- 950
 
- 01:11:11,070 --> 01:11:13,360
 
- - Yeah.
 
- - I don't think so.
 
- 951
 
- 01:11:13,610 --> 01:11:17,370
 
- Just what did happen to Maureen
 
- when she was in Hollywood?
 
- 952
 
- 01:11:18,120 --> 01:11:20,700
 
- Now, you listen to me, Lois Lane.
 
- Let it go. It's dead and buried.
 
- 953
 
- 01:11:20,950 --> 01:11:24,170
 
- How would you like to see it
 
- dug up on national TV?
 
- 954
 
- 01:11:24,420 --> 01:11:27,920
 
- Why don't you tell me
 
- what happened?
 
- 955
 
- 01:11:29,130 --> 01:11:32,340
 
- It was in the '70s.
 
- Everything was different.
 
- 956
 
- 01:11:32,590 --> 01:11:36,300
 
- I was well-known for my parties.
 
- Rina knew what they were.
 
- 957
 
- 01:11:36,550 --> 01:11:40,890
 
- It was for girls like her to meet men.
 
- Men who could get them parts...
 
- 958
 
- 01:11:41,140 --> 01:11:42,980
 
- if they made
 
- the right impression.
 
- 959
 
- 01:11:43,230 --> 01:11:45,390
 
- Nothing happened to her
 
- that she didn't invite...
 
- 960
 
- 01:11:45,650 --> 01:11:48,860
 
- in one way or another
 
- no matter what she said afterwards.
 
- 961
 
- 01:11:49,110 --> 01:11:52,280
 
- - Are you saying she—
 
- - I'm saying things got out of hand.
 
- 962
 
- 01:11:52,530 --> 01:11:56,410
 
- Maybe they did take advantage of her.
 
- You know, Maybe the sad truth is...
 
- 963
 
- 01:11:56,660 --> 01:12:00,200
 
- this is not the city
 
- for innocents.
 
- 964
 
- 01:12:00,450 --> 01:12:03,370
 
- No charges were brought.
 
- And the bottom line is...
 
- 965
 
- 01:12:03,620 --> 01:12:06,170
 
- Rina Reynolds
 
- wouldn't play by the rules.
 
- 966
 
- 01:12:06,420 --> 01:12:08,580
 
- You wanna get ahead in Hollywood?
 
- 967
 
- 01:12:08,830 --> 01:12:13,710
 
- You gotta play the game, or go home.
 
- 968
 
- 01:12:18,300 --> 01:12:20,850
 
- What do you know
 
- about trilogies?
 
- 969
 
- 01:12:21,100 --> 01:12:24,480
 
- - You mean, like movie trilogies?
 
- - You seem to like movies, Detective.
 
- 970
 
- 01:12:24,730 --> 01:12:29,060
 
- Call me Mark, would you? 'Cause
 
- I'm gonna keep calling you Sidney.
 
- 971
 
- 01:12:29,310 --> 01:12:33,150
 
- I'll call you Mark when
 
- you catch the killer, Detective.
 
- 972
 
- 01:12:33,900 --> 01:12:37,950
 
- All I know about movie trilogies
 
- is that in the third one...
 
- 973
 
- 01:12:38,200 --> 01:12:42,030
 
- all bets are off.
 
- 974
 
- 01:12:42,080 --> 01:12:44,080
 
- - Did you request this case?
 
- - No. They tend to put me...
 
- 975
 
- 01:12:44,330 --> 01:12:46,160
 
- on the ones that deal
 
- with the business.
 
- 976
 
- 01:12:46,410 --> 01:12:49,500
 
- I grew up here,
 
- and I know my way around the studios.
 
- 977
 
- 01:12:49,750 --> 01:12:51,960
 
- Huh.
 
- 978
 
- 01:12:52,210 --> 01:12:55,590
 
- Must be exciting.
 
- Beautiful place, beautiful people.
 
- 979
 
- 01:12:55,840 --> 01:12:59,590
 
- To me, Hollywood is about death.
 
- 980
 
- 01:13:00,090 --> 01:13:02,640
 
- Excuse me?
 
- 981
 
- 01:13:02,890 --> 01:13:06,230
 
- I'm a homicide detective, remember?
 
- 982
 
- 01:13:06,480 --> 01:13:09,190
 
- And when you see what I see
 
- day in and day out...
 
- 983
 
- 01:13:09,440 --> 01:13:11,860
 
- the violence
 
- that people do to each other...
 
- 984
 
- 01:13:12,110 --> 01:13:13,940
 
- you get haunted.
 
- 985
 
- 01:13:14,190 --> 01:13:17,700
 
- I think you know about that.
 
- 986
 
- 01:13:18,450 --> 01:13:20,660
 
- What do you mean?
 
- 987
 
- 01:13:20,910 --> 01:13:23,910
 
- I know what it's like
 
- to see ghosts that don't go away.
 
- 988
 
- 01:13:24,160 --> 01:13:29,460
 
- To be watching a scary movie in
 
- your head, whether you want to or not.
 
- 989
 
- 01:13:29,750 --> 01:13:34,550
 
- Watching it alone.
 
- 990
 
- 01:13:35,420 --> 01:13:37,920
 
- Ghosts are tough.
 
- You can't shoot ghosts.
 
- 991
 
- 01:13:38,170 --> 01:13:40,970
 
- Can't arrest ghosts.
 
- 992
 
- 01:13:41,220 --> 01:13:44,640
 
- But the best way to stop being
 
- haunted is to be with people.
 
- 993
 
- 01:13:44,890 --> 01:13:46,810
 
- You're here, you're not hiding.
 
- 994
 
- 01:13:47,060 --> 01:13:52,020
 
- You've done the right thing,
 
- Miss Prescott.
 
- 995
 
- 01:13:55,020 --> 01:13:58,860
 
- What did you know about your mother?
 
- 996
 
- 01:14:01,990 --> 01:14:04,530
 
- I always thought
 
- I had the perfect mom.
 
- 997
 
- 01:14:04,780 --> 01:14:08,290
 
- Perfect family.
 
- 998
 
- 01:14:09,250 --> 01:14:14,290
 
- Till I found out I was wrong.
 
- She, um—
 
- 999
 
- 01:14:15,590 --> 01:14:20,550
 
- She had a secret life, and I tried
 
- to understand that, and, um...
 
- 1000
 
- 01:14:20,800 --> 01:14:26,470
 
- soon as I thought that I had,
 
- more secrets.
 
- 1001
 
- 01:14:28,640 --> 01:14:31,560
 
- I don't know who my mom was.
 
- 1002
 
- 01:14:31,810 --> 01:14:35,650
 
- You know who she was to you.
 
- 1003
 
- 01:14:38,690 --> 01:14:40,650
 
- Here's the deal.
 
- I'm off to search the set.
 
- 1004
 
- 01:14:40,900 --> 01:14:45,030
 
- I think what you saw is real.
 
- That's the good news.
 
- 1005
 
- 01:14:45,280 --> 01:14:47,370
 
- - How is that good news?
 
- - Because that means...
 
- 1006
 
- 01:14:47,620 --> 01:14:50,580
 
- that we're dealing with
 
- an ordinary flesh-and-blood killer.
 
- 1007
 
- 01:14:50,830 --> 01:14:54,250
 
- - And I know how
 
- to handle guys like that.
 
- - Oh, yeah? How?
 
- 1008
 
- 01:14:54,500 --> 01:14:58,960
 
- Catch him or kill him.
 
- 1009
 
- 01:15:01,010 --> 01:15:04,930
 
- Hey, Detective.
 
- 1010
 
- 01:15:05,180 --> 01:15:09,180
 
- What's your favourite
 
- scary movie?
 
- 1011
 
- 01:15:11,480 --> 01:15:14,980
 
- My life.
 
- 1012
 
- 01:15:16,480 --> 01:15:19,030
 
- Mine too.
 
- 1013
 
- 01:15:19,780 --> 01:15:21,650
 
- We have to think.
 
- Strategize.
 
- 1014
 
- 01:15:21,900 --> 01:15:24,660
 
- - Milton's the key to everything.
 
- - He's a pervert, he's not a killer.
 
- 1015
 
- 01:15:24,910 --> 01:15:27,620
 
- He's gotta be involved somehow.
 
- We should follow him.
 
- 1016
 
- 01:15:27,870 --> 01:15:29,700
 
- We're gonna go back to the precinct and
 
- we're gonna tell Kincaid and Sidney...
 
- 1017
 
- 01:15:29,950 --> 01:15:32,000
 
- what we found out.
 
- 1018
 
- 01:15:32,250 --> 01:15:35,580
 
- My Gale would be much more aggressive.
 
- My Gale would suspect everybody.
 
- 1019
 
- 01:15:35,830 --> 01:15:39,590
 
- - My Gale would—
 
- - Shut up!
 
- - Shut up!
 
- 1020
 
- 01:15:41,210 --> 01:15:43,760
 
- - Riley here.
 
- - Dewey, it's Sidney.
 
- - Hey, Sid.
 
- 1021
 
- 01:15:44,010 --> 01:15:45,930
 
- - I'm with Gale.
 
- We're on our way to see you.
 
- - No.
 
- 1022
 
- 01:15:46,180 --> 01:15:49,510
 
- Listen, I'm not at the station.
 
- John Milton called me and said
 
- he had something to tell me.
 
- 1023
 
- 01:15:49,760 --> 01:15:52,060
 
- Something about my mom.
 
- I'm going to meet him at his house.
 
- 1024
 
- 01:15:52,310 --> 01:15:54,480
 
- Wait, Sid, I'm not so sure
 
- that's a good idea.
 
- 1025
 
- 01:15:54,730 --> 01:15:57,560
 
- It's okay. Kincaid's with me.
 
- I've got official big-time...
 
- 1026
 
- 01:15:57,810 --> 01:16:01,070
 
- L.A.P.D. protection, but
 
- I'd feel better if you were there.
 
- 1027
 
- 01:16:01,320 --> 01:16:05,400
 
- - We're on our way, but still, Sid—
 
- - Thanks.
 
- 1028
 
- 01:16:05,660 --> 01:16:10,950
 
- - What?
 
- - Looks like we're going
 
- to that party after all.
 
- 1029
 
- 01:16:20,380 --> 01:16:23,090
 
- Hey, guys. Come on in.
 
- Join the party.
 
- 1030
 
- 01:16:23,340 --> 01:16:25,220
 
- Yeah, well, actually,
 
- we're here to see Sidney.
 
- 1031
 
- 01:16:25,470 --> 01:16:27,510
 
- - Really? Sidney's here.
 
- - Where?
 
- 1032
 
- 01:16:27,760 --> 01:16:30,930
 
- - Where's Sidney?
 
- - She's right there!
 
- 1033
 
- 01:16:31,180 --> 01:16:34,480
 
- Jesus!
 
- Not "Sidney," Sidney.
 
- 1034
 
- 01:16:34,730 --> 01:16:38,100
 
- - Like I'm "Gale" and she's Gale.
 
- - Sidney Prescott?
 
- 1035
 
- 01:16:38,350 --> 01:16:41,070
 
- - Yeah.
 
- - No, I'd never invite her here.
 
- 1036
 
- 01:16:41,320 --> 01:16:44,900
 
- - She's on her way.
 
- - Well, the more the merrier.
 
- 1037
 
- 01:16:45,150 --> 01:16:48,860
 
- God, this house is incredible.
 
- 1038
 
- 01:16:49,120 --> 01:16:51,990
 
- - It's old Hollywood.
 
- - Yeah. Could the dude have more money?
 
- 1039
 
- 01:16:52,240 --> 01:16:55,120
 
- Supposedly, Milton has
 
- a secret screening room...
 
- 1040
 
- 01:16:55,370 --> 01:16:57,210
 
- that was like the scene
 
- back in the '70s, you know.
 
- 1041
 
- 01:16:57,460 --> 01:17:01,590
 
- It was, like, drinks and drugs
 
- and girls and movies and shit.
 
- 1042
 
- 01:17:01,840 --> 01:17:04,510
 
- Wow! Wish I could've seen it.
 
- 1043
 
- 01:17:04,760 --> 01:17:06,630
 
- Big old screening room
 
- shouldn't be too hard to find.
 
- 1044
 
- 01:17:06,880 --> 01:17:08,720
 
- I'm gonna go—
 
- I'm gonna go check this place out.
 
- 1045
 
- 01:17:08,970 --> 01:17:12,350
 
- Whoa, whoa, whoa!
 
- Just one damn minute.
 
- There's a psycho killer on the loose.
 
- 1046
 
- 01:17:12,600 --> 01:17:15,060
 
- And you want to go traipsing around
 
- this gigantic mansion?
 
- 1047
 
- 01:17:15,310 --> 01:17:17,640
 
- Have you ever actually seen
 
- the Stab movies? Every time...
 
- 1048
 
- 01:17:17,890 --> 01:17:20,440
 
- this dude enters a room,
 
- he ends up a goddam shish kebab.
 
- 1049
 
- 01:17:20,690 --> 01:17:23,690
 
- - I'll go with you, Roman.
 
- - There you go. You guys wanna come?
 
- 1050
 
- 01:17:23,940 --> 01:17:27,860
 
- It'll be okay.
 
- We're gonna stick together.
 
- 1051
 
- 01:17:28,110 --> 01:17:31,620
 
- - You're not stickin'. Wait up.
 
- - We're gonna stay here and wait for Sid.
 
- 1052
 
- 01:17:31,870 --> 01:17:34,990
 
- We'll be right back!
 
- 1053
 
- 01:17:35,240 --> 01:17:38,290
 
- If-If you were a screening room...
 
- 1054
 
- 01:17:38,540 --> 01:17:42,040
 
- where would you be?
 
- 1055
 
- 01:17:43,340 --> 01:17:46,840
 
- I bet in the basement.
 
- 1056
 
- 01:17:48,050 --> 01:17:52,050
 
- I don't like basements.
 
- 1057
 
- 01:17:54,470 --> 01:17:57,980
 
- Ooh, it's spooky.
 
- 1058
 
- 01:18:09,110 --> 01:18:11,070
 
- - Ooh, Weredad.
 
- - Damn, it's dark in here.
 
- 1059
 
- 01:18:11,320 --> 01:18:13,870
 
- - I loved that movie.
 
- - Forget the movie!
 
- What if Milton's crazy...
 
- 1060
 
- 01:18:14,120 --> 01:18:16,620
 
- and he's gonna jump outta his screening
 
- room with a sling blade or something?
 
- 1061
 
- 01:18:16,870 --> 01:18:20,370
 
- - He won't.
 
- - You sure about that?
 
- 1062
 
- 01:18:24,710 --> 01:18:28,170
 
- - What's down there?
 
- - Zombies and aliens.
 
- 1063
 
- 01:18:28,420 --> 01:18:30,840
 
- You know, what you look like
 
- without make-up, Jennifer.
 
- 1064
 
- 01:18:31,090 --> 01:18:34,220
 
- Jesus. Stop pretending
 
- I wasn't the best you've ever had.
 
- 1065
 
- 01:18:34,470 --> 01:18:40,060
 
- - Oh, stop pretending I even remember.
 
- - Stop pretending!
 
- 1066
 
- 01:18:43,730 --> 01:18:47,150
 
- Roman?
 
- 1067
 
- 01:18:57,620 --> 01:19:01,120
 
- Roman?
 
- 1068
 
- 01:19:04,540 --> 01:19:07,840
 
- - Any sign of her?
 
- - No.
 
- 1069
 
- 01:19:08,090 --> 01:19:10,340
 
- This is so strange.
 
- 1070
 
- 01:19:10,590 --> 01:19:12,430
 
- It sure is.
 
- 1071
 
- 01:19:12,680 --> 01:19:14,680
 
- Dewey, do you have caller I.D.
 
- on your cell phone?
 
- 1072
 
- 01:19:14,930 --> 01:19:18,600
 
- - Yeah.
 
- - All right, use it and-and press "send."
 
- 1073
 
- 01:19:27,440 --> 01:19:30,940
 
- What the hell?
 
- 1074
 
- 01:19:41,000 --> 01:19:45,000
 
- What is this thing?
 
- 1075
 
- 01:19:45,630 --> 01:19:49,800
 
- Is this what he—
 
- What the hell?
 
- 1076
 
- 01:19:51,380 --> 01:19:53,670
 
- Dewey, he's got our voices.
 
- 1077
 
- 01:19:53,930 --> 01:19:55,760
 
- He's got Sid.
 
- 1078
 
- 01:19:56,010 --> 01:19:57,850
 
- He's got us all.
 
- 1079
 
- 01:19:58,100 --> 01:20:01,810
 
- - Oh, my God. We gotta find her.
 
- - Come on.
 
- 1080
 
- 01:20:02,060 --> 01:20:04,440
 
- All right, take the gun.
 
- 1081
 
- 01:20:04,690 --> 01:20:06,900
 
- Go find Roman and Jennifer.
 
- I'm gonna get the others.
 
- 1082
 
- 01:20:07,150 --> 01:20:10,650
 
- - Be careful.
 
- - You too.
 
- 1083
 
- 01:20:11,820 --> 01:20:17,570
 
- Tyson! Angelina!
 
- You up there?
 
- 1084
 
- 01:20:18,450 --> 01:20:21,240
 
- - Roman!
 
- - Tyson!
 
- 1085
 
- 01:20:21,490 --> 01:20:23,700
 
- Angelina!
 
- 1086
 
- 01:20:23,960 --> 01:20:26,830
 
- Damn it!
 
- 1087
 
- 01:20:27,080 --> 01:20:29,000
 
- Okay, come on.
 
- We gotta get out of here.
 
- 1088
 
- 01:20:29,250 --> 01:20:31,340
 
- - Where's Angelina?
 
- - I don't know. She went in here.
 
- 1089
 
- 01:20:31,590 --> 01:20:33,630
 
- - I came in after her. Now she's gone.
 
- - Great.
 
- 1090
 
- 01:20:33,880 --> 01:20:38,680
 
- - What's wrong?
 
- - Looks like Stab 3
 
- is back in production.
 
- 1091
 
- 01:20:40,300 --> 01:20:43,600
 
- Roman!
 
- 1092
 
- 01:20:43,850 --> 01:20:47,940
 
- Jennifer!
 
- 1093
 
- 01:20:58,030 --> 01:21:02,030
 
- Jennifer!
 
- 1094
 
- 01:21:05,790 --> 01:21:08,790
 
- Roman!
 
- 1095
 
- 01:21:09,040 --> 01:21:12,550
 
- Jennifer!
 
- 1096
 
- 01:21:19,550 --> 01:21:24,020
 
- Roman?
 
- 1097
 
- 01:21:38,910 --> 01:21:40,740
 
- - Is he dead?
 
- - Yeah, very.
 
- 1098
 
- 01:21:40,990 --> 01:21:45,080
 
- Dewey! Dewey!
 
- 1099
 
- 01:21:48,580 --> 01:21:51,460
 
- Dewey?
 
- 1100
 
- 01:21:51,710 --> 01:21:54,170
 
- Dewey!
 
- 1101
 
- 01:21:54,420 --> 01:21:56,630
 
- God, I'm sorry.
 
- Jennifer, Gale, look.
 
- 1102
 
- 01:21:56,880 --> 01:21:59,340
 
- - I found a secret passage.
 
- - Roman's dead.
 
- 1103
 
- 01:21:59,590 --> 01:22:02,050
 
- - What?
 
- - The killer's here.
 
- - What?
 
- 1104
 
- 01:22:02,300 --> 01:22:05,770
 
- - Let go of me! I'm getting out of here!
 
- - You're not safe alone!
 
- 1105
 
- 01:22:06,020 --> 01:22:07,850
 
- Listen to me!
 
- 1106
 
- 01:22:08,100 --> 01:22:12,190
 
- I did not fuck that pig Milton
 
- to get a leading role...
 
- 1107
 
- 01:22:12,440 --> 01:22:17,900
 
- just to die here with second-rate
 
- celebrities like you two!
 
- 1108
 
- 01:22:19,860 --> 01:22:23,030
 
- - Gale! I'm up here.
 
- - Come on.
 
- 1109
 
- 01:22:23,280 --> 01:22:26,700
 
- - Dewey!
 
- - You guys should get out too.
 
- 1110
 
- 01:22:26,950 --> 01:22:30,960
 
- It's crazy to still be here.
 
- 1111
 
- 01:22:36,170 --> 01:22:40,720
 
- - Wait!
 
- - Come on!
 
- 1112
 
- 01:22:55,230 --> 01:22:58,150
 
- - Dewey!
 
- - Gale, Jennifer, up here!
 
- 1113
 
- 01:22:58,400 --> 01:23:01,110
 
- Dewey, here.
 
- He got Roman and Angelina too.
 
- 1114
 
- 01:23:01,360 --> 01:23:05,200
 
- - We'll be safer if we
 
- stick together, won't we?
 
- - Of course. Why—
 
- 1115
 
- 01:23:07,330 --> 01:23:09,120
 
- What's goin' on?
 
- Oh, shit!
 
- 1116
 
- 01:23:09,370 --> 01:23:12,710
 
- - Hey!
 
- - Dewey!
 
- 1117
 
- 01:23:12,750 --> 01:23:15,670
 
- Dewey!
 
- 1118
 
- 01:23:15,920 --> 01:23:19,340
 
- No!
 
- 1119
 
- 01:23:28,060 --> 01:23:31,270
 
- Help! Police!
 
- Help! Help!
 
- 1120
 
- 01:23:31,520 --> 01:23:35,730
 
- Police! Help!
 
- 1121
 
- 01:23:42,320 --> 01:23:45,910
 
- Oh, you motherfucker!
 
- 1122
 
- 01:24:22,900 --> 01:24:26,410
 
- Damn!
 
- 1123
 
- 01:24:29,240 --> 01:24:34,120
 
- Dewey! Dewey!
 
- 1124
 
- 01:24:36,370 --> 01:24:40,540
 
- Behind the mirror, Dewey!
 
- 1125
 
- 01:24:41,300 --> 01:24:43,630
 
- Gale! Get away! Dewey!
 
- 1126
 
- 01:24:43,880 --> 01:24:46,050
 
- - Do you hear something?
 
- - Get away from me, you asshole.
 
- 1127
 
- 01:24:46,300 --> 01:24:50,970
 
- - Get away from me! You don't scare me!
 
- - Look, Gale. The mirror's moving.
 
- 1128
 
- 01:24:51,220 --> 01:24:54,560
 
- - Gale! Gale!
 
- - Stand back, Gale.
 
- 1129
 
- 01:24:54,810 --> 01:24:57,940
 
- You can't kill me. I'm the killer
 
- in Stab 3. I'm the killer!
 
- 1130
 
- 01:24:58,190 --> 01:25:02,440
 
- Gale, cover!
 
- 1131
 
- 01:25:03,030 --> 01:25:06,610
 
- Dewey!
 
- 1132
 
- 01:25:15,870 --> 01:25:18,210
 
- - Tyson!
 
- - Tyson!
 
- 1133
 
- 01:25:18,460 --> 01:25:20,290
 
- I'm gonna check down here.
 
- You call for help.
 
- 1134
 
- 01:25:20,540 --> 01:25:22,750
 
- Okay.
 
- 1135
 
- 01:25:23,000 --> 01:25:26,050
 
- Tyson!
 
- 1136
 
- 01:25:26,300 --> 01:25:29,800
 
- - Tyson?
 
- - Any sign of him?
 
- 1137
 
- 01:25:30,050 --> 01:25:33,640
 
- - No.
 
- - All right. I'm gonna check out front.
 
- 1138
 
- 01:25:39,350 --> 01:25:42,860
 
- Dew—
 
- 1139
 
- 01:26:06,630 --> 01:26:10,130
 
- Gale!
 
- 1140
 
- 01:26:11,010 --> 01:26:14,930
 
- Gale!
 
- 1141
 
- 01:26:15,560 --> 01:26:17,930
 
- Gale!
 
- 1142
 
- 01:26:18,180 --> 01:26:22,190
 
- - Dewey?
 
- - Gale!
 
- 1143
 
- 01:26:23,560 --> 01:26:27,070
 
- Gale!
 
- 1144
 
- 01:26:30,660 --> 01:26:33,160
 
- - Who is this?
 
- - Dewey, it's me.
 
- 1145
 
- 01:26:33,410 --> 01:26:36,290
 
- Gale, where are you?
 
- 1146
 
- 01:26:36,540 --> 01:26:38,910
 
- I'm in the basement.
 
- I'm trapped.
 
- 1147
 
- 01:26:39,160 --> 01:26:42,920
 
- - Where?
 
- - There's a door in the kitchen.
 
- 1148
 
- 01:26:43,960 --> 01:26:47,550
 
- Hurry.
 
- 1149
 
- 01:26:49,670 --> 01:26:53,640
 
- Wait. How do I know this is
 
- you, Gale, and not the killer?
 
- 1150
 
- 01:26:53,890 --> 01:26:57,270
 
- Dewey, open the fucking door.
 
- It's me.
 
- 1151
 
- 01:26:57,520 --> 01:27:00,180
 
- Well, don't you think that's
 
- what the killer would say?
 
- 1152
 
- 01:27:00,430 --> 01:27:06,860
 
- Come on. He's out cold
 
- at the bottom of the stairs.
 
- 1153
 
- 01:27:07,570 --> 01:27:11,240
 
- Hey!
 
- 1154
 
- 01:27:22,670 --> 01:27:26,750
 
- Dewey. Dewey.
 
- 1155
 
- 01:27:35,890 --> 01:27:37,760
 
- All right, all right.
 
- It's pizza, not a party.
 
- 1156
 
- 01:27:38,010 --> 01:27:42,440
 
- Everybody get back to work.
 
- Anybody seen my fuckin' partner?
 
- 1157
 
- 01:27:42,690 --> 01:27:46,190
 
- Hey, Morgan,
 
- what did you pay?
 
- 1158
 
- 01:28:34,070 --> 01:28:37,240
 
- - Hello?
 
- - Hello?
 
- 1159
 
- 01:28:37,490 --> 01:28:39,910
 
- - Who is this?
 
- - Who is this?
 
- 1160
 
- 01:28:40,160 --> 01:28:45,250
 
- - Um, w-who's calling?
 
- - Um, w-who's calling?
 
- 1161
 
- 01:28:45,500 --> 01:28:50,750
 
- Gale, Dewey, whoever, um, call me back.
 
- I can only hear myself.
 
- 1162
 
- 01:28:51,000 --> 01:28:55,550
 
- I only hear you too, Sidney.
 
- 1163
 
- 01:28:55,720 --> 01:28:59,010
 
- - Who is this?
 
- - The question isn't who I am.
 
- 1164
 
- 01:28:59,260 --> 01:29:02,970
 
- The question is:
 
- Who's with me?
 
- 1165
 
- 01:29:03,220 --> 01:29:05,060
 
- - Sidney, stay away!
 
- - Sidney!
 
- 1166
 
- 01:29:05,310 --> 01:29:08,650
 
- Don't do it. If you do one thing
 
- to attract attention to yourself...
 
- 1167
 
- 01:29:08,900 --> 01:29:11,570
 
- one thing,
 
- I'll kill them both.
 
- 1168
 
- 01:29:11,820 --> 01:29:17,280
 
- Now, do you have somewhere
 
- we can be alone?
 
- 1169
 
- 01:29:17,530 --> 01:29:21,830
 
- - Yes.
 
- - Yeah. Go there.
 
- 1170
 
- 01:29:27,120 --> 01:29:29,790
 
- Oh, it's hard being friends
 
- with you, Sidney.
 
- 1171
 
- 01:29:30,040 --> 01:29:33,000
 
- When you're friends with Sidney,
 
- you die.
 
- 1172
 
- 01:29:33,250 --> 01:29:37,550
 
- Well, these friends don't have to,
 
- Sidney. It's up to you.
 
- 1173
 
- 01:29:37,800 --> 01:29:39,720
 
- - How do I know their voices are—
 
- - Are real?
 
- 1174
 
- 01:29:39,970 --> 01:29:41,890
 
- How do you know
 
- you're not hearing things?
 
- 1175
 
- 01:29:42,140 --> 01:29:47,270
 
- How do you know I'm not someone
 
- in your head? Somewhere you know.
 
- 1176
 
- 01:29:47,520 --> 01:29:49,900
 
- - Don't come here, Sidney!
 
- - Dewey!
 
- 1177
 
- 01:29:50,150 --> 01:29:53,230
 
- - Or do you?
 
- - You're dead.
 
- 1178
 
- 01:29:53,480 --> 01:29:55,740
 
- I don't want them.
 
- I want you.
 
- 1179
 
- 01:29:55,990 --> 01:29:58,570
 
- It's simple.
 
- You show yourself, they survive.
 
- 1180
 
- 01:29:58,820 --> 01:30:01,200
 
- - You run, they die.
 
- - Oh, God!
 
- 1181
 
- 01:30:01,450 --> 01:30:05,330
 
- Don't you wanna know, Sidney,
 
- who killed her?
 
- 1182
 
- 01:30:05,580 --> 01:30:08,920
 
- Don't you wanna know
 
- who killed your mother?
 
- 1183
 
- 01:30:09,170 --> 01:30:11,000
 
- - Have you seen Kincaid?
 
- - Yeah, I saw him go out.
 
- 1184
 
- 01:30:11,250 --> 01:30:12,920
 
- - Wallace is still lookin' for him.
 
- - Where?
 
- 1185
 
- 01:30:13,170 --> 01:30:17,130
 
- She'd have been so happy, Sidney,
 
- to know we'd be together.
 
- 1186
 
- 01:30:17,380 --> 01:30:22,680
 
- - Where?
 
- - I'll call you when you're on your way.
 
- 1187
 
- 01:30:25,140 --> 01:30:29,350
 
- Shit. Shit. Shit.
 
- 1188
 
- 01:31:36,540 --> 01:31:40,630
 
- Holy shit.
 
- 1189
 
- 01:31:48,850 --> 01:31:51,140
 
- - What?
 
- - You follow directions well, Sidney.
 
- 1190
 
- 01:31:51,390 --> 01:31:53,440
 
- Now, welcome to the final act.
 
- 1191
 
- 01:31:53,690 --> 01:31:56,270
 
- See that metal detector?
 
- 1192
 
- 01:31:56,520 --> 01:32:00,440
 
- Use it.
 
- 1193
 
- 01:32:03,280 --> 01:32:07,830
 
- All over, Sidney.
 
- Everywhere.
 
- 1194
 
- 01:32:11,000 --> 01:32:16,290
 
- Everywhere.
 
- The other leg too.
 
- 1195
 
- 01:32:19,050 --> 01:32:22,720
 
- Show it to me.
 
- 1196
 
- 01:32:26,800 --> 01:32:30,310
 
- Throw it in the pool.
 
- 1197
 
- 01:32:32,020 --> 01:32:33,850
 
- Now, come inside, Sidney.
 
- 1198
 
- 01:32:34,100 --> 01:32:36,900
 
- No fucking way. How do I know
 
- they're not dead already?
 
- 1199
 
- 01:32:37,150 --> 01:32:40,360
 
- They're right inside,
 
- waiting for you.
 
- 1200
 
- 01:32:40,610 --> 01:32:44,110
 
- Look for yourself.
 
- 1201
 
- 01:32:54,210 --> 01:32:59,210
 
- Now that we're all here,
 
- the party can begin.
 
- 1202
 
- 01:32:59,460 --> 01:33:02,710
 
- - Dewey.
 
- - Sid.
 
- 1203
 
- 01:33:02,960 --> 01:33:05,840
 
- - Where is he?
 
- - I don't know.
 
- 1204
 
- 01:33:06,090 --> 01:33:10,010
 
- He's right there!
 
- 1205
 
- 01:33:14,600 --> 01:33:17,230
 
- Oh, shit.
 
- 1206
 
- 01:33:17,480 --> 01:33:19,150
 
- Think again.
 
- 1207
 
- 01:33:19,400 --> 01:33:23,320
 
- It's your turn to scream, asshole.
 
- 1208
 
- 01:33:25,190 --> 01:33:29,570
 
- Yeah!
 
- 1209
 
- 01:33:32,660 --> 01:33:36,000
 
- - It's okay. Just give me a second.
 
- - Okay.
 
- 1210
 
- 01:33:36,250 --> 01:33:41,290
 
- - Hurry, Sid.
 
- - Sidney? Sidney?
 
- 1211
 
- 01:33:42,590 --> 01:33:46,510
 
- Where is he?
 
- 1212
 
- 01:33:48,260 --> 01:33:51,850
 
- Be careful!
 
- 1213
 
- 01:33:57,560 --> 01:34:00,980
 
- I heard shots. Tyson's dead.
 
- What's goin' on?
 
- 1214
 
- 01:34:01,230 --> 01:34:03,770
 
- - What're you doin' here, Kincaid?
 
- - Lookin' for you.
 
- 1215
 
- 01:34:04,030 --> 01:34:07,030
 
- Tyson said there was a party here
 
- tonight, and I thought, uh-oh.
 
- 1216
 
- 01:34:07,280 --> 01:34:09,200
 
- Third act celebration.
 
- Thought I better check it out.
 
- 1217
 
- 01:34:09,450 --> 01:34:13,370
 
- Alone?
 
- Where's your partner?
 
- 1218
 
- 01:34:15,750 --> 01:34:18,540
 
- Hey, Miss Prescott.
 
- 1219
 
- 01:34:18,790 --> 01:34:23,500
 
- I'm here to help.
 
- Put the gun down.
 
- 1220
 
- 01:34:24,420 --> 01:34:27,840
 
- Put the gun down.
 
- 1221
 
- 01:34:30,640 --> 01:34:34,720
 
- No!
 
- 1222
 
- 01:34:38,230 --> 01:34:42,650
 
- Sid! Wake up, Sid!
 
- Sid, come on!
 
- 1223
 
- 01:34:42,900 --> 01:34:46,780
 
- - Wake up!
 
- - Sidney!
 
- 1224
 
- 01:34:47,030 --> 01:34:49,320
 
- Sid, shoot him! Sid!
 
- 1225
 
- 01:34:49,570 --> 01:34:53,280
 
- Shoot the fucker!
 
- 1226
 
- 01:34:53,530 --> 01:34:57,910
 
- Shoot him!
 
- 1227
 
- 01:35:01,080 --> 01:35:04,040
 
- You want me, motherfucker?
 
- Come and get me.
 
- 1228
 
- 01:35:04,290 --> 01:35:08,550
 
- Run!
 
- 1229
 
- 01:35:55,090 --> 01:35:58,060
 
- Sid.
 
- 1230
 
- 01:35:58,310 --> 01:36:01,680
 
- Sid.
 
- 1231
 
- 01:36:01,930 --> 01:36:07,520
 
- Come in here, please.
 
- 1232
 
- 01:36:08,400 --> 01:36:12,360
 
- It's just me, Sid.
 
- 1233
 
- 01:36:12,610 --> 01:36:16,320
 
- Oh, I was so pretty.
 
- 1234
 
- 01:36:16,570 --> 01:36:19,830
 
- Everybody loved me.
 
- 1235
 
- 01:36:20,080 --> 01:36:24,540
 
- Have you missed me, Sidney?
 
- 1236
 
- 01:36:25,120 --> 01:36:30,800
 
- Would you like to hold me
 
- one last time?
 
- 1237
 
- 01:36:31,130 --> 01:36:33,880
 
- What's the matter?
 
- What are you staring at?
 
- 1238
 
- 01:36:34,130 --> 01:36:40,140
 
- Don't you remember your mother?
 
- 1239
 
- 01:36:50,020 --> 01:36:52,030
 
- You're not going anywhere, Sidney.
 
- 1240
 
- 01:36:52,280 --> 01:36:58,120
 
- It's time you came to terms
 
- with me and with Mother.
 
- 1241
 
- 01:36:59,080 --> 01:37:01,830
 
- Maybe you never
 
- knew her at all, Sidney.
 
- 1242
 
- 01:37:02,080 --> 01:37:07,040
 
- Maybe you just can't get past
 
- the surface of things.
 
- 1243
 
- 01:37:07,290 --> 01:37:10,960
 
- - Who the hell are you?
 
- - The other half of you.
 
- 1244
 
- 01:37:11,210 --> 01:37:15,130
 
- I searched for a mother too,
 
- an actress named Rina Reynolds.
 
- 1245
 
- 01:37:15,380 --> 01:37:17,260
 
- Tried to find her my whole life.
 
- 1246
 
- 01:37:17,510 --> 01:37:20,300
 
- And four years ago,
 
- I actually tracked her down.
 
- 1247
 
- 01:37:20,550 --> 01:37:23,680
 
- Knocked at her door, thinking
 
- she'd welcome me with open arms.
 
- 1248
 
- 01:37:23,930 --> 01:37:28,310
 
- But she had a new life
 
- and a new name: Maureen Prescott.
 
- 1249
 
- 01:37:28,560 --> 01:37:30,440
 
- You were the only child
 
- she claimed, Sidney.
 
- 1250
 
- 01:37:30,690 --> 01:37:33,530
 
- She shut me out
 
- in the cold forever.
 
- 1251
 
- 01:37:33,780 --> 01:37:37,860
 
- Her own son.
 
- 1252
 
- 01:37:42,160 --> 01:37:47,000
 
- Roman Bridger, director.
 
- And brother.
 
- 1253
 
- 01:37:47,250 --> 01:37:49,790
 
- She slammed the door in my face, Sid.
 
- She said I was Rina's child...
 
- 1254
 
- 01:37:50,040 --> 01:37:52,130
 
- and Rina was dead.
 
- 1255
 
- 01:37:52,380 --> 01:37:54,300
 
- And it struck me.
 
- 1256
 
- 01:37:54,550 --> 01:37:57,720
 
- What a good idea!
 
- So I watched her.
 
- 1257
 
- 01:37:57,970 --> 01:38:01,850
 
- I made a little home movie.
 
- A little-little family film.
 
- 1258
 
- 01:38:02,100 --> 01:38:05,020
 
- It seems Maureen—
 
- Mom—
 
- 1259
 
- 01:38:05,270 --> 01:38:09,230
 
- She really got around.
 
- I mean, Cotton was one thing.
 
- 1260
 
- 01:38:09,480 --> 01:38:11,520
 
- Everybody knew about that.
 
- 1261
 
- 01:38:11,770 --> 01:38:16,320
 
- But Billy's father?
 
- That was the key.
 
- 1262
 
- 01:38:16,570 --> 01:38:18,530
 
- Your boyfriend didn't like seeing
 
- his daddy in my film too much.
 
- 1263
 
- 01:38:18,780 --> 01:38:20,910
 
- He didn't like it at all.
 
- 1264
 
- 01:38:21,160 --> 01:38:25,290
 
- But once I supplied the motivation,
 
- all the kid needed was a few pointers.
 
- 1265
 
- 01:38:25,540 --> 01:38:28,750
 
- Have a partner to sell out in case
 
- you get caught, find someone to frame.
 
- 1266
 
- 01:38:29,000 --> 01:38:31,290
 
- It was like
 
- he was making a movie.
 
- 1267
 
- 01:38:31,540 --> 01:38:36,050
 
- You. This is all because of you.
 
- 1268
 
- 01:38:36,300 --> 01:38:39,720
 
- I'm a director, Sid.
 
- 1269
 
- 01:38:39,970 --> 01:38:42,220
 
- - I direct.
 
- - Oh.
 
- 1270
 
- 01:38:42,470 --> 01:38:47,350
 
- I had no idea that they were
 
- gonna make a film of their own.
 
- 1271
 
- 01:38:48,230 --> 01:38:51,900
 
- - Oh, shit.
 
- - What a film it turned out to be, huh?
 
- 1272
 
- 01:38:52,150 --> 01:38:54,940
 
- I mean, introducing Sidney,
 
- the victim.
 
- 1273
 
- 01:38:55,190 --> 01:39:00,150
 
- Sidney, the survivor.
 
- Sidney, the star!
 
- 1274
 
- 01:39:14,460 --> 01:39:16,550
 
- All right. You're gonna be all right.
 
- Just apply pressure.
 
- 1275
 
- 01:39:16,800 --> 01:39:19,050
 
- Here, take this.
 
- Get the son of a bitch.
 
- 1276
 
- 01:39:19,300 --> 01:39:20,800
 
- Let's go.
 
- 1277
 
- 01:39:21,050 --> 01:39:23,890
 
- Fine, you got what you wanted,
 
- hero and villain face-to-face.
 
- 1278
 
- 01:39:24,140 --> 01:39:26,810
 
- - Well, you know what happens now?
 
- The villain dies!
 
- - Exactly!
 
- 1279
 
- 01:39:27,060 --> 01:39:31,310
 
- But I'm not the villain, Sid.
 
- You are.
 
- 1280
 
- 01:39:31,560 --> 01:39:35,980
 
- Here he is, the man who gave away
 
- your mother's innocence.
 
- 1281
 
- 01:39:36,230 --> 01:39:38,570
 
- Huh? What he did
 
- to her made her a slut.
 
- 1282
 
- 01:39:38,820 --> 01:39:43,030
 
- Didn't it? Huh? She never recovered from
 
- that night, right here in this room.
 
- 1283
 
- 01:39:43,280 --> 01:39:46,740
 
- They fucked her three ways from Sunday.
 
- Ruined her life.
 
- 1284
 
- 01:39:46,990 --> 01:39:48,660
 
- Ruined yours too,
 
- didn't it, Sid?
 
- 1285
 
- 01:39:48,910 --> 01:39:51,290
 
- You hate him, Sid?
 
- 1286
 
- 01:39:51,540 --> 01:39:57,130
 
- Come on, I know you do.
 
- I'm sure you do.
 
- 1287
 
- 01:39:57,340 --> 01:39:59,670
 
- I know who you are.
 
- I know what happened to my mother.
 
- 1288
 
- 01:39:59,920 --> 01:40:02,720
 
- And I want you to understand,
 
- I'm gonna make you pay!
 
- 1289
 
- 01:40:02,970 --> 01:40:04,800
 
- That's what the police are gonna
 
- find on Milton's answering machine...
 
- 1290
 
- 01:40:05,050 --> 01:40:08,600
 
- right next to his lifeless,
 
- mutilated corpse.
 
- 1291
 
- 01:40:08,850 --> 01:40:10,980
 
- - What? Can't hear ya.
 
- - You don't have to do this, Roman.
 
- 1292
 
- 01:40:11,230 --> 01:40:13,100
 
- Just tell me what you want.
 
- I can make it happen.
 
- 1293
 
- 01:40:13,350 --> 01:40:15,270
 
- Any picture.
 
- Name your budget. Script approval.
 
- 1294
 
- 01:40:15,520 --> 01:40:17,610
 
- - Final cut!
 
- - I already have it.
 
- 1295
 
- 01:40:17,860 --> 01:40:21,190
 
- No!
 
- 1296
 
- 01:40:21,900 --> 01:40:23,740
 
- God! You spineless bastard!
 
- 1297
 
- 01:40:23,990 --> 01:40:26,820
 
- No, Sid, that would be you.
 
- You did it all.
 
- 1298
 
- 01:40:27,070 --> 01:40:31,000
 
- You did it, you called them all.
 
- Even your closest friends.
 
- 1299
 
- 01:40:31,250 --> 01:40:33,620
 
- Living in total isolation, the pressure
 
- ofanother movie about you...
 
- 1300
 
- 01:40:33,870 --> 01:40:36,880
 
- the discovery that Milton
 
- destroyed Mommy dearest...
 
- 1301
 
- 01:40:37,130 --> 01:40:40,210
 
- you finally just snapped!
 
- 1302
 
- 01:40:40,460 --> 01:40:44,840
 
- One, two, three!
 
- 1303
 
- 01:40:45,890 --> 01:40:49,560
 
- And who's our hero, huh?
 
- The sole survivor. Who's the one...
 
- 1304
 
- 01:40:49,810 --> 01:40:53,600
 
- who bravely faced down the psychopath
 
- and killed her with her own knife?
 
- 1305
 
- 01:40:53,850 --> 01:40:56,060
 
- You're gonna pay for the life
 
- you stole from me, Sid.
 
- 1306
 
- 01:40:56,310 --> 01:41:00,020
 
- For the mother, and for the family,
 
- and for the stardom and—
 
- 1307
 
- 01:41:00,270 --> 01:41:02,400
 
- Goddam it! Everything you have
 
- that should've been mine!
 
- 1308
 
- 01:41:02,650 --> 01:41:05,660
 
- God! Why don't you stop your whining
 
- and get on with it?
 
- I've heard this shit before!
 
- 1309
 
- 01:41:05,910 --> 01:41:08,120
 
- - Stop!
 
- - You know why you kill people,
 
- Roman? Do you?
 
- 1310
 
- 01:41:08,370 --> 01:41:11,330
 
- - I don't wanna hear it!
 
- - Because you choose to!
 
- There is no one else to blame!
 
- 1311
 
- 01:41:11,580 --> 01:41:14,790
 
- - Stop it! Fucking damn it!
 
- - Why don't you take
 
- some fucking responsibility?
 
- 1312
 
- 01:41:15,040 --> 01:41:18,880
 
- - Fuck you!
 
- - Fuck you!
 
- 1313
 
- 01:41:30,600 --> 01:41:34,100
 
- Sid? Sidney?
 
- 1314
 
- 01:41:41,610 --> 01:41:45,110
 
- Sidney?
 
- 1315
 
- 01:41:52,160 --> 01:41:55,250
 
- Sidney!
 
- 1316
 
- 01:42:07,930 --> 01:42:10,850
 
- Sidney!
 
- 1317
 
- 01:42:13,010 --> 01:42:16,100
 
- Leave her alone!
 
- 1318
 
- 01:42:25,940 --> 01:42:29,110
 
- Dewey, do something!
 
- 1319
 
- 01:42:32,120 --> 01:42:36,660
 
- - Stand back!
 
- - Dewey!
 
- 1320
 
- 01:42:39,830 --> 01:42:43,670
 
- Sid! Sid.
 
- 1321
 
- 01:43:06,980 --> 01:43:10,910
 
- Sid?
 
- 1322
 
- 01:43:13,280 --> 01:43:17,040
 
- Where is he?
 
- 1323
 
- 01:43:29,800 --> 01:43:33,050
 
- Hey. Lose something?
 
- 1324
 
- 01:43:33,300 --> 01:43:36,640
 
- Found something.
 
- 1325
 
- 01:43:58,080 --> 01:44:02,710
 
- There's gotta be another way in there!
 
- Come on!
 
- 1326
 
- 01:44:07,550 --> 01:44:12,260
 
- You hurt her,
 
- I swear I'll kill you!
 
- 1327
 
- 01:44:24,850 --> 01:44:29,110
 
- - Dewey!
 
- - Down this way. There's another hallway.
 
- 1328
 
- 01:44:39,870 --> 01:44:43,370
 
- There's another door down here.
 
- 1329
 
- 01:44:49,170 --> 01:44:51,420
 
- - This thing's not budging.
 
- - Look around for something heavy.
 
- 1330
 
- 01:44:51,670 --> 01:44:55,840
 
- - Go that way.
 
- - Okay!
 
- 1331
 
- 01:45:20,410 --> 01:45:24,080
 
- I shot you.
 
- 1332
 
- 01:45:27,790 --> 01:45:32,420
 
- I guess we think alike.
 
- 1333
 
- 01:45:32,420 --> 01:45:35,170
 
- Mother's dead.
 
- 1334
 
- 01:45:35,420 --> 01:45:38,930
 
- And there is nothing
 
- you can do about that.
 
- 1335
 
- 01:45:39,100 --> 01:45:42,310
 
- I still got
 
- to make my movie.
 
- 1336
 
- 01:45:42,560 --> 01:45:46,560
 
- Stab 3, right?
 
- 1337
 
- 01:46:02,740 --> 01:46:06,660
 
- Kincaid, hang in there.
 
- 1338
 
- 01:46:06,830 --> 01:46:11,960
 
- Roman? It was Roman?
 
- 1339
 
- 01:46:35,320 --> 01:46:40,620
 
- Be careful, Sid. Randy said
 
- the killer's always superhuman.
 
- 1340
 
- 01:46:41,950 --> 01:46:45,750
 
- Yeah, well,
 
- he wasn't superhuman, Dewey.
 
- 1341
 
- 01:46:46,000 --> 01:46:49,750
 
- He wasn't superhuman at all.
 
- 1342
 
- 01:46:53,840 --> 01:46:55,880
 
- - You can't fuckin' kill me!
 
- - Head!
 
- 1343
 
- 01:46:56,130 --> 01:46:58,380
 
- - Head! Head, Dewey!
 
- - What?
 
- 1344
 
- 01:46:58,630 --> 01:47:02,300
 
- Head!
 
- Shoot him in the head.
 
- 1345
 
- 01:47:13,770 --> 01:47:15,820
 
- Thanks.
 
- 1346
 
- 01:47:16,070 --> 01:47:19,570
 
- No problem.
 
- 1347
 
- 01:47:44,640 --> 01:47:47,010
 
- Look.
 
- 1348
 
- 01:47:47,270 --> 01:47:49,390
 
- Come on, Cherokee.
 
- Come on.
 
- 1349
 
- 01:47:49,640 --> 01:47:54,360
 
- - Yeah, she's doin' great.
 
- - Yeah.
 
- 1350
 
- 01:47:58,030 --> 01:48:01,530
 
- Look.
 
- 1351
 
- 01:48:01,820 --> 01:48:03,780
 
- What are you doing with that?
 
- 1352
 
- 01:48:04,030 --> 01:48:07,740
 
- Um, will you sign it
 
- for me, Gale?
 
- 1353
 
- 01:48:07,990 --> 01:48:10,250
 
- You hate that book.
 
- 1354
 
- 01:48:10,500 --> 01:48:13,620
 
- Besides, I'm-I'm done
 
- with that kind of reporting.
 
- 1355
 
- 01:48:13,870 --> 01:48:19,260
 
- For me.
 
- Will you sign it for me?
 
- 1356
 
- 01:48:20,460 --> 01:48:23,340
 
- You're a nut.
 
- 1357
 
- 01:48:23,590 --> 01:48:26,680
 
- Okay.
 
- 1358
 
- 01:48:35,400 --> 01:48:39,690
 
- - Will you?
 
- - Dewey.
 
- 1359
 
- 01:48:39,940 --> 01:48:43,450
 
- I know it'll never work,
 
- and you know it'll never work.
 
- 1360
 
- 01:48:43,700 --> 01:48:51,000
 
- But what I'm asking is
 
- just to see if we're wrong.
 
- 1361
 
- 01:48:51,330 --> 01:48:55,250
 
- We don't know everything, Gale.
 
- 1362
 
- 01:48:56,130 --> 01:49:01,010
 
- I mean, you think you do, but—
 
- 1363
 
- 01:49:06,890 --> 01:49:10,470
 
- You're a brave man,
 
- Dewey Riley.
 
- 1364
 
- 01:49:10,890 --> 01:49:15,060
 
- I'm really scared right now.
 
- 1365
 
- 01:49:57,900 --> 01:50:01,480
 
- Inside.
 
- 1366
 
- 01:50:05,900 --> 01:50:09,070
 
- Sid, we've been waiting for you.
 
- We're gonna start a movie.
 
- 1367
 
- 01:50:09,320 --> 01:50:15,660
 
- - What kind of movie?
 
- - You have to come and see.
 
- 1368
 
- 01:50:43,900 --> 01:50:47,610
 
- Take a little walk
 
- to the edge of town
 
- 1369
 
- 01:50:47,860 --> 01:50:51,620
 
- Now, spread your wings and fly
 
- 1370
 
- 01:50:51,870 --> 01:50:55,830
 
- Don't the lights of the city
 
- look so damn pretty
 
- 1371
 
- 01:50:56,080 --> 01:51:00,290
 
- When you're flyin' so high
 
- 1372
 
- 01:51:00,540 --> 01:51:04,050
 
- It's hard to know
 
- about there down below
 
- 1373
 
- 01:51:04,300 --> 01:51:09,220
 
- The streets fade
 
- They're swimmin'deep in blood
 
- 1374
 
- 01:51:09,470 --> 01:51:16,350
 
- It seems to make me
 
- groan and cry
 
- 1375
 
- 01:51:16,970 --> 01:51:20,310
 
- You really wanna know
 
- what's wrong with this land
 
- 1376
 
- 01:51:20,560 --> 01:51:26,230
 
- Just scratch your head
 
- with your red right hand
 
- 1377
 
- 01:51:27,780 --> 01:51:32,280
 
- I'm talkin'about blood, babe
 
- 1378
 
- 01:51:32,530 --> 01:51:36,490
 
- It's in your veins
 
- 1379
 
- 01:51:36,740 --> 01:51:40,330
 
- Your mommy and daddy
 
- 1380
 
- 01:51:40,580 --> 01:51:44,250
 
- They've got the same
 
- 1381
 
- 01:51:45,800 --> 01:51:50,680
 
- You're under the mirror
 
- day after day
 
- 1382
 
- 01:51:50,930 --> 01:51:54,640
 
- You see a pretty face
 
- crumblin' away
 
- 1383
 
- 01:51:54,890 --> 01:52:01,940
 
- As you become
 
- your mom and daddy
 
- 1384
 
- 01:52:02,060 --> 01:52:06,570
 
- Scream once, scream twice
 
- Now scream again
 
- 1385
 
- 01:52:06,820 --> 01:52:12,820
 
- Cover that face
 
- with your red right hand
 
- 1386
 
- 01:52:24,790 --> 01:52:29,340
 
- So, is this the end
 
- 1387
 
- 01:52:29,590 --> 01:52:34,390
 
- Forus, my friend
 
- 1388
 
- 01:52:37,810 --> 01:52:42,100
 
- So, is this the end
 
- 1389
 
- 01:52:42,350 --> 01:52:47,820
 
- Forus, my friend
 
- 1390
 
- 01:52:50,480 --> 01:52:54,910
 
- So, is this the end
 
- 1391
 
- 01:52:55,160 --> 01:53:00,620
 
- Forus, my friend
 
- 1392
 
- 01:53:17,470 --> 01:53:24,270
 
- Well as though we rise
 
- 1393
 
- 01:53:24,520 --> 01:53:30,070
 
- As the day breaks the dawn
 
- 1394
 
- 01:53:30,320 --> 01:53:37,110
 
- And as the moon hides the sun
 
- 1395
 
- 01:53:37,370 --> 01:53:41,290
 
- Oh, the sun
 
- 1396
 
- 01:53:43,000 --> 01:53:49,170
 
- No more sorrow
 
- 1397
 
- 01:53:50,090 --> 01:53:55,800
 
- All those crying days are gone
 
- 1398
 
- 01:53:56,050 --> 01:53:59,430
 
- No more sorrow
 
- 1399
 
- 01:53:59,680 --> 01:54:02,470
 
- Now it'sgone
 
- 1400
 
- 01:54:02,720 --> 01:54:05,730
 
- Now it'sgone
 
- 1401
 
- 01:54:05,980 --> 01:54:10,150
 
- Now it'sgone
 
- 1402
 
- 01:54:13,650 --> 01:54:18,320
 
- So, is this the end
 
- 1403
 
- 01:54:18,570 --> 01:54:25,160
 
- Forus, my friend
 
- 1404
 
- 01:54:28,250 --> 01:54:32,500
 
- Spoke to my god today
 
- Asked him why he'd gone away
 
- 1405
 
- 01:54:32,750 --> 01:54:36,800
 
- Hitched on a rocket ride
 
- into the sun
 
- 1406
 
- 01:54:37,050 --> 01:54:41,300
 
- Said, son I got one for ya
 
- Down there in California
 
- 1407
 
- 01:54:41,550 --> 01:54:45,680
 
- Just take a look around
 
- at all you've done
 
- 1408
 
- 01:54:45,930 --> 01:54:49,060
 
- You're automatic
 
- like a burnin' gun
 
- 1409
 
- 01:54:49,310 --> 01:54:54,440
 
- You're a star like everyone
 
- 1410
 
- 01:54:54,780 --> 01:54:58,860
 
- Talked to my soul today
 
- Couldn't keep my brain away
 
- 1411
 
- 01:54:59,110 --> 01:55:03,200
 
- So I found a holiday
 
- behind the sun
 
- 1412
 
- 01:55:03,450 --> 01:55:07,660
 
- Took all the friends I could
 
- Spun out in Hollywood
 
- 1413
 
- 01:55:07,910 --> 01:55:12,080
 
- Hit up on a climate everyone
 
- 1414
 
- 01:55:12,340 --> 01:55:15,460
 
- You're automatic
 
- like a burnin' gun
 
- 1415
 
- 01:55:15,710 --> 01:55:21,090
 
- You're a star like everyone
 
- 1416
 
- 01:55:21,800 --> 01:55:25,890
 
- You could save the world
 
- 1417
 
- 01:55:26,140 --> 01:55:30,560
 
- Could be shining on my pearl
 
- 1418
 
- 01:55:30,810 --> 01:55:34,860
 
- You could save the world
 
- 1419
 
- 01:55:35,110 --> 01:55:40,400
 
- Just might find your way
 
- mypearl
 
- 1420
 
- 01:55:40,660 --> 01:55:44,080
 
- Shine
 
- 1421
 
- 01:55:46,540 --> 01:55:50,290
 
- Shine
 
- 1422
 
- 01:55:56,340 --> 01:55:59,420
 
- You're automatic
 
- like a burnin' gun
 
- 1423
 
- 01:55:59,670 --> 01:56:05,510
 
- You're a star like everyone
 
- 1424
 
- 01:56:05,810 --> 01:56:09,890
 
- You could save the world
 
- 1425
 
- 01:56:10,140 --> 01:56:14,270
 
- Could be shinin' on my pearl
 
- 1426
 
- 01:56:14,520 --> 01:56:18,780
 
- You could save the world
 
- 1427
 
- 01:56:19,030 --> 01:56:23,240
 
- Could be shinin' on my pearl
 
- 1428
 
- 01:56:23,490 --> 01:56:27,620
 
- You could save the world
 
- 1429
 
- 01:56:27,870 --> 01:56:33,120
 
- Just might find your way
 
- my pearl
 
- 1430
 
- 01:56:33,370 --> 01:56:41,170
 
- Shine
 
- 1431
 
- 01:56:42,305 --> 01:57:42,205
 
- Watch Movies, TV Series and Live Sports
 
- Signup Here -> WWW.ADMITME.APP
 
 
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